22 10 414 https://european-mastectomy.artinterp.org/files/original/a923e65ca56dc2fe2b9597f2938e64e0.jpg 48f530c024b32a9facc2d0c07b3fa245 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Travelling Quack Subject The topic of the resource W.E. Gladstone as a quack doctor selling remedies from his caravan; representing his advocacy of the Home Rule Bill in Parliament. Chromolithograph by T. Merry, 1889. Description An account of the resource Gladstone holds up 'Home Rule Ointment' and his caravan bears various inscriptions: 'Dr. Gladstone's infallible Home Rule Ointment', 'The heart Midlothian', 'Gladstonia glamour', 'Capacity of a radical voters stomach' 1 print : chromolithograph ; image 48 x 30.5 cm Creator An entity primarily responsible for making the resource Merry, Tom, 1852-1902. Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/e47uvan6 Publisher An entity responsible for making the resource available [London] : [The Publishing Company], June 22nd 1889. carnival government quack roma satire https://european-mastectomy.artinterp.org/files/original/b9a7926bf1a54cd62289d6c5945e6335.jpg 6008cbb0296d8d508fbbc3f6cde8e5cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A physician examining a bare breasted female patient, an older woman passes him a syringe, a bawdy couple are in the background Description An account of the resource 1 print : mezzotint ; platemark 34.6 x 29 cm Creator An entity primarily responsible for making the resource Mezzotint by A. de Blois after J. Steen (1626-79) Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/nubd3k9q Publisher An entity responsible for making the resource available [Place of publication not identified] : G. Valck excud cum previl. breast curtain female patient sexual behavior syringe tools veil https://european-mastectomy.artinterp.org/files/original/d7ae1dd14d8ebb5ba00ca1b3360662db.jpeg b112582e98b3a848e1e87c26716b906c Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elizabeth Hopkins of Oxford, showing a breast with cancer which was removed by Sir William Read Description An account of the resource A case of breast cancer; 1 print : engraving ; image and text 7.2 x 6.3 cm; He cut off a very large cancerated breast from the body of Elizabeth Hopkins of Oxford, in 1689, and perfectly cured her: For that and many other considerable cures, he hath a testimonial from the Vice-Chancellor; One of the vignettes bears the inscription: M. Burghers deline et sculp. Creator An entity primarily responsible for making the resource Michael Burghers Source A related resource from which the described resource is derived https://wellcomecollection.org/works/v4d5yvvv Publisher An entity responsible for making the resource available [Oxford?] : [publisher not identified], [1700?] Format The file format, physical medium, or dimensions of the resource engraving Language A language of the resource English https://european-mastectomy.artinterp.org/files/original/d5f205fbeb3e2b7a381f98fdcfcb4de4.jpg 87799be3b572bde4034868fbcefdddc0 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drawing of a statue of Venus torso Description An account of the resource Torso of a statue of Venus, seen from the front. Mid-1520s Black chalk. Creator An entity primarily responsible for making the resource Michelangelo Date A point or period of time associated with an event in the lifecycle of the resource 1524-25 Contributor An entity responsible for making contributions to the resource Curator's comments This drawing and W44, both executed in light black chalk, represent the same antique torso seen from the front and rear. They almost certainly originate from the same side of one sheet. W44 has been so closely cut at the top that a little of the drawing itself has been lost. These drawings show clear pentimenti in the outer contours, Michelangelo's lightly drawing the chalk over the paper before thickening the chosen line. Within the forms Michelangelo uses both cross hatching and curves to convey a 'morbidezza magistrale' (de Tolnay) and a synthesis of a live model and an antique torso - in this latter respect it is interesting to note the considerable projection of the l. thigh in W43, and the elongation of the torso in relation to the upper body. Two drawings of similar character equally in black chalk in the Casa Buonarroti, CB 41 F (de Tolnay 231) and CB 16F (de Tolnay 234) show the same torso in exact profile to the l. and r. and from a rear oblique angle, and surely derive from the same sheet as W43-4, Joannides (2002) considering CB 16 F to have adjoined Wilde 43, beneath it and at right angles to it. For Joannides the two BM fragments show a concern by Michelangelo for 'epidermis', CB 41 F for structure, 'with the view in left profile registered in a manner that deliberately undermines the idealism of the antique form'. Wilde resolutely attributes W43 4 to Michelangelo, in contrast to the earlier hesitancy of Berenson and Thode. For Hirst (1988), W43 4 are 'slight drawings' which nevertheless 'reveal the instinctive response of the sculptor to a three dimensional object'. Wilde and de Tolnay consider a far earlier sheet at Chantilly, dated 1501-5 (de Tolnay 24) and in Michelangelo's characteristic pen and ink style, to represent the same antique torso. In fact the model for the Chantilly drawing is a statue formerly in the Sassi collection in Rome, see David Ekserdjian, 'Parmigianino and Michelangelo', "Master Drawings", XXXI, Winter 1993, pp.390-4. Wilde notes that the technique of W43 4 is consistent with Michelangelo's of the 1520s and that he may well have used such a torso as an exemplar for his first female nude sculpture: the full size clay model for the sculpted figure of 'Dawn' to be placed in the Sacrestia nuova (1524 or 1525). De Tolnay concurs. Wilde's description of the torso as being of the type of the 'Aphrodite of Cnidus' by Praxiteles is challenged by Otto Kurz (1953) but acknowledged by most subsequent scholars including Joannides (2002). To this group de Tolnay links a sheet in the Louvre (de Tolnay 230), equally representing a female nude, which he regards as deriving from the Capitoline Venus. Dussler (1959) doubts whether the torso represented in the Chantilly drawing is the same as that seen in the BM and Casa Buonarroti sheets. He regards the Chantilly sheet as autograph but not those in the BM and Casa Buonarroti, judging the execution of line in the two BM sheets to be inexpressive and the surfaces to be represented with 'eine beschrankte Skala zeichnerischer Formeln'('a restricted range of graphic form'). Watermark: Star B: star in circle with cross: large (J. Roberts, 'A Dictionary of Michelangelo's Watermarks', Milan, p. 25). Lit.: J. Wilde, 'Italian Drawings in the BM, Michelangelo and his Studio',London, 1953, no. 43, pp. 79-80 (with previous literature); O. Kurz, 'Michelangelo at the BM', 'The Burlington Magazine', XCV, 606, September 1953,p. 310; L. Dussler, 'Die Zeichnungen des Michelangelo', Berlin, 1959, no. 556, pp. 255-6 (as apocryphally attributed to Michelangelo); P. Barocchi, 'Michelangelo e la sua scuola: i disegni di Casa Buonarroti e degli Ufizzi', Florence, 1962, I, under no. 69 (= de Tolnay 234), pp. 91 2; C. de Tolnay, 'Sur des Venus dessines par Michel Ange, a propos de un dessin oublie du Musée du Louvre', "Gazette des Beaux Arts", 1967, p. 196, fig. 5; F. Hartt, 'The Drawings of Michelangelo', London, 1971, no. 241; J.A. Gere and N. Turner, in exhib. cat., London, BM, 'Drawings by Michelangelo', 1975, no. 95, p. 80; C. de Tolnay, 'Corpus dei disegni di Michelangelo', Novara, 1976, II, no. 232; M. Hirst, 'Michelangelo and his Drawings', New Haven and London, 1988, p. 61, fig. 112 3; P. Joannides, in exhib. cat. (F. Falletti and J. Katz Nelson eds), Florence, Galleria dell'Accademia, 'Venus e Amore', 2002, no. 4, pp. 150-1 fragment model study torso https://european-mastectomy.artinterp.org/files/original/c9137675f2c806882805415ed8586f92.tiff b09a2d8b6ccda665bd0ad1d62d035808 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Malata Description An account of the resource 1 photomechanical reproduction Technique: halftone, color Creator An entity primarily responsible for making the resource Mieris, Franz van Source A related resource from which the described resource is derived NLM http://resource.nlm.nih.gov/101407193 doctor ecstasy female patient physician pulse https://european-mastectomy.artinterp.org/files/original/8b3810c9ab6205d6df1070a570b63cfd.tiff b57bcebc54ef5bf197f5b9f04322e667 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caricatures Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Docteur Double-dose Subject The topic of the resource A physician is taking the pulse of an old woman sitting in a chair; he is also kissing the hand of the old woman's daughter who is standing behind the chair. Creator An entity primarily responsible for making the resource Naudet, Caroline, 1775-1839, artist Source A related resource from which the described resource is derived NLM