9 10 414 https://european-mastectomy.artinterp.org/files/original/97570b89985dfcc26e295560e27703b6.jpg abe03122de547730180ac2112af8be82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A troupe of quack medicine vendors crying up their wares, representing Opposition politicians advertising their policies to the Prince Regent, but he, represented as a horse ridden by R.C. Wellesley, gallops away from them Description An account of the resource The Opposition politicians are represented as quacks beguiling the people with advocacy of reform and clamour against corruption in high places. Samuel Whitbread stands on a platform holding a placard inscribed "Infallible panacea-Reform"; in his coat pockets are medicine bottles, one of them labelled "Whitbreads intire". On the left Sheridan plays the part of the zany 1 print : etching, with aquatint and watercolour ; image 18.5 x 48.2 cm Creator An entity primarily responsible for making the resource Coloured etching by G. Cruikshank after "Nathaniel NoParty" Source A related resource from which the described resource is derived British Museum, Catalogue of political and personal satires, London 1949, vol. 9, no. 11846 Wellcome Collection https://wellcomecollection.org/works/q2ga4bs2 Publisher An entity responsible for making the resource available [London] (5 Newgate Street) : M. Jones, 1 Feb[r]u[a]ry 1812 Date A point or period of time associated with an event in the lifecycle of the resource 1812 Abstract A summary of the resource. The personification of death holds a pair of shears caricautre death mountebank quack shears surgery https://european-mastectomy.artinterp.org/files/original/ab8be1e276321e53c0d12d30fa0ee394.jpg 073e2217ab0e8f52e1bf8edfcdf65c45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doctor Botherum, an itinerant medicine vendor (perhaps based on Doctor Bossy) selling his wares on stage with the aid of assistants to a raucous crowd Description An account of the resource 1 print : etching and aquatint, with watercolour Lettering continues: "High oe'r the gaping crowd, on market day. While Andrew drolls the blockheads pence away, see the bold rogue pretending to restore, loves long lost fountain, that must flow no more. To heal wounds, or ease the raging gum, and [cure] all ills - past, present and to come. With balm Hippocrates had neir in use, powder of post commix'd, with fat of goose. Thus melts the coin obtain'd by labours rules. That cunning knaves may thrive and laugh at fools thus bashless impudence provokes to give, while modest merit means the means to live." Creator An entity primarily responsible for making the resource Coloured etching by T. Rowlandson, 1800 Source A related resource from which the described resource is derived Wellcome Collection\ https://wellcomecollection.org/works/pga6a4sw Publisher An entity responsible for making the resource available [London?] : [publisher not identified], 6 March 1800] Relation A related resource J. Grego, Rowlandson the caricaturist, London 1880, vol. 2, pp. 3-5 (detailed description of the scene) caricature female figure imp mountebank performance quack https://european-mastectomy.artinterp.org/files/original/3dca16c9042bc35d319caf1ff88fb091.jpg d213f9060e3d8baeccb5a7a6f8c84e71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A rustic farrier turned tooth-drawer extracting a tooth from a standing man, a woman looks on Description An account of the resource 1 print : mezzotint, with watercolour and gouache ; platemark 13.2 x 11.2 cm Creator An entity primarily responsible for making the resource Coloured mezzotint after J. Harris the elder Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/crjw4ems Publisher An entity responsible for making the resource available London (69 St. Pauls Church Yard) : Bowles & Carver. copy dentist pincers puller quacks teeth tools https://european-mastectomy.artinterp.org/files/original/f731ba38eb7d445e35081bba6df33c77.jpg fbd0f01ce56de918ae2ade827f969ad2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two human figures illustrating the reduction of dislocations of the foramen ovale and the dorsum ilii Subject The topic of the resource "Represents the positions for the reduction of dislocations in the foramen ovale, an on the dorsum ilii. ... G.E.B. delt 1831. From Sir A Cooper on dislocations. Lettering continues: "Fig. 1st. a. The belt which fires the pelvis. b. The pulley fixed above the knee. c. Head of the thigh bone on the dorsum ilii. d. Acetabulum. Fig. 2nd a. The belt which fires the pelvis. b. The pulley for the belt which passes between the thighs. c. The hand of the surgeon grashing the leg to bring it across. d. The head of the thigh bone. e. Acetabulum."" Description An account of the resource After plate to: Astley Cooper, A treatise on dislocations and fractures of the joints Creator An entity primarily responsible for making the resource Coloured pen drawing by G.E. Blenkins, 1831 Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/nfvenfvw effeminacy gender ambiguity male patient surgery tools touch https://european-mastectomy.artinterp.org/files/original/b63a7d5de557dd240650faedf81e870d.jpg 6c5855ede08f43c08024b3391280aab1 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Cullen Description An account of the resource 1 print : image 27 x 17 cm., on sheet 39 x 29 cm. Technique: engraving Creator An entity primarily responsible for making the resource Contributor(s): Martin, David, 1737-1797, artist Holl, Francis, 1815-1884, engraver Source A related resource from which the described resource is derived NLM http://resource.nlm.nih.gov/101412257 Publisher An entity responsible for making the resource available London : Whittaker & Co., 1839 engravings enlightenment greco-roman hands