29 10 414 https://european-mastectomy.artinterp.org/files/original/ea953d8e4bba385d41a621069d302050.jpeg df424bb884eb27889edac5383e6a45c3 https://european-mastectomy.artinterp.org/files/original/6471f88196c2c5cb104a188f4db0cc5a.jpeg 5d871f6cba8f141fa2979f65ccff668e https://european-mastectomy.artinterp.org/files/original/355d52c333e4af8c5794bb4bbe75dd08.jpeg c875acada40f37a10b60aae5ce126efc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les œuvres d'Ambroise Paré ... Diuisees en vingt huict liures, auec les figures et portraicts, tant de l'anatomie, que des instruments de chirurgie, et de plusieurs monstres. Reueuës et augmentees par l'autheur. Description An account of the resource 26 unnumbered pages, VICIIII [i.e. 604], 4 unnumbered pages, VICV-MCCXLV [i.e. 605-1,245], 168 unnumbered pages : illustrations (woodcut), portrait ; (folio) Includes index (unpaged). Copy 2. Lacks title page. Bound in 16th century calf, blind tooled, initials H. A. C. around gilt tooled stamp on each board, remains of metal clasps, rebacked in parchment. 16th century manuscript inscription upside-down at foot of first leaf. 4th edition Creator An entity primarily responsible for making the resource Paré, Ambroise Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/js7px29b Publisher An entity responsible for making the resource available Paris : Gabriel Buon, 1585. pincers sheers surgery tools https://european-mastectomy.artinterp.org/files/original/07c9b46111f81e8f8c73ec75ab95fdcc.jpeg 6ab146cdd1759dce1990950617ff5eb9 https://european-mastectomy.artinterp.org/files/original/e3b312adac343cf17723b2a02ea1ed4d.jpeg ae1be17c5a6ef8a3b365cbce3ba7f877 https://european-mastectomy.artinterp.org/files/original/73f6c6b3b174293cec4658ba920238d5.jpeg a311999cd3b5e1420f33ff122f7c4da6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Les œuvres de M. Ambroise Paré ... Avec les figures et portraicts tant de l'anatomie que des instruments de chirurgie, et de plusieurs monstres. Le tout divisé en vingt six livres. Description An account of the resource 9 pages, 10 unnumbered leaves, 945 pages, 2,223 unnumbered leaves (last blank) : woodcut illustrations & portraits ; (folio) Creator An entity primarily responsible for making the resource Paré, Ambroise, Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/umb8d5ru Publisher An entity responsible for making the resource available Paris : Gabriel Buon, 1575. amputation pare surgery tools tract https://european-mastectomy.artinterp.org/files/original/b00578f33703692616a9909363121550.jpeg d5773680202a06b4de073ba65f7dc866 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La commare o riccoglitrice dell'eccmo. sr. Scipion Mercurii / ... Divisa in tre libri. Ristampata correcta et accresciuta. Dall'istesso autore. Description An account of the resource 20 unnumbered leaves, 356 pages : engr. t.page, woodcuts, illustrations ; (4to) Creator An entity primarily responsible for making the resource Mercurio, Girolamo Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/edtgnfnd Publisher An entity responsible for making the resource available Venetia : Gio. Bat. Ciotti, 1601. pincers surgery tools https://european-mastectomy.artinterp.org/files/original/e6143513b6efccef2bb624498a5f8cd8.jpeg de753cfc4590d97e6140aa4cbd23b61d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guilielmi Fabricii Hildani ... Observationum et curationum chirurgicarum centuriæ. In qua inclusæ sunt viginti et quinque, antea seorsim æditæ: reliquæ nunc cum nonnullis instrumentorum, ab autore inventorum delineationibus, in gratiam & utilitatem artis chirurgicæ in lucem prodeunt. Subject The topic of the resource surgical invention Description An account of the resource 14 unnumbered leaves, 298 pages, 10 unnumbered pages : woodcut illustrations & portrait ; (8vo) Creator An entity primarily responsible for making the resource Fabricius Hildanus, Wilhelm Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/wxmrfwbz Publisher An entity responsible for making the resource available Basileæ : Sumptibus Ludovici Regis, 1606. Date A point or period of time associated with an event in the lifecycle of the resource 1606 Language A language of the resource Latin Abstract A summary of the resource. famous for speed in operation). Multiple publications of this particular surgical tract featuring his new invention for mastectomies and other tools in Latin and vernacular, including: - Basileæ : Sumptibus Ludovici Regis, 1606. (Latin) - Basel: König, Ludwig, 1606. (Latin) - Lyon : Huguetan, Jean-Antoine, 1641. (Latin) Fabry Hildanus Hilden operation surgery tools treatise https://european-mastectomy.artinterp.org/files/original/acef61a579328eae318a3d6ff3fb9e59.jpeg d90f1d11e57a87e6341e96c0d23d3abd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mediaeval torturers torture a gout-sufferer; representing the view attributed to Fabricius von Hilden that gout could be cured by torture. Subject The topic of the resource Part of: Les médications anti-goutteuses Description An account of the resource 1 print : half-tone, printed in colour ; image 14.8 x 12.3 cm. La torture est-elle bonne pour les goutteux?... Page 5. de Losques. Éditée par la "Pipérazine Midy" Creator An entity primarily responsible for making the