39 10 414 https://european-mastectomy.artinterp.org/files/original/26348fe476caf345b9d63190ce93db44.jpg cec0ff9149e99ab5a043ea088545147f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The martyrdom of St Agatha Description An account of the resource the saint tied to a column at centre; flanked by two henchmen holding shears; another crouching at right, fanning a fire Height: Height: 260 millimetres Width: Width: 184 millimetres Inscription type: inscription Inscription content: Signed at lower right: 'DC ex Aug:'. Lettered on the tablet above the saint: 'S. AGATHA VIRGO ET MARTYR'. And four lines in lower margin: 'Altrices AGATHAE ferro lacerare papillas ... saeve per hasce necas.' This print is a copy in reverse after the engraving by Antonius II Wierix after Johannes Stradanus (not in the BM). Creator An entity primarily responsible for making the resource Print made by: Dominicus Custos Source A related resource from which the described resource is derived German British Museum https://www.britishmuseum.org/collection/object/P_1970-1212-16 Purchased from: Craddock & Barnard Acquisitioned 1970 Publisher An entity responsible for making the resource available German Date A point or period of time associated with an event in the lifecycle of the resource 1580-1615 Contributor An entity responsible for making contributions to the resource https://www.hollstein.com/new_dutch-en-flemish.html Format The file format, physical medium, or dimensions of the resource engraving https://european-mastectomy.artinterp.org/files/original/10ab68aff971f3f52da6413eb6e19b7b.jpg 9be0a024f97b24275a4beff40ef57f8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The martyrdom of St Agatha Description An account of the resource Height: Height: 446 millimetres Width: Width: 247 millimetres Inscription type: inscription Inscription content: Lettered in margin below: 'Iohannes Bapta Tiepolo inv et pinx. Io. Dominicus filius del. et fecit' Creator An entity primarily responsible for making the resource Print made by: Domenico Tiepolo After: Giovanni Battista Tiepolo Source A related resource from which the described resource is derived British Museum https://www.britishmuseum.org/collection/object/P_1865-1014-351 Purchased from: Edward Daniell in 1865 Format The file format, physical medium, or dimensions of the resource engraving https://european-mastectomy.artinterp.org/files/original/ecbf5dde7303a39c4820d38c49cf5bdc.jpg 6fe7ff70832e209c26d7fac44feb89ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of St Agatha Description An account of the resource The Martyrdom of St Agatha; centre, St Agatha tied to a column with her breasts exposed, to the left and r, an excutioner approaches with a pair of shears; in the foreground, another man kindles a fire, a crown and veil lie on the ground Engraving Height: Height: 253 millimetres Width: Width: 184 millimetres Inscription type: inscription Inscription content: Lettered in cartouche within image: 'S. AGATHA VIRGO / ET MARTYR.' Lettered below image: 'VENERABILI AC RELIGIOSAE VIRGINI PRVDENTIAE...PHILIPPVS GALLEAUS, IN AEMVLATIONIS, AD EIVSDEM / SANCTAE PIETATEM ET VIRTVTES STIMVLVM LVBENS DEDICAT.' Creator An entity primarily responsible for making the resource After: Jan van der Straet Print made by: Antonius Wierix Published by: Philips Galle Source A related resource from which the described resource is derived British Museum https://www.britishmuseum.org/collection/object/P_1957-0413-224 Previous owner/ex-collection: Elizabeth, Duchess of Northumberland (Courtier. In 1750 succeeded her father, Algernon Seymour as Baroness Percy while her husband, Sir Hugh Smithson (q.v.) succeeded him as Earl of Northumberland and assumed the name Percy; in 1766, he was created Duke of Northumberland.) for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120 acquisitioned 1957 Publisher An entity responsible for making the resource available Flemish Published in: Antwerp (city) Europe: Belgium: Flemish Region: Antwerp (province): Antwerp (city) Date A point or period of time associated with an event in the lifecycle of the resource 1604 Contributor An entity responsible for making contributions to the resource New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (228.I) Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752) Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I) https://european-mastectomy.artinterp.org/files/original/67fdc5cb685eb09ee6925c8a2154bfab.jpg d1ac94da9c3bce21332be393e7ea05c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The martyrdom of St Agatha Description An account of the resource The martyrdom of St Agatha, who is having her breast cut off by a man at the right, after Ippolito Costa. 