neoclassical portrait portraits surgeons touch https://european-mastectomy.artinterp.org/files/original/ff230b8b9e268811834de336b70a12cb.jpg 96b5cd6bdb889a428b500fbba19afae9 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An unconscious naked man lying on a table being attacked by little demons armed with surgical instruments; representing the effects of chloroform on the human body Subject The topic of the resource "One of several paintings commissioned by Henry S. Wellcome around 1912 from Richard Cooper, who was then working in Paris. Cooper was educated at Tonbridge and then trained as an artist in Paris before the First World War. In 1914 he joined the British Army and in 1916 was transferred to the Royal Engineers. His obituary in The times says that he worked on camouflage with Solomon J. Solomon RA as well as acting as official war artist for The graphic. After the war he enjoyed a flourishing career as a graphic artist designing posters: he is particularly well known for his advertisements for the London Underground" Description An account of the resource 1 painting : watercolour, with gouache, bodycolour and pencil ; sheet 42.8 x 57 cm Creator An entity primarily responsible for making the resource Cooper, Richard Tennant, 1885-1957. Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/vvuzurxb Date A point or period of time associated with an event in the lifecycle of the resource [approximately 1912] Relation A related resource Exhibited in "Pain: passion, compassion, sensibility" at The Science Museum, London, 12 February-20 June 2004 Exhibited in "Pijn" (Pain) at Museum Dr Guislain, Ghent, 8 Oct. 2005-30 April 2006. Exhibited in "Schlaf und Traum" at Dresden Deutsches Hygiene Museum, 31 March-3 October 2007 Exhibited in "Sleeping and dreaming" at Wellcome Collection, London, 29 November 2007--9 March 2008 ambiguous gender anesthesia dissection gender ambiguity mastectomy nightmare patient pincers sleep tools https://european-mastectomy.artinterp.org/files/original/96af9f3a97e54f133738fa2d54d77911.jpg 1dd9ff9069848bd0171a19c3e5f03ee1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of Saint Agatha Description An account of the resource Medium: Oil on canvas Dimensions: 23 1/2 x 13 1/8 inches (59.7 x 33.3 cm) Creator An entity primarily responsible for making the resource Copy after Giovanni Battista Tiepolo (Italian (active Venice, Udine, Würzburg, and Madrid) 1696–1770) Publisher An entity responsible for making the resource available Geography: Made in Italy, Europe Date A point or period of time associated with an event in the lifecycle of the resource c. 1750-1800 Contributor An entity responsible for making contributions to the resource Philadelphia Museum of Art Credit Line: The William L. Elkins Collection, 1924 breasts healing saint agatha sword torture https://european-mastectomy.artinterp.org/files/original/5b1c6422c26402039c68c7b086718d6c.jpg fb318d8c12b582eaa9c3ce34d3d04ba3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of Saint Agatha Description An account of the resource Medium: Engraving Dimensions: Sheet: 10 13/16 x 8 1/8 inches (27.5 x 20.7 cm) Creator An entity primarily responsible for making the resource Cornelis Cort (Dutch, 1533?–1578) After Giorgio Giulio Clovio (Croatian (active Italy), 1498–1578) Publisher An entity responsible for making the resource available Netherlands Date A point or period of time associated with an event in the lifecycle of the resource 1567 Contributor An entity responsible for making contributions to the resource Philadelphia Museum of Art https://philamuseum.org/collection/object/79081 The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985 blacksmith copy martyrdom saint agatha tools torture https://european-mastectomy.artinterp.org/files/original/137c8097b788193676f0465174dc4ee3.jpg c55d75176f0769abcc9afdd137f08acd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of Saint Agatha Description An account of the resource Medium: Engraving with plate tone Dimensions: Plate: 8 7/16 × 5 9/16 inches (21.5 × 14.2 cm) Sheet: 8 15/16 × 6 1/8 inches (22.7 × 15.5 cm) Creator An entity primarily responsible for making the resource Cornelis Galle II (Flemish, 1615–1678) After Anthony van Dyck (Flemish (active Italy, Antwerp, and England), 1599–1641) Publisher An entity responsible for making the resource available Made in Antwerp, Southern Netherlands (modern Belgium), Europe Date A point or period of time associated with an event in the lifecycle of the resource 1635-70 Contributor An entity responsible for making contributions to the resource Philadelphia Museum of Art https://philamuseum.org/collection/object/79908 The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985 breasts comical saint agatha tools torture https://european-mastectomy.artinterp.org/files/original/e906d1de846fbc451c85c2c4997c2e0c.jpg 6838633c864678a47667aece3ecbf586 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of Saint Agatha Description An account of the resource Medium: Engraving Dimensions: Sheet (cut within platemark): 7 13/16 × 5 5/8 inches (19.9 × 14.3 cm) Creator An entity primarily responsible for making the resource Cornelis Galle II (Flemish, 1615–1678) After Anthony van Dyck (Flemish (active Italy, Antwerp, and England), 1599–1641) Publisher An entity responsible for making the resource available Made in Antwerp, Southern Netherlands (modern Belgium), Europe Date A point or period of time associated with an event in the lifecycle of the resource 1635-70 Contributor An entity responsible for making contributions to the resource Philadelphia Museum of Art https://philamuseum.org/collection/object/79909 The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985 breasts copy saint agatha tools torture