<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/212">
    <dcterms:title><![CDATA[Il ciarlatane in Piazza]]></dcterms:title>
    <dcterms:subject><![CDATA[An itinerant salesman selling amulets against the bites of snakes and other animals to a crowd of people who purchase them eagerly. Etching by B. Pinelli, 1815.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; platemark 21.7 x 29.6 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Pinelli, Bartolomeo, 1781-1835<br />
Bears 43<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/r5nph7cf]]></dcterms:source>
    <dcterms:publisher><![CDATA[Roma : [publisher not identified], 1815.<br />
]]></dcterms:publisher>
    <dcterms:relation><![CDATA[David Gentilcore, Medical charlatanism in early modern Italy, Oxford 2006, pp. 44-45 (reproduced)<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/183">
    <dcterms:title><![CDATA[A salesman in Rome with a snake selling amulets as antidotes or prophylactics against snake-bite to a crowd of people]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : etching ; platemark 32.2 x 41.3 cm<br />
Lettering<br />
Il ciarlatano, in Roma. Pinelli inv. et inc.<br />
The salesman is holding a box full of medicines which has &quot;Sanitas&quot; inscribed on it. In the background, a papal coat of arms]]></dcterms:description>
    <dcterms:creator><![CDATA[Pinelli, Bartolomeo, 1781-1835]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome]]></dcterms:source>
    <dcterms:publisher><![CDATA[Roma : [publisher not identified], 1821.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[1821]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/27">
    <dcterms:title><![CDATA[Virgin Saints]]></dcterms:title>
    <dcterms:subject><![CDATA[Quadri scelti di Brescia]]></dcterms:subject>
    <dcterms:description><![CDATA[Sts Lucy, Cecilia, Barbara, Agatha and Agnes standing before a niche, holding their respective attributes; the Holy Spirit appears above them; in outline; after il Moretto. c.1827<br />
Engraving<br />
Height: Height: 229 millimetres<br />
Width: Width: 165 millimetres<br />
Inscription content: Lettered with production detail: &#039;Aless. Bonvicini detto il Moretto dip. - Aless. Sala dis. e inc.&#039;.]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Alessandro Sala<br />
After: Alessandro Bonvicino, il Moretto]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1862-1213-498<br />
Purchased from: Molini (&amp; Green)<br />
1862]]></dcterms:source>
    <dcterms:publisher><![CDATA[Italian]]></dcterms:publisher>
    <dcterms:date><![CDATA[1827]]></dcterms:date>
    <dcterms:contributor><![CDATA[From &#039;Quadri scelti di Brescia&#039;, published in 1827.<br />
After a painting now in the church of St Clemente, Brescia.]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/22">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[St Agatha, standing full-length, heads turned in profile to left, holding a pair of shears with her breast<br />
Engraving<br />
Height: Height: 70 millimetres<br />
Width: Width: 47 millimetres<br />
Inscription type: inscription<br />
Inscription content: Lettered with a monogram in lower right corner.]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Allaert Claesz.]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1922-0612-6<br />
Purchased from: Robert Dunthorne<br />
Previous owner/ex-collection: William Bell Scott<br />
Previous owner/ex-collection: William Odling (sale Sotheby&#039;s 4.iv.1922/497)<br />
acquisitioned 1922]]></dcterms:source>
    <dcterms:publisher><![CDATA[Netherlandish]]></dcterms:publisher>
    <dcterms:date><![CDATA[1520-50]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (89)]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/38">
    <dcterms:title><![CDATA[Madonna and Child with saints]]></dcterms:title>
    <dcterms:description><![CDATA[Madonna and Child with saints, with the Virgin sitting on an elevated throne with Christ child on her lap; below, at right, St Barbara and a monk, and at left a female saint (St Agatha?) with a dish resting on the pedestal, St Lawrence with his gridiron in the foreground with a seated angel holding a child in his arms<br />
Etching<br />
Height: Height: 563 millimetres<br />
Width: Width: 306 millimetres<br />
Inscription content: Lettered below image with production detail: &#039;J. B. Cignarolius pinxit - D. C. D.&#039; and dedication to &#039;Clarissimo Viro D. Carolo Emanuelli Groscavalli Comiti Palatii...&#039; (Carlo Emanuele Cavalleri di Groscavallo, 1706-1787 ?).<br />
The engraver&#039;s monogram was described by Nagler (Die Monogramisten No.1017) as the signature of an unidentified 18th century engraver active in Italy, possibly a member of the David family.<br />
<br />
Professor Robert Randolf Coleman has kindly drawn our attention to his work identifying the printmaker as Angelo Ghizzardi (see R.R. Coleman, &quot;The Ambrosiana Albums of Giambettino Cignaroli (1706-1770): A Critical Catalogue&quot;, Milan; Rome: Biblioteca Ambrosiana; Bulzoni Editori, 2011, pp. 14, 89, 91, 117, 119, fig. 55 and p. 221, no. 343). Carmen Nagel (email Dec 2022): this etching shows a painting that was made for the chapel in the Royal palace in San Ildefonso and is now in the Prado (POOOO99).]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Angelo Ghizzardi<br />
After: Giambettino Cignaroli]]></dcterms:creator>
    <dcterms:date><![CDATA[c. 1720-80 ]]></dcterms:date>
    <dcterms:rights><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1951-0714-110<br />
Purchased from: Colnaghi<br />
Previous owner/ex-collection: Liechtenstein]]></dcterms:rights>
    <dcterms:format><![CDATA[etching]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/40">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:subject><![CDATA[Series: Series: Imagini di molte SS Vergini Rom.e nel martirio]]></dcterms:subject>
