29 10 414 https://european-mastectomy.artinterp.org/files/original/6e660857f99aae37f499f5f3ba991d1b.jpg f3a669de34cce11cfc68910ae827d933 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personifications of medicine, pharmacy and surgery Subject The topic of the resource "In the centre, raised on a dais, stands a physician representing Medicine. He wears academic dress, and his gown is composed of some of the ancient and mediaeval books in which traditional western medicine has been transmitted. They include works by the ancient Greek authors Hippocrates (5th-4th century BC) and Galen (AD 129-200); the Byzantine Paul of Aegina (AD 625-690?); the eastern mediaeval authors Avicenna (980-1037), Rhazes (Abū Bakr Muḥammad ibn Zakarīyā Rāzī, 865?-925?), Avenzoar (ʻAbd al-Malik ibn Abī al-ʻAlāʼ Ibn Zuhr, d. 1162), Moses Maimonides (1135-1204), Haly Rodoan (ʻAli ibn Riḍwān, d. ca. 1068), Haly Abbas (ʻAlī ibn al-ʻAbbās Majūsī, 10th/11th cent.), and Mesue (Yūḥannā Ibn Māsawayh, d. 857 or 858); and the western mediaeval authors Bernard of Gordon (ca. 1260-ca. 1318), Arnold of Villanova (d. 1311), and the modern preserver of mediaeval knowledge Laurent Joubert (1529-1583). Elevated by his learning, which ranges over the whole spectrum of subjects relevant to medicine, the physician gives six instructions to the two subordinate figures whose qualifications cover a narrower range.The first three commands (clysters, bloodletting, cupping) are directions to the surgeon, the second three (laxatives, juleps, emetics) to the apothecary. On a table on the left are medical instruments: a vertical urine flask containing urine with sediment from a kidney or bladder stone; a horizontal urine flask; a bowl containing a steaming liquid; and a prescription ("Ordonnance") containing a list of plants (senna, cassia, tamarind, rhubarb, manna) to be used as a medicine or medicines. On his head he wears an academic beret on which sits an owl Below, on the left is the apothecary, composed of items of pharmaceutical equipment. His hat is an alembic or distilling flask. Bags of oil of lilies and oil of bay cover his chest. Various other ointments, creams and syrups form other parts of his body On the right is the surgeon, whose body is composed of surgical instruments. His hat is a cranial elevator (for removing pieces of bone when the skull has been fractured). In his right hand he holds a vaginal speculum, in his left an oral speculum. Trusses hang from his right forearm, tourniquets from his left. On his breasts he has shaving bowls. From his waist hang saws, knives and drills" Description An account of the resource 1 painting : oil on canvas ; canvas 141.5 x 124 cm Creator An entity primarily responsible for making the resource after(?) Larmessin, Nicolas de, II, 1638-1694. "The individual figures were probably devised by the French engraver Nicolas de Larmessin, ca. 1695. The arrangement of the three figures in a single composition with an ornate colonnade open to a mountainous backdrop seems to be unique to this painting" Abstract A summary of the resource. "The lettering on each figure is transcribed as follows, with the aid of the lettering on the corresponding engravings by Larmessin where the painted ones are indistinct. The physician emits commands which are represented as thunder and lightening issuing from his mouth: Lauemens [clysters] ; Saignées [bloodletting] ; Ventouzes [cupping] ; Purgations [laxatives] ; Iuleps (juleps, similar to syrups) ; Emétiques [emetics]. His collar is formed by an open book inscribed: Auicenne [Avicenna]. On his right arm is a book inscribed: Hipocrate [Hippocrates]. On his left arm is a book inscribed: Galien [Galen]. Four horizontal bands around his tunic, where fur bands would be on academic dress, are lettered with the names of authors of scholarly books. On the topmost band, P. Æginette [Paul of Aegina] ; Rhasis [Rhazes]. On the second band, Auerrois [Averroes] ; Auenzoar [Avenzoar] ; Rabby Moyse [Moses Maimonides]. On the third band: Azaram [not identified] ; Rodoan [Ali ibn Riḍwān] ; Aliabbas [Haly Abbas, ʻAlī ibn al-ʻAbbās Majūsī] ; Musue [Mesue, Yūḥannā Ibn Māsawayh] ; Dyn [presumably an Arabic name including al-Dīn, not identified]. On the fourth and bottom band: Gordon [Bernard of Gordon] ; Arnaud [Arnold of Villanova] ; Joubert [presumably Laurent Joubert]. On the table on the left, items inscribed as follows: Urine graueleuse ; Urinal ; Bille Eschaufée; Ordonnance / Senné / Casse / Tamarin / Rheubarbe / Manne Inscriptions on the pharmaceutical equipment which forms the costume of the apothecary are as follows. On the alembic on his head: Alambic. On his chest, two bags inscribed Hle de lys [Huile de lys] and Hle de Laurier [Huile de Laurier]. On the jar forming is left arm, Vng. Rosatū [Unguentum rosatum]. Above the cup held in his left hand, Medecine. On two of the flasks forming his midriff, Ceral. and Vng. [Caeruleum unguentum]. Around his pelvis, five flasks of which the front one is lettered B. Raisin. On his left hip: H dambre [Huile d'ambre]. Of the