1577 Engraving Height: Height: 248 millimetres Width: Width: 182 Inscription content: Lettered bottom right 'Diana incidebat Romae 1577' and in bottom margin 'S.Agatha'. Creator An entity primarily responsible for making the resource Print made by: Diana Scultori After: Ippolito Costa (more related to Scultori https://www.britishmuseum.org/collection/term/BIOG45760) Source A related resource from which the described resource is derived British Museum https://www.britishmuseum.org/collection/object/P_1872-1012-3459 purchased from Edward Daniell 1872 Publisher An entity responsible for making the resource available Italian Date A point or period of time associated with an event in the lifecycle of the resource 1577 Contributor An entity responsible for making contributions to the resource After a painting by Ippolito Costa from the Duomo of Mantua. See Paolo Bellini, ‘L'opera incisa Adamo e Diana Scultori’, Vicenza, 1991, p. 220. https://european-mastectomy.artinterp.org/files/original/017d3fca0d8f59833fad41ffc44ead51.jpg a09b6e505d107dbd37673605a7157e6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of St Agatha Description An account of the resource pen and ink wash drawing Height 277 mm Width 207 mm watermark: Lamb in circle (45 x 47 mm, on P3 of 6P, vH, left), similar to Briquet 49 (with halo)(Florence 1511, Treviso 1514), similar to Piccard Online 86768 (Ferrara 1576) Creator An entity primarily responsible for making the resource Giulio Clovio Source A related resource from which the described resource is derived museums boijmans https://www.boijmans.nl/en/collection/artworks/60531/the-martyrdom-of-st-agatha Date A point or period of time associated with an event in the lifecycle of the resource c. 1567 Contributor An entity responsible for making contributions to the resource Van Parijs (rond 1800, L.2531, no. 8), Brussels; his sale Amsterdam (Muller) 11-12.01.1878, lot 117 (Vasari, with the etching by C. Cort, Fl 3); - ; art dealerJ.H.J. Mellaart, London-The Hague-Borgharen; Dr. J.C.J. Bierens de Haan, Amsterdam, acquired 1941; Bequest Dr. J.C.J. Bierens de Haan 1951 Legaat / Bequest: Dr. J.C.J. Bierens de Haan 1951 instruments pincers saint agatha shears tongs tools torture https://european-mastectomy.artinterp.org/files/original/3ee7a59a3e339a8f41d7b05a582a3199.jpg 535c5a71fc9edb714fb64cb7bf4e82d6 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The medical practitioner as Christ, angel, man and devil Description An account of the resource 4 prints : engravings ; sight 54.5 x 76 cm Creator An entity primarily responsible for making the resource Coloured engravings by J. Gelle after E. van Panderen Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/kzn5a247 Relation A related resource Set of four prints. Four other sets on the same subject are also recorded: see C.E. Daniels, "Docteurs et malades", Janus, vol. 5, 1900, pp. 20-26 F.W.H. Hollstein, Dutch and Flemish etchings engravings and woodcuts, vol. VII, Amsterdam [19--], p. 97, nos 7-10 (set of four) angel devil domestic god knives man surgical room medical physician pincers scissors shears surgeon tools urine https://european-mastectomy.artinterp.org/files/original/922c811f250e25b68fb05a321931ae9e.jpg a6350f0505fcd2211b134567af7b52cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Quack Doctors Confession on his Death Bed Subject The topic of the resource A dying unscrupulous medical practitioner confesses the errors of his ways to a nurse. Coloured etching by W. Heath. Description An account of the resource 1 print : etching, with watercolour ; image 30.3 x 22.2 cm Lettering continues: "If the common soft or tub soap made into a moderate strong lather, or half an ounce of liquor potassoe in twelve ounces of distill'd water - which is the late Dr. Fordyces prophylatic, or in the absence of these' th best yellow soap, were to be used as preventives of the veneral infection - there could be no longer any excuse nor even bread for one of my profession & callings." Creator An entity primarily responsible for making the resource Bears artist's embelm: a miniature figure wearing a top hat and leaning on an umbrella Heath, William, 1795-1840 Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/yn2zddjt caricature death bed nightmare patient performance quack https://european-mastectomy.artinterp.org/files/original/c91d45f9bd0bde6650be9b08756559cd.jpg 