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                <text>Le docteur Péan&#13;
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                <text>View of a half naked woman on a table surrounded by physicians. Dr. Péan is in the foreground.&#13;
photogravure</text>
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                <text>Paris, France : Schwartzweber, [1887?]&#13;
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                <text>Avant l'opération: salon de 1887&#13;
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                <text>photogravure based on Gervex 1887 salon painting of Pean</text>
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                <text>France : [s.n., 188-?]&#13;
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                <text>1 photograph ; image 29.2 x 16.2 cm&#13;
Lettering&#13;
Hec est tabula de matrice mulierum et impregnatione&#13;
References note&#13;
L. Crummer, "Early anatomical fugitive sheets," Annals of Medical History, 5, no. 3, 1923, p. 198, fig. 7&#13;
J. G. de Lint, "Fugitive anatomical sheets," Janus, 28, 1924, pp. 89-90, fig. 7&#13;
C. Singer, The fasciculo di medicina (Venice 1493), Florence 1925, pp. 22-26&#13;
&#13;
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                <text>A woman, half-length, full face, is holding a diaphanous cloth up under her chin; there are several numbers on her face which correspond to various signs as explained in a table below the image.&#13;
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                <text>NLM&#13;
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                <text>Paris: Blaisot, [181-?]</text>
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                <text>Hans Buling (?), an itinerant medicine vendor selling his wares with the aid of a monkey and a performer dressed as Harlequin</text>
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                <text>Attached is a later copy of this print  - the engraving supposedly by I.R. Cruikshank (which would be after this one) after a Delft plate created by B.S. in 1750</text>
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                <text>An audience of people throwing handkerchiefs (containing money?) onto a stage where an itinerant medicine vendor has been successfully selling his wares.</text>
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                <text>Lettering continues: "T is geen diogenes die hier staatvoor syn ton, die gemelyke vent, die gisper van de zeden, die gek, die metsyn bek geen enkele stuyver won, 't is Tiatjeron, messieurs, begaast met taal en reden, die salf en oly venten vrolyk lagt en liegt, en nimand als die wil bedrogen syn bedriegt, en menig schellinkjen ontsangt voor zulke prulle, en die weer ligt ver bruyt met pronken en met smullen."&#13;
&#13;
1 print : line engraving and etching ; image 24.6 x 16.8 cm&#13;
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https://wellcomecollection.org/works/hxnfcpqz</text>
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                <text>[Place of publication not identified] : K.H. exc.&#13;
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        <name>hands. quacks</name>
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                <text>Quackery Unmasked. Or, Empiricism displayed</text>
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                <text>Quackery unmask'd, or, empiricism display'd. Dedicated to Doctor Chiron riding master to Achilles, and Æsculapius physician extraordinary to the dead. ...&#13;
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                <text>A large table in a lecture hall with many commercial medicine vendors and practitioners seated around it: in the background are many tiers of spectators&#13;
1 print : line engraving and etching ; platemark 20.1 x 32.8 cm&#13;
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https://wellcomecollection.org/works/uj59e8xf</text>
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                <text>[London] : Sold in May's Building Covent Garden &amp; 100 more, According to Act of Parliament. 1748.</text>
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                <text>British Museum, Catalogue of political and personal satires, vol. III pt. I, London 1877, no. 3019&#13;
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                <text>Doctor Rock (Richard Rock 1690-1777) was a medicine vendor who frequented the London areas of Tower Hill, St. Paul's Cathedral and Covent Garden. He offered for sale his "anti-venereal, grand, specifick pill". He was represented in several caricatures: William Hogarth referred to him in A harlot's progress pl. V; The march to Finchley; and The four times of the day, morning</text>