mortars which make up his thighs, the one on the right thigh is inscribed Creme de tartre; the mortar on the left thigh is inscribed Scamonée. Of the small flasks which form his knees, the one in the centre of his right knee is inscribed Sirop de Mon; the one in the centre of his left knee is inscribed Sirop de Capillaire. His shins are formed of drug-jars inscribed Album Rasis (right shin) and Pōpholigos Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: Bec de Corbin. On the instrument in his right hand: Miroir Matrical ou Uterin. On the trusses hanging round his right arm: Bandages pōr Rupt[ure]. On the instrument on his left shoulder: Dauiez. On the toothed forceps below that instrument: Tenette. On the tourniquets hanging from his left arm: Ligature. On the instrument in his left hand: Miroir po' la [Bouche]" france knives medicine pincers royal society shears surgery tools https://european-mastectomy.artinterp.org/files/original/35468f83d5cbd52373e4c4cd48856cc8.jpg fbd6631a49211aa63319f1582a3742b0 https://european-mastectomy.artinterp.org/files/original/3f923f105ffca7c9af07614f8f6cc2f9.jpg f092f0987791535be21018b88b2725b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Philip Thicknesse writing at a table, surrounded by demonic apparitions representing aspects of his life Description An account of the resource 1 print : aquatint with etching, with watercolour ; image 49.2 x 39 cm Lettering Lieu.t Gover.r Gall-stone, inspired by Alecto; or The birth of Minerva ... References note British Museum, Catalogue of political and personal satires, vol. VI, London 1938, no. 7721 William Schupbach, 'Il Luogotenente Governatore del Calcolo Biliare', Kos, 1984, 1(6), p. 12 Lettering note Lettering continues: "From his head she sprung, a goddess arm'd", Milton. To the opinions of the right hon.ble Edward, Lord Thurlow, the Earls Camden, Bute, Bathurst, and Coventry, George Touchet -Baron- Audley, and Philip Thicknesse Jun.r esq.r to the literati, the Royal Society, the military, medical and obstetric bodies, this attempt to elucidate the properties of honor and courage, intelligence and philanthropy, is most respectfully submitted, by their humble servant, J.s Gillray ... [Lettering continues at great length. The full text can be found in the British Museum catalogue of political and personal satires, vol. 4, number 7721] On the table, page is open to an image of a physician feeling a woman's breast with the caption "Man Midwifery Analyzed. or a new way to write Bawdy for the instruction of Modest Women with an Emblematic Frontispiece" Creator An entity primarily responsible for making the resource James Gillray Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/wftc6zre Publisher An entity responsible for making the resource available London (18 Old Bond Street) : H. Humphrey, 15 February 1790. caricature examination midwifery patient physician https://european-mastectomy.artinterp.org/files/original/653f5603305e941c82610563f480e1e4.jpg d960b5122da0e369adc4186fe5c06928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Philippe Ricord Subject The topic of the resource portrait of Ricord, physician specializing in syphilis Description An account of the resource 1 print : wood engraving, with watercolour Ricord uses a knife upon cupids Creator An entity primarily responsible for making the resource Gill, André, 1840-1885 Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/zhvdra8n Publisher An entity responsible for making the resource available Paris: La Lune Date A point or period of time associated with an event in the lifecycle of the resource 20 October 1867 caricature knife love portrait ricord surgeon tools https://european-mastectomy.artinterp.org/files/original/a761939e98bc118744724ae7ab2e47ac.jpg d5c2e8c817d33d80a1f92121a0ab0c07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Phisicgongius von Grillenburg Subject The topic of the resource Caricature on the dress and manners of an 18th century physician. Description An account of the resource 1 print : 34 x 22 cm. Technique: engraving Creator An entity primarily responsible for making the resource Engelbrecht, Martin, 1684-1756, artist Source A related resource from which the described resource is derived NLM http://resource.nlm.nih.gov/101393823 coat dress hate physician shoes https://european-mastectomy.artinterp.org/files/original/e90b3df0fd0642f224bf7c0065d3f326.jpg 6987da030f24475ccb3e036a707e4103 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pierre Dionis conducting a dissection in the anatomy theatre of St. Cosmas. Instruments "pour la Lithotomie" (lithotomy) Creator An entity primarily responsible for making the resource Jean-Baptise Scotin Source A related resource from which the described resource is derived Wellcome Collection https://www.jstor.org/stable/community.24726169 dionis dissection lithotomy male subject naked. nude surgery theatre https://european-mastectomy.artinterp.org/files/original/645d75414a29b0d2d0bf84fd5b287236.jpg eb90b9fc8d61772fd671e976a9ff2d56 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pietà