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                <text>Madonna and Child with saints, with the Virgin sitting on an elevated throne with Christ child on her lap; below, at right, St Barbara and a monk, and at left a female saint (St Agatha?) with a dish resting on the pedestal, St Lawrence with his gridiron in the foreground with a seated angel holding a child in his arms&#13;
Etching&#13;
Height: Height: 563 millimetres&#13;
Width: Width: 306 millimetres&#13;
Inscription content: Lettered below image with production detail: 'J. B. Cignarolius pinxit - D. C. D.' and dedication to 'Clarissimo Viro D. Carolo Emanuelli Groscavalli Comiti Palatii...' (Carlo Emanuele Cavalleri di Groscavallo, 1706-1787 ?).&#13;
The engraver's monogram was described by Nagler (Die Monogramisten No.1017) as the signature of an unidentified 18th century engraver active in Italy, possibly a member of the David family.&#13;
&#13;
Professor Robert Randolf Coleman has kindly drawn our attention to his work identifying the printmaker as Angelo Ghizzardi (see R.R. Coleman, "The Ambrosiana Albums of Giambettino Cignaroli (1706-1770): A Critical Catalogue", Milan; Rome: Biblioteca Ambrosiana; Bulzoni Editori, 2011, pp. 14, 89, 91, 117, 119, fig. 55 and p. 221, no. 343). Carmen Nagel (email Dec 2022): this etching shows a painting that was made for the chapel in the Royal palace in San Ildefonso and is now in the Prado (POOOO99).</text>
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After: Giambettino Cignaroli</text>
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                <text>c. 1720-80 </text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1951-0714-110&#13;
Purchased from: Colnaghi&#13;
Previous owner/ex-collection: Liechtenstein</text>
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                <text>1 print : 29 x 24 cm.</text>
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                <text>Netscher, Caspar, artist&#13;
Dou, Gerrit (Gérard), 1613-1675</text>
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                <text>The iconography of taking a woman's pulse associated with love-longing, melancholy, 'mal d'amour'</text>
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                <text>London : S.W. Fores for the author, [1795?]&#13;
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                <text>Martelaarschap van de H. Agatha&#13;
S. Agatha virgo et martyr (title on object)</text>
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&#13;
Materialpaper&#13;
Techniqueengraving&#13;
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                <text>&#13;
print maker: Antonie Wierix (II)&#13;
after drawing by: Jan van der Straet (mentioned on object)&#13;
Philips Galle (mentioned on object)</text>
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http://hdl.handle.net/10934/RM0001.COLLECT.332082</text>
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                <text>The Wierix family : part VI, Zsuzsanna van Ruyven-Zeman, Marjolein Leesberg, Jan Van der Stock, p. 170, cat.nr. 1316</text>
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                <text>print maker: Cornelis Cort (mentioned on object)&#13;
after design by: Giulio Clovio&#13;
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                <text>Cornelis Cort, Part 2, p. 115, cat.nr. 102&#13;
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Giorgio Vasari saw the painting in the Guardaroba of Guidobaldo della Rovere in the Palace of Pesaro while on his travels in the Marches in 1566; he mentioned it two years later in a short informative piece in the Life of Sebastian del Piombo. The painting was brought to Florence in 1631 as part of Vittoria della Rovere’s dowry, last of the family and wife of Grand Duke of Tuscany, Ferdinando II de’ Medici.&#13;
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