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                <text>the exposure of the 'man's' back in a feminized position, recalling greco-roman statuary and martyrdom</text>
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                <text>1 print : etching ; platemark 31.8 x 23.3 cm&#13;
Lettering continues: "Allen staenden, leuten, die es am wenigsten glauben, Leuten, die von der Betrügerey leben, diesen ist die Ehr lichkeit, oder welches einerley ist, der Schein der Ehr lichkeit am unentbehrlichsten. Auf der 92 sten seite des vierten Theils Siche Antons Paussa von Mancha abhandlung von Sprüchwörtern."&#13;
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                <text>British Museum, Catalogue of political and personal satires, vol. V, London 1935, no. 6325&#13;
Exhibited in "Seduction and Celebrity: The Spectacular Life of Emma Hamilton" at the National Maritime Museum, London, 1 November 2016 - 1 April 2017&#13;
Exhibited in "Medicine Man" at Wellcome Collection, 15 April - 7 October 2019</text>
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                <text>"Two of the most colourful entrepreneurs of Georgian London are shown in combat: on the left the Scot James Graham and on the right the Prussian Gustavus Katterfelto. Both are shown using the fashionable electro-therapeutic machinery as part of their restorative and edifying products, Graham in sex-therapy and Katterfelto in the marvels of nature. Graham (left), in profile to the right, is standing on an E.O. table (similar to a roulette wheel), circular and surrounded by the letters E.O. (his establishment in Pall Mall was used for gambling on E.O. tables). He stands astride a long phallic electrical conductor, supported on a vase-shaped electrical insulator; each foot rests on a glass insulator. The conductor is inscribed 'Prime conductor, gentle restorer largest in the world', and the insulator supporting it is inscribed 'insulated'. In his left hand Graham holds up a phial or cylinder inscribed 'Medicated tube', he points at Katterfelto, saying, "That round vigour! that full-toned juvenile virility which speaks so cordially and so effectually home to the female heart, Conciliating its favour &amp; friendship, and rivetting its Intensest affections away thou German maggot killer, thy fame is not to be compar'd to mine". He wears a physician's full-curled wig, a ruffled shirt, and a laced waistcoat&#13;
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&#13;
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&#13;
Katterfelto's stage is a flimsy rectangular structure supported on thin planks, with cross planks, one decorated with a skull and cross-bones, the other by insects, &amp;c. (a butterfly, centipede, moth, and worm). He crouches over a cylindrical conductor supported on a pillar, similar to, but not identical with, that of his rival; it is inscribed, 'Positively charg'd'; his feet rest on the base of its pillar, a trident on its other end touches a barrel-shaped electrostatic generator which is being turned by a devil with horns and breasts, who says, "Away with it my dear son I'll find fire eternally for you". Katterfelto embraces his electrical conductor with one arm, while his right hand points at Graham; sparks come from his thumb, forefinger, and wig, from a spike on the front of his conductor, and also drop from his chin. He is saying "Dare you was see de vonders of the varld, which make de hair stand on tiptoe, Dare you was see mine tumb and mine findgar, fire from mine findger and feaders on mine tumb - dare you was see de gun fire viddout ball or powder, dare you was see de devil at mine A[rs]e-- O vonders! Vonders! Vonderfull vonders!"&#13;
&#13;
The chain of sparks from Katterfelto's chin drops on to the touch-hole of a toy cannon at his feet so as to fire it in the direction of Graham. His attitude and profile express intense excitement, and his whole person appears charged with electricity; the hair on his forehead stands up, his long pigtail queue flies out behind him as do his coat-tails. Other objects on his platform, besides the electrical appliance which he is grasping, the devil's generator and the cannon, are a Leyden jar, a small rectangular box inscribed 'Arcanum sublimum' and 'Mask'd battery', a toy windmill, a square bottle inscribed 'Tinctr Aurum Vivae', a thunder-house, raised above its base, inscribed 'Thunder house', a bag or small sack inscribed 'Aurora Borealis', and an insect resembling a scorpion (one of the wonders of nature). Beneath the platform is a 'Reservoir for dead insects destroy'd by Dr Katterf[elto]'; insects are indicated carved on the plank"</text>
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