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                <text>Florence : D. Serantoni, 1841-1856.</text>
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                <text>Pierre Dionis conducting a dissection in the anatomy theatre of St. Cosmas. Instruments "pour la Lithotomie" (lithotomy)</text>
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Caen&#13;
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Milan&#13;
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                <text>The Illustrated Bartsch. Vol. 70, pt. 2, Johan Sadeler I&#13;
Retrospective conversion of The Illustrated Bartsch (Abaris Books) by ARTstor Inc. and authorized contractors</text>
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                <text>An horrific omnium gatherum of the "heroic" medical and surgical treatments typical of establishment medicine around the time of the French Revolution. Two amputations are taking place. A friar holds a crucifix before the patient on the right. Near the middle, a woman with one exposed breast has a pair of amulets dangled before her eyes by a theurgist friar: perhaps she is portrayed as the next candidate for surgery (mastectomy). The setting is a hospital of the grandest kind: Christine Stevenson's 'Medicine and magnificence : British hospital and asylum architecture, 1660-1815', New Haven: Yale University Press, 2000, discusses the rationales in Britain of such palatial buildings&#13;
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1 drawing : pen and grey ink and watercolour over pencil ; sheet 29.5 by 43.2 cm&#13;
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Medicine vessels lower right labelled "unguent balsa" and "ung. me"</text>
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                <text>Johann Heinrich Ramberg&#13;
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                <text>frontispiece for Scultetus treatise</text>
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                <text>Frontispiece of Johannes Scultetus's Armamentarium Chirurgicum shows a man's leg being set. In the background hung on the wall are the surgeon's instruments of choice, including bone nippers and other shears. This treatise is moreso catered to surgery surrounding war injuries. HOWEVER, notes include that this particular treatise gave new surgical techniques in mastectomy, c-section, hernia operations and arterial ligation (which may explain also why the leg setting on the frontispiece appears like a lithotomy) It was published by Adrian Vlacq in 1657 in Latin. First edition written in Latin with 170 pages and 43 engravings with French and German translations soon after. The later editions (like this one) expanded to 370 pages and 50 engravings. This edition has the illustrations by German engraver and painter Jonas Arnold. Jonas Arnold is the designer of the mastectomy patient with the veil and unveiled face and chest. The tumor is first tied with ligatures, strangled, then cut with a knife. The body is cauterized.  </text>
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                <text>Hague: Adriaan Vlacq&#13;
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Note for specific imagery: "on stone by S. Cichowski / Philadelphia. Published by Carey &amp; Hart / P.S. Duval Lith. Phil."  - this page is significantly dirtier than the others (seems all the non-print pages show more wear)&#13;
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Technique:&#13;
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                <text>Leipzig : Bruno Bürger &amp; Ottillie, [1899]</text>
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