Subject The topic of the resource death of Christ Description An account of the resource Christ in a similar position to Saint Agatha by Sebastiano Creator An entity primarily responsible for making the resource Giovanni Bellini Source A related resource from which the described resource is derived Pinacoteca di Brera, Milan Date A point or period of time associated with an event in the lifecycle of the resource c. 1460 christ death iconography painting https://european-mastectomy.artinterp.org/files/original/a7cc30a89cad9bba58eeacd648103168.jpg e866b39c695e93217bc338ee9801ef98 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plaster plaque showing the diagnosis of a breast tumour, sculpted by Jackson from a 13th century French manuscript, English, 1977 Source A related resource from which the described resource is derived Science Museum Group. Plaster plaque showing the diagnosis of a breast tumour. A637040Science Museum Group Collection Online. Accessed April 17, 2023. https://collection.sciencemuseumgroup.org.uk/objects/co93466/plaster-plaque-showing-the-diagnosis-of-a-breast-tumour-plaque. breast breast cancer christianity diagnosis saints virgin mary https://european-mastectomy.artinterp.org/files/original/6868772d5499173894812827a60c16f3.jpg c5c306d8a1533cb29c1138d8169858fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plate LVI. Surgery for the removal of the mammary gland. Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/b55uub8v bourgery breast cancer hands mastectomy surgery tools tract https://european-mastectomy.artinterp.org/files/original/6054d13db623f469be8ffaf96c9b472a.jpg eec4d8dde7b573428d9aae8ec0dc0e3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of a lady Subject The topic of the resource Object: Object: Giulia Gonzaga Series: Series: The National Gallery of Pictures by the Great Masters Description An account of the resource Plate 63: Portrait of a lady traditionally identified as Giulia Gonzaga, half-length, turned to right; after Sebastiano del Piombo. c.1836 Etching and engraving Height: Height: 271 millimetres Width: Width: 214 millimetres Inscription content: Lettered in lower margin with title and production details: "Engraved by L. Stocks" and "From the original Picture by Sebastiano del Piombo in / The National Gallery / No.63" and "Jones & Co. Temple of the Muses, Finsbury Square, London.". After Sebastiano del Piombo's "Portrait of a lady with the attributes of Saint Agatha" of c. 1540 in the National Gallery (inv. NG 24), thought at the time to represent Giulia Gonzaga. Creator An entity primarily responsible for making the resource After: Sebastiano del Piombo Print made by: Lumb Stocks Published by: Jones & Co Publisher An entity responsible for making the resource available Italian / British Published in: London (England) Europe: British Isles: England: London (England) Date A point or period of time associated with an event in the lifecycle of the resource 1836 Contributor An entity responsible for making contributions to the resource British Museum https://www.britishmuseum.org/collection/object/P_1861-1214-66 Purchased from: Willis & Sotheran female subject female subjectivity portrait saint agatha https://european-mastectomy.artinterp.org/files/original/56af31978fb31308130eca4b74ab48c5.jpg 512b02bd6e062883cccc223424712873 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of a Lady with the Attributes of Saint Agatha Description An account of the resource The lady in the picture is shown with the attributes of Saint Agatha, the third-century Sicilian martyr who was reported to have been tortured for rejecting the marriage proposal of the Roman governor. A dish with Agatha’s severed breasts and the pliers used to remove them are depicted on the right. However, technical examination of the painting has shown that the breasts, pliers, martyr’s palm and halo are later additions, suggesting that the work was originally a portrait, although the sitter remains unidentified. The letter ‘F’ before the name ‘Sebastianus’ in the signature shows that this work was painted in or after the year 1531, when Sebastiano del Piombo (‘Sebastiano of the Seal’) became the bearer of the papal seal and adopted the honorific title associated with that role: frate (friar). The painting of the lady’s dress and hair are well preserved although the flesh areas are now damaged and have a greyish appearance. oil on canvas 92.4 × 75.3 cm Signed Creator An entity primarily responsible for making the resource Sebastiano del Piombo Date A point or period of time associated with an event in the lifecycle of the resource early 1530s Contributor An entity responsible for making contributions to the resource NGA, London https://www.nationalgallery.org.uk/paintings/sebastiano-del-piombo-portrait-of-a-lady-with-the-attributes-of-saint-agatha The Reverend William Holwell Carr Holwell Carr Bequest, 1831 https://www.nationalgallery.org.uk/people/the-reverend-william-holwell-carr breasts female subject pincers pliers portrait saint agatha tools