Inscription type: inscription
Inscription content: Signed in lower centre of impression: "Ioan. Sadl. excu.". Titled in Latin in lower margin: "S. Agatha".]]> After: Giulio Clovio
Published by: Jan Sadeler I]]> https://www.britishmuseum.org/collection/object/P_Ii-5-153]]> Acquisitioned 1753]]> Height: Height: 277 millimetres (trimmed) (trimmed)
Width: Width: 202 millimetres]]> Engraving
Height: Height: 253 millimetres
Width: Width: 184 millimetres
Inscription type: inscription
Inscription content: Lettered in cartouche within image: 'S. AGATHA VIRGO / ET MARTYR.' Lettered below image: 'VENERABILI AC RELIGIOSAE VIRGINI PRVDENTIAE...PHILIPPVS GALLEAUS, IN AEMVLATIONIS, AD EIVSDEM / SANCTAE PIETATEM ET VIRTVTES STIMVLVM LVBENS DEDICAT.']]> Print made by: Antonius Wierix
Published by: Philips Galle]]> https://www.britishmuseum.org/collection/object/P_1957-0413-224
Previous owner/ex-collection: Elizabeth, Duchess of Northumberland (Courtier. In 1750 succeeded her father, Algernon Seymour as Baroness Percy while her husband, Sir Hugh Smithson (q.v.) succeeded him as Earl of Northumberland and assumed the name Percy; in 1766, he was created Duke of Northumberland.)
for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120
acquisitioned 1957]]> Published in: Antwerp (city)
Europe: Belgium: Flemish Region: Antwerp (province): Antwerp (city)]]> Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752)
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I)]]> Etching and engraving
Height: Height: 64 millimetres
Width: Width: 38 millimetres
Inscription content: Collector's initials 'JB' in pen and ink on verso (Lugt 1419)]]> https://www.britishmuseum.org/collection/object/P_H-1-125
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)
Previous owner/ex-collection: John Barnard (L.1420)
acquisitioned 1799]]> Bartsch / Le Peintre graveur (XIV.142.170)
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)]]> Engraving
Height: Height: 87 millimetres
Width: Width: 55 millimetres
Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold
NOTE: the whole breasts where in another edition the breasts are removed
"The artist did not fully understand Marcantonio’s print and in his engraving omitted to emphasize St Agatha’s cut breasts."]]> Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)]]> https://www.britishmuseum.org/collection/object/P_H-1-124
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)
Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’)]]> Series: Series: The National Gallery of Pictures by the Great Masters]]> Etching and engraving
Height: Height: 271 millimetres
Width: Width: 214 millimetres
Inscription content: Lettered in lower margin with title and production details: "Engraved by L. Stocks" and "From the original Picture by Sebastiano del Piombo in / The National Gallery / No.63" and "Jones & Co. Temple of the Muses, Finsbury Square, London.".
After Sebastiano del Piombo's "Portrait of a lady with the attributes of Saint Agatha" of c. 1540 in the National Gallery (inv. NG 24), thought at the time to represent Giulia Gonzaga.]]> Print made by: Lumb Stocks
Published by: Jones & Co]]> Published in: London (England)
Europe: British Isles: England: London (England)]]> https://www.britishmuseum.org/collection/object/P_1861-1214-66
Purchased from: Willis & Sotheran]]>
Below, on the left is the apothecary, composed of items of pharmaceutical equipment. His hat is an alembic or distilling flask. Bags of oil of lilies and oil of bay cover his chest. Various other ointments, creams and syrups form other parts of his body

On the right is the surgeon, whose body is composed of surgical instruments. His hat is a cranial elevator (for removing pieces of bone when the skull has been fractured). In his right hand he holds a vaginal speculum, in his left an oral speculum. Trusses hang from his right forearm, tourniquets from his left. On his breasts he has shaving bowls. From his waist hang saws, knives and drills"]]>
"The individual figures were probably devised by the French engraver Nicolas de Larmessin, ca. 1695. The arrangement of the three figures in a single composition with an ornate colonnade open to a mountainous backdrop seems to be unique to this painting"]]> Location: Chiesa dei Santi del Crocifisso, Borgo]]> ]]> ]]>
Is part of: Nuova et utlilssima prattica di tutto quello ch'al diligente barbiero s'appartiene, opp. p. 55.; See related catalog record: 2302032R
Extent:
1 print
Technique:
woodcut]]> http://resource.nlm.nih.gov/101448293]]> ]]>
This volume contains 202 wood engravings without text, the majority from the 'Dix livres de chirurgie' published in Paris, 1564: they have been carefully painted by hand in gold, silver, and colours
Copy 1. There are MS. signatures, and on the verso of the first leaf the title of the work as given above. On the second leaf in the same hand is the signature 'N. Rassius Desneus Chyrurgus S. Par'. Binding: late 17th century red goatskin over thin pasteboards, gold tooling with the arms of Nicolas Fouquet (Squirrel rampant) and a crown on the spine. This is typical of a group of bindings from around 1700 produced in imitation of earlier 17th century styles. For more information see Pascal Ract-Madoux and Isabelle de Conihout Reliures françaises du xviie siècle chefs-d'oeuvre du musée condé (Paris, Chantilly, 2002) - see especially no. 44. Bought on 6. 2. 1895, in the Libri Sale at Christie's, by Charles Butler, of Warren Wood, Hatfield, whose book-plate has been pasted inside the cover. Bought for the Wellcome Library at the Sotheby sale of Butler's library, 1. 6. 1911, Lot 1706.]]> https://wellcomecollection.org/works/gea92cjg ]]> https://hvrd.art/o/252385
Philip Hofer, Cambridge, gift; to Fogg Art Museum, 1929]]>