8ff02cffe4e013ff9195f148c45c40d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Quacks Subject The topic of the resource James Graham and Gustavus Katterfelto in combat using electrotherapy machines as weapons Description An account of the resource 1 print : etching ; platemark 24.7 x 34.8 cm Publisher An entity responsible for making the resource available [London] (227 Strand) : W. Humphrey, 17 March 1783. Contributor An entity responsible for making contributions to the resource British Museum, Catalogue of political and personal satires, vol. V, London 1935, no. 6325 Exhibited in "Seduction and Celebrity: The Spectacular Life of Emma Hamilton" at the National Maritime Museum, London, 1 November 2016 - 1 April 2017 Exhibited in "Medicine Man" at Wellcome Collection, 15 April - 7 October 2019 Abstract A summary of the resource. "Two of the most colourful entrepreneurs of Georgian London are shown in combat: on the left the Scot James Graham and on the right the Prussian Gustavus Katterfelto. Both are shown using the fashionable electro-therapeutic machinery as part of their restorative and edifying products, Graham in sex-therapy and Katterfelto in the marvels of nature. Graham (left), in profile to the right, is standing on an E.O. table (similar to a roulette wheel), circular and surrounded by the letters E.O. (his establishment in Pall Mall was used for gambling on E.O. tables). He stands astride a long phallic electrical conductor, supported on a vase-shaped electrical insulator; each foot rests on a glass insulator. The conductor is inscribed 'Prime conductor, gentle restorer largest in the world', and the insulator supporting it is inscribed 'insulated'. In his left hand Graham holds up a phial or cylinder inscribed 'Medicated tube', he points at Katterfelto, saying, "That round vigour! that full-toned juvenile virility which speaks so cordially and so effectually home to the female heart, Conciliating its favour & friendship, and rivetting its Intensest affections away thou German maggot killer, thy fame is not to be compar'd to mine". He wears a physician's full-curled wig, a ruffled shirt, and a laced waistcoat At Graham's feet stands a duck, on a label coming from its beak are the words "Quack. Quack. Quack", and a thistle indicating his Scottish origin. Other objects on the platform are the model of a cannon inscribed 'Coelestial musick' and two jars, one inscribed 'Leyden vial charg'd with load stones aromatic spices, &c. &c. &c'; the other 'Tin foil or antidote' Above the further side of Graham's table (left) appear the heads and shoulders of two gigantic porters who were part of Graham's establishment. One (left) labelled Gog stands full-face, a placard round his neck: 'Temple of Health & of Hymen', the name of Graham's establishment at Schomberg House, Pall Mall, in allusion to his 'celestial bed' for the cure of sterility. The other footman, 'Magog', is in profile to the right. Attached to the wall above their heads is a stuffed alligator inscribed 'Cured of the dropsey & gout in the stomach'. Beneath this is a shelf, on it are a pestle and mortar, a bust, perhaps of Galen, and a monkey seated in profile to the right holding up a phial in imitation of Graham Katterfelto's stage is a flimsy rectangular structure supported on thin planks, with cross planks, one decorated with a skull and cross-bones, the other by insects, &c. (a butterfly, centipede, moth, and worm). He crouches over a cylindrical conductor supported on a pillar, similar to, but not identical with, that of his rival; it is inscribed, 'Positively charg'd'; his feet rest on the base of its pillar, a trident on its other end touches a barrel-shaped electrostatic generator which is being turned by a devil with horns and breasts, who says, "Away with it my dear son I'll find fire eternally for you". Katterfelto embraces his electrical conductor with one arm, while his right hand points at Graham; sparks come from his thumb, forefinger, and wig, from a spike on the front of his conductor, and also drop from his chin. He is saying "Dare you was see de vonders of the varld, which make de hair stand on tiptoe, Dare you was see mine tumb and mine findgar, fire from mine findger and feaders on mine tumb - dare you was see de gun fire viddout ball or powder, dare you was see de devil at mine A[rs]e-- O vonders! Vonders! Vonderfull vonders!" The chain of sparks from Katterfelto's chin drops on to the touch-hole of a toy cannon at his feet so as to fire it in the direction