resource after Losques, Daniel Thouroude de Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/kbvyc8aw Publisher An entity responsible for making the resource available Paris (140, Rue du Faubourg St. Honoré) : La Pipérazine Midy, 1910 (Imprimerie Crété Corbeil) Date A point or period of time associated with an event in the lifecycle of the resource 1910 Fabry gout Hildanus Hilden operation torture https://european-mastectomy.artinterp.org/files/original/0a43ee9972d8e35e298781a1434c1698.jpeg 4d9aeae82302d698479bcac0c5ba32b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical Tracts Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mastectomy Description An account of the resource Illustration shows the excision of a cancerous growth from a woman's breast, an operation which Hanaoka Seishu first carried out in 1804 using general anasthetic Kamata Keishu, a pupil of the renowned surgeon Hanaoka Seishu (1760 - 1835), published a treatise in 1851 called 'Geka kihai'. In it, he made public the surgical techniques pioneered by his teacher and provided illustrations demonstrating his technique. These illustrations were empirically based on European examples. The use of colour in them functions mainly to distinguish flesh from clothing and to demonstrate the flow of blood. This image shows an operation which Hanaoka Seishu first carried out in 1804 using general anaesthetic. Creator An entity primarily responsible for making the resource Kamata Keishu Source A related resource from which the described resource is derived Wellcome Collection https://wellcomecollection.org/works/ngg2kxv7 blood eastern female patient japanese mastectomy surgery https://european-mastectomy.artinterp.org/files/original/4ea4d0aa704dbcc41150a6ccd7c4549e.jpeg 31e7c6f58ae3dbea7a4599f3ff021a49 https://european-mastectomy.artinterp.org/files/original/76454a5334f0e57d9ce3144e5fcfdbd7.jpeg 433f43d83c1871479044032ff27cb0ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Belles Heures de Jean de France, duc de Berry Subject The topic of the resource The martyrdom of saint agatha Description An account of the resource Suffrages of the Saints Saint Agatha, Folio 179r Agatha was punished for refusing the advances of the Roman governor. She is tied to a column and her breasts are removed by attackers wielding huge clippers ; one attacker raises his knee to brace himself in a pose like that in the Catherine cycle (Folio 17r), where the saint is tied to a column. Creator An entity primarily responsible for making the resource Paul Herman and Jean de Limbourg Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available Paris Date A point or period of time associated with an event in the lifecycle of the resource 1405-08/9 book of hours breasts eroticism meditation saint agatha tools torture https://european-mastectomy.artinterp.org/files/original/adcb03c1797ef65ecaa5324ea8b35eae.png 5fa2fca7baf3513850cd77e7ee4eb88b https://european-mastectomy.artinterp.org/files/original/521bb411a33b761c93421a04ab955d2c.png adb92c1bcaaac35110357fba252b8dd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Mary Psalter Subject The topic of the resource Scenes from the Garden of Gethsemane; marginal scene of the torture of St. Agatha Description An account of the resource MS Royal 2 B VII, fol. 242r. Source A related resource from which the described resource is derived British Library https://www.bl.uk/collection-items/the-queen-mary-psalter Publisher An entity responsible for making the resource available London Date A point or period of time associated with an event in the lifecycle of the resource 1310-20 breasts pincers saint agatha tools torture https://european-mastectomy.artinterp.org/files/original/2ef97830a8e9c7b87c813780858b1fa3.jpeg 01831e07f4635747c3c2d2b2fc0f4451 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Legenda aureau Subject The topic of the resource Saint Agatha tortured by ligatures Creator An entity primarily responsible for making the resource Jacobus, de Voragine, approximately 1229-1298. Source A related resource from which the described resource is derived Huntington Library and Art Gallery https://hdl.huntington.org/digital/collection/p15150coll7/id/48746 Publisher An entity responsible for making the resource available France Date A point or period of time associated with an event in the lifecycle of the resource between 1285 and 1299 Contributor An entity responsible for making contributions to the resource Notes Jacobus de Voragine's Legenda aurea written in France, perhaps in Paris, during the next to the last decade of the thirteenth century. Manuscript in England by the third or certainly the last quarter of the fourteenth century, to judge by the script of the note added on f. 11v, correcting the king's name from "Edmundus" to "Edwardus." Span folios: ff. 1-164v. Support: Parchment. Layout: 1¹²(-1, 2, 3; this last now f. 164) 2¹² 3¹²(-1, 10, 11) 4¹²(-1, 5, 11) 5¹²(-8) 6¹²(-1; note that the 2nd, 3rd, 9th and 10th leaves-ff. 52, 53, 58, 59-are singletons, their conjuncts having evidently been cancelled, since the text runs continuously) 7¹²(-6) 8¹²(-4) 9¹²(-4, 5) 10¹² 11¹²(-2, no text missing) 12¹²(-7) 13-15¹² + one leaf (the third leaf of the first quire, misbound). Catchwords in simple yellow-washed frames through quire 5, that of quire 6 noted in a cursive hand, thereafter decorated with elaborate mouse-designs touched in red. Leaf signatures in a variety of methods: letters of the alphabet, a-h; an individual letter repeated, d, dd, ddd, dddd, vd (on quire 6); a series of horizontal slashes; letters of the alphabet surmounted by diacritical marks; a series of tangent circles. 