http://resource.nlm.nih.gov/101393704 Publisher An entity responsible for making the resource available Paris: F. Delpech, 1820 doctor physician pulse sexual behavior https://european-mastectomy.artinterp.org/files/original/d27a83597d0bcc2145cc2c008cbc03b7.tiff f84ca7ada680a571d853471d5656485c Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mal d'amour Subject The topic of the resource A physician is holding a urine flask up to examine its contents as he takes the pulse of a woman patient sitting in a chair; a woman in the background casts a leering glance at the couple. Description An account of the resource 1 print : 29 x 24 cm. Creator An entity primarily responsible for making the resource Netscher, Caspar, artist Dou, Gerrit (Gérard), 1613-1675 Abstract A summary of the resource. The iconography of taking a woman's pulse associated with love-longing, melancholy, 'mal d'amour' female patient love melancholy pulse still life urine https://european-mastectomy.artinterp.org/files/original/08ec0b2240e2ec4a2dd2ae0756d699b2.jpg b335c66009fc4073735ce6848df14fe3 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgical instruments, including lancets, saws and forceps, made by Isaac Grenier; advertising his goods for sale. Description An account of the resource 1 print : etching ; platemark 16.1 x 11.6 cm lettering: At the signe of the tare live's one Mr Grenier who makes all sorts of good rasors, lancets, sisers very well and all other sorts of instruments for chirugeons ; H. Neutte [?] f. A.o 1698 Creator An entity primarily responsible for making the resource Neutte, H., active approximately 1698 Source A related resource from which the described resource is derived Wellcome https://wellcomecollection.org/works/jzd2rh68 Date A point or period of time associated with an event in the lifecycle of the resource 1698 goods knives pincers shears tableau tools https://european-mastectomy.artinterp.org/files/original/7319da1275aa9b85231a05f868fadd6d.jpg 711d93c8d6d3fc4decd1b2f816e93978 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Agatha Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Virgin and Child Appearing to Saint Agatha and Saint Lucy Description An account of the resource Medium: Red chalk; framing lines in pen and brown ink Dimensions: 6 x 4 7/16in. (15.3 x 11.3cm) Annotated on paper support on verso, in blue crayon, "It5 [or s] - A13" along upper left border; below, "Moretto da Brescia"; at center, in graphite, "107" (crossed out in graphite); in blue crayon, "219." Along bottom border, in brown crayon, "219," and, in graphite, "219 (192)" [?], crossed out in graphite. Note: Saint Agatha on the left holds a cooking fork associated with witchcraft at this time Creator An entity primarily responsible for making the resource Nicola Grassi (Italian, Formeaso before 1682–ca. 1750 Turin (?)) Date A point or period of time associated with an event in the lifecycle of the resource Date: 1682–1750 Contributor An entity responsible for making contributions to the resource The Met https://www.metmuseum.org/art/collection/search/338913Credit Line: Gift of Cornelius Vanderbilt, 1880 James Jackson Jarves; Cornelius Vanderbilt (American) Relation A related resource Coles Gallery, 8: Tapestries and Paintings, Malachites, Vases, etc.; Drawings by Old Masters, Etchings, Photographs, and Tapestries in Gallery 4, Main Hall. Exh. cat., The Metropolitan Museum of Art. Hand-book, no. 8, New York, 1895, cat. no. 219, p. 17. Jacob Bean, William M. Griswold 18th Century Italian Drawings in The Metropolitan Museum of Art. Exh. cat. The Metropolitan Museum of Art, New York, 1990, cat. no. 78, fig. no. 78, pp. 91-92, ill. breasts cooking fork madonna and child sacred saint agatha supplication https://european-mastectomy.artinterp.org/files/original/17a0922e451b2d53a819b6717d083f1a.jpg 8934f5a4ca153367a72c92dd28b6dbfc Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lechin Bachi Chirurgien Turc Subject The topic of the resource Full length view of a Turkish surgeon, standing, holding a book, and wearing robes and a tall red fez. Description An account of the resource 1 print : image 40 x 25 cm., on mount 43 x 28 cm. Provenance: Walter Schatzki, New York; Purchase; 1969. Technique: engraving, color Creator An entity primarily responsible for making the resource NLM http://resource.nlm.nih.gov/101393836 Date A point or period of time associated with an event in the lifecycle of the resource 18-- book costume dress eastern not-european physician surgeon turkish