    <dcterms:description><![CDATA[St Agatha; kneeling to left in front of a prison, with one severed breast, praying to a vision of St Peter standing blessing her; behind to left she is roasted alive on hot coals; within an oval frame and with a vertical panel of ornamental scrollwork to left and to right.<br />
Etching<br />
Height: Height: 74 millimetres<br />
Width: Width: 117 millimetres<br />
Inscription content: Lettered within image with saint&#039;s name and feast day]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Antonio Tempesta<br />
Published by: Giovanni Antonio de Paoli]]></dcterms:creator>
    <dcterms:source><![CDATA[Bartsch / Le Peintre graveur (XVII.138.398)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Published in: Rome (city)<br />
Europe: Italy: Lazio: Rome (province): Rome (city)]]></dcterms:publisher>
    <dcterms:date><![CDATA[1570-1591]]></dcterms:date>
    <dcterms:relation><![CDATA[Associated Title: Historia delle sante vergini Romane (Rome, 1591)<br />
]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/25">
    <dcterms:title><![CDATA[The martyrdom of St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[The martyrdom of St Agatha, who is having her breast cut off by a man at the right, after Ippolito Costa. 1577<br />
Engraving<br />
Height: Height: 248 millimetres<br />
Width: Width: 182<br />
Inscription content: Lettered bottom right &#039;Diana incidebat Romae 1577&#039; and in bottom margin &#039;S.Agatha&#039;.]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Diana Scultori<br />
After: Ippolito Costa<br />
(more related to Scultori https://www.britishmuseum.org/collection/term/BIOG45760) ]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1872-1012-3459<br />
purchased from Edward Daniell<br />
1872]]></dcterms:source>
    <dcterms:publisher><![CDATA[Italian]]></dcterms:publisher>
    <dcterms:date><![CDATA[1577]]></dcterms:date>
    <dcterms:contributor><![CDATA[After a painting by Ippolito Costa from the Duomo of Mantua.<br />
<br />
See Paolo Bellini, ‘L&#039;opera incisa Adamo e Diana Scultori’, Vicenza, 1991, p. 220.]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/19">
    <dcterms:title><![CDATA[The martyrdom of St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Height: Height: 446 millimetres<br />
Width: Width: 247 millimetres<br />
Inscription type: inscription<br />
Inscription content: Lettered in margin below: &#039;Iohannes Bapta Tiepolo inv et pinx. Io. Dominicus filius del. et fecit&#039;]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Domenico Tiepolo<br />
After: Giovanni Battista Tiepolo]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1865-1014-351<br />
Purchased from: Edward Daniell in 1865]]></dcterms:source>
    <dcterms:format><![CDATA[engraving]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/18">
    <dcterms:title><![CDATA[The martyrdom of St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[the saint tied to a column at centre; flanked by two henchmen holding shears; another crouching at right, fanning a fire<br />
Height: Height: 260 millimetres<br />
Width: Width: 184 millimetres<br />
Inscription type: inscription<br />
Inscription content: Signed at lower right: &#039;DC ex Aug:&#039;. Lettered on the tablet above the saint: &#039;S. AGATHA VIRGO ET MARTYR&#039;. And four lines in lower margin: &#039;Altrices AGATHAE ferro lacerare papillas ... saeve per hasce necas.&#039;<br />
This print is a copy in reverse after the engraving by Antonius II Wierix after Johannes Stradanus (not in the BM).]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Dominicus Custos]]></dcterms:creator>
    <dcterms:source><![CDATA[German<br />
British Museum<br />
https://www.britishmuseum.org/collection/object/P_1970-1212-16<br />
Purchased from: Craddock &amp; Barnard<br />
Acquisitioned 1970]]></dcterms:source>
    <dcterms:publisher><![CDATA[German]]></dcterms:publisher>
    <dcterms:date><![CDATA[1580-1615]]></dcterms:date>
    <dcterms:contributor><![CDATA[https://www.hollstein.com/new_dutch-en-flemish.html]]></dcterms:contributor>
    <dcterms:format><![CDATA[engraving]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/312">
    <dcterms:title><![CDATA[S. Augustinus]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;St Augustine, half-length, seated at a table and writing, his mitre on the table, his staff behind him leaning against a bookshelf, a candle-holder in the shape of a young boy in right foreground; after Pieter de Jode&quot;<br />
Engraving<br />
<br />
Shows a pair of barber-surgeon scissors on the wall in the back. Combined with lettering, hints at S Augustine&#039;s medical theosophy and work]]></dcterms:subject>
    <dcterms:description><![CDATA[Height: Height: 453 millimetres (trimmed) (trimmed)<br />
Width: Width: 317 millimetres<br />
<br />
Inscription type: inscription<br />
Inscription content: Lettered in Latin in lower margin, in a cartouche: &quot;S. AVGVSTINVS / Episcopus Hiponensis, ac Doctor Eccl.æ ... / ... Episcopatus sui anno 40.&quot;.]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Egbert van Panderen (Dutch)<br />
After: Pieter de Jode I]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
acquired 1867<br />
https://www.britishmuseum.org/collection/object/P_1867-1012-380]]></dcterms:source>
    <dcterms:date><![CDATA[c. 1596-1637]]></dcterms:date>
    <dcterms:relation><![CDATA[A similar plate is described by Hollstein under a series of the four fathers of the church (Hollstein 34-37). For a similar impression, but smaller and in reverse see F,1.76.<br />
<br />
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed)<br />
New Hollstein (Dutch &amp; Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (undescribed)]]></dcterms:relation>
</rdf:Description></rdf:RDF>