of Graham. His attitude and profile express intense excitement, and his whole person appears charged with electricity; the hair on his forehead stands up, his long pigtail queue flies out behind him as do his coat-tails. Other objects on his platform, besides the electrical appliance which he is grasping, the devil's generator and the cannon, are a Leyden jar, a small rectangular box inscribed 'Arcanum sublimum' and 'Mask'd battery', a toy windmill, a square bottle inscribed 'Tinctr Aurum Vivae', a thunder-house, raised above its base, inscribed 'Thunder house', a bag or small sack inscribed 'Aurora Borealis', and an insect resembling a scorpion (one of the wonders of nature). Beneath the platform is a 'Reservoir for dead insects destroy'd by Dr Katterf[elto]'; insects are indicated carved on the plank" bust cabinet of curiosities devil greco-roman magic medicine quacks tools https://european-mastectomy.artinterp.org/files/original/a1294013f3632553b48f513e616907bd.jpg bd81217180b288ca08ccc464f336ada6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Rival Accoucheurs or who shall Deliver Europe Subject The topic of the resource William Pitt the younger as an obstetrician and medicine vendor, accompanied by Henry Dundas as his assistant, disputing with Napoleon Bonaparte their respective medicinal remedies for the delivery of Europe. Etching after C. Ansell (?), 1800. Description An account of the resource The print contrasts Pitt's use of cash to support his Austrian allies with Napoleon's use of military force. Pitt is represented both as an accoucheur or man-midwife (he has a pair of forceps labeled "Income tax" sticking out of his pocket) and as a medicine vendor ("quack doctor"). To the left, Dundas wears a Scottish bonnet and a plaid suit in the style of the harlequin costume traditionally worn by the quack-doctor's zany. Napoleon carries a sword (as the obstetrician does in the print "Doctor Forceps" by Matthias Darly, 1773) with which he points to a pile of bolus-shaped (and musket-ball-shaped) pills. On the right his assistant uses a musket to shoot a bolus down the throat of one of the Austrian generals whom Napoleon had defeated at the battle of Marengo on 14 June 1800: either General Michael von Melas or General Pál Kray, both of whom are mentioned in the lettering. The British Museum catalogue suggests the shooting man may be Napoleon's general Louis Charles Antoine Desaix (1768-1800), though he would be an unsuitable candidate as he was killed by a musket ball at Marengo 1 print : etching ; platemark 18 x 22.7 cm Pitt says: "Why I tell you Doctor Buonaparte, nothing can effect a complete deliverance but my prescription of mint seed, it is the most efficacious remedy in the world". Napoleon replies "I deny that, Doctor, my pills are far more certain in their operation & much quicker in their effect, for instance you have been 14 months in attempting to deliver Italy & I have delivered her in a day, but I refer you to Dr Melas & Dr Kray who have both tried my pills & found them irresistible. therfore Dr if you do not immediatly acknowledge the superiority of my pills, by Mahomet I will make you -". Dundas replies, "Hoot mon, I never knew a country man of mine but would prefer the mint seed to aw the republican pills in the world". Creator An entity primarily responsible for making the resource Ansell, Charles, approximately 1752- Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/mrapkw3h Date A point or period of time associated with an event in the lifecycle of the resource c. 1800 Contributor An entity responsible for making contributions to the resource British Museum, Catalogue of political and personal satires, vol. VI, London 1938, no. 9544A Lisa Forman Cody, Birthing the nation: sex, science, and the conception of eighteenth-century Britons, Oxford 2005, p. 312 forceps obstetrics pincers quacks surgeons tools https://european-mastectomy.artinterp.org/files/original/cdd6c73a8ad984877654f4a1a532bfa4.jpg ff8cb4c5c7179cc4536bcf02f71b7f41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Saints Apollonia, Agatha, Cecilia, and Ursula Description An account of the resource 23,2 x 16 cm Publisher An entity responsible for making the resource available Flanders Date A point or period of time associated with an event in the lifecycle of the resource c. 1500 Contributor An entity responsible for making contributions to the resource Staatliche Museum, Berlin https://id.smb.museum/object/952779/die-heiligen-apollonia%2C-agathe%2C-c%C3%A4cilia-und-ursula-