2 columns of 59 lines, ruled in scratchy brown lead; pricking visible in the 3 outer margins. Written by two scribes in a gothic book hand: i, ff. 1-50 and 164; ii, ff. 51-163. Decoration: Extensively illuminated with 135 miniatures, usually 16 lines in height and width of 1 column (approximately 67 x 67 mm.). Written instructions to the illuminator are present for approximately one third of the miniatures; they tend to be more complex and closer to the text than the resulting miniature. Rudimentary sketches, or evidence of sketches, for the miniatures occur in about one quarter of the cases; a number of miniatures have both the written directions and the preliminary sketch. Other Decoration: Major initials, 9- to 7-line, in dull pink or blue, patterned in white against a cusped ground of the other color, infilling in a darker shade of the same color as the initial, with grotesque or leaf forms decorated with burnished gold, and marginal extensions. Initials, 4-line, to introduce the Etymologia of similar style; secondary initials, 2-line, alternating red and blue with flourishes of the other color. Line fillers in the shape of mice, the same as the decoration on the catchwords. Carefully corrected throughout by the scribe of the text, corrections in yellow boxes. Some marginalia in various hands up to 16th century. Input into Digital Scriptorium by: C. W. Dutschke, 8/2/2012. Cataloged from existing description: C. W. Dutschke with the assistance of R. H. Rouse et al., Guide to Medieval and Renaissance Manuscripts in the Huntington Library (San Marino, 1989). Bound in original[?] oak boards, quarter backed in modern mottled calf; remains of 2 fore edge straps of pink leather closing to pins on the center back; flyleaves, washed, contained a 15th century prose text in French in 2 columns, written in a Bâtarde script. Henry E. Huntington Library and Art Gallery. Manuscript. HM 3027 Relation A related resource A modern note on f. i states that the manuscript came from Fountains Abbey, Yorkshire; rejected by Ker, MLGB, 89. Belonged to Sir Henry Ingilby, Bart., of Ripley Castle, Yorkshire and later to Lt. Col. Sir William Henry Ingilby, Bart. (1874-1950); his sale, Sotheby's, 21 October 1920, lot 172 to Sabin; at this point the current f. 164 began the volume. Purchased by the Huntington Library from the G. D. Smith Book Company in January 1927. early ligatures manuscript middle ages saint agatha torture https://european-mastectomy.artinterp.org/files/original/6f882652f6e8042beb663492e6633fe3.jpeg 49a9d15b926cfc259b2de1aa4c34b40b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Martyrdom of Saint Agatha Description An account of the resource oil painting Source A related resource from which the described resource is derived Musée Fabre https://museefabre.montpellier3m.fr/recherche/musee%3AMUS_BIEN%3A15521?is_search_page=1&search=agathe&currentPage=1 Date A point or period of time associated with an event in the lifecycle of the resource c. 1635-40 Contributor An entity responsible for making contributions to the resource Ce superbe tableau réapparu sur le marché de l’art en 2007 est venu compléter de façon éloquente le fonds de peintures italiennes du musée. Souvent abordé par les artistes du XVIIe siècle, le sujet évoque un épisode tragique de la vie de la belle et noble Agathe, originaire de Catane, qui se consacra au Christ : refusant de céder aux avances du préfet romain Quintianus et de sacrifier aux idoles, la jeune fille est jetée en prison et suppliciée. Ramenée dans sa cellule, la poitrine mutilée, elle e st visitée par saint Pierre accompagné d’un ange qui lui restitue son intégrité. Le tableau est une parfaite illustration des tendances les plus novatrices à Naples au cours du deuxième tiers du XVIIe siècle : attirance pour le naturalisme de Caravage (1571-1610) – dont Vaccaro fut un copiste zélé – avec les figures à mi-corps, les contrastes de lumière, les détails réalistes (corps musculeux du bourreau à droite) ; réélaboration des modèles du classicisme romano-bolonais à travers la discrète idéalisation des visages et les gestes éloquents. De fait, le doux visage de la sainte, le regard extatique tourné vers le ciel, évoque l’art de Guido Reni (1575-1642) mais également celui de Massimo Stanzione (vers 1585-1656) dans sa phase la plus « rénienne ». Comme la plupart de ses contemporains – notamment Ribera –, Vaccaro se montre aussi sensible aux courants néovénitiens – diffusés par exemple par le Flamand Van Dyck (1599-1641) – qui privilégient une touche moelleuse, exaltant les belles matières tactiles, une palette claire et une coloration précieuse et raffinée Rights Information about rights held in and over the resource Achat de la Communauté d'Agglomération de Montpellier avec la participation du FRAM Languedoc-Roussillon, 2013 intervention pale saint agatha scissors tools torso torture