<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/191">
    <dcterms:title><![CDATA[Sudden Breaking up of a Consultation]]></dcterms:title>
    <dcterms:subject><![CDATA[A patient sits helplessly in a chair while proponents of different medicines brawl with each other, overturning tables and chairs; beneath, a comic strip and a further six comic episodes]]></dcterms:subject>
    <dcterms:description><![CDATA[Central scene shows rivalry between doctors and their respective quack remedies. The scenes below show &#039;a few specimens of the public in general!!&#039;, while the six scenes at the bottom begin with a fat woman tending pots at a stove, &#039;Ruling the roost&#039;, and end with a black boxer in &#039;Drama. The miller &amp; his men&#039;<br />
<br />
1 print : lithograph ; image and border) 41.7 x 27.2 cm.<br />
<br />
March 1 1834 - continued every fortnight. In mercy spare us if we do our best, to make as much waste paper as the rest. No. 5. Sudden breaking up of a consultation. Weighty arguments on both sides! - When doctors disagree who shall decide. CJG]]></dcterms:description>
    <dcterms:abstract><![CDATA[Each scene is subtitled starting top with &#039;sudden breaking up of a consultation&#039; and ending bottom right with &#039;Drama. The miller &amp; his men&#039;. There is numerous lettering in the main central scene including top left: &#039;I say the man is in the last stage of consumption thro&#039; a too frequent supply of Morrison&#039;s Pills instead of Leakes sillybrated pills, which would have saved his life&#039;. In response another salesman replies: &#039;It&#039;s false fellow the &#039;vegetables&#039; rallied him but taking a box of your rubbish afterwards threw him back&#039;. Another vendor exclaims: &#039;You have completely ruin&#039;d the patient with your vile sovereign remedies in short you&#039;ve kill&#039;d him - then he can&#039;t swallow any more of your patent quack medicines.- You have totally deprived him of his sense of hearing - then he won&#039;t hear your gammon in the shape of advice - you have destoryed his olfactory nerves - then he wont be able to smell your horrid physic - you have glinded him with your deadly narcotics - then he can&#039;t see any more of your imposing long bills - you have deprived him of his speech - then he can&#039;t call you a humbug - in short Dr Long you have destroyed all his organs of sense - then you can no longer play upon his credibility&#039;. Other doctors mentioned in the lettering include &#039;Dr Jardan and his universal balm&#039; and &#039;Dr Solomons&#039; (Dr Samuel Solomon, inventor of the Balm of Gilead).]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Lithograph by C.J. Grant, 1834.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/rq8xwueg]]></dcterms:source>
    <dcterms:publisher><![CDATA[Every body&#039;s album &amp; caricature magazine.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1 March 1834.]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/192">
    <dcterms:title><![CDATA[Consultation of Physicians ]]></dcterms:title>
    <dcterms:subject><![CDATA[A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. ]]></dcterms:subject>
    <dcterms:description><![CDATA[The three named quacks occupy the top of the shield, twelve other &#039;doctors&#039; are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it. Two pairs of crossed human thigh bones are below the shield<br />
<br />
1 print : engraving ; image 18.7 x 15.6 cm<br />
<br />
Et plurima mortis imago.[on a banderole] Consultation of physicians. A facsimile of Hogarth&#039;s own engraving.<br />
<br />
- the oirignal print (done by hogarth himself) labels these as &#039;undertakers&#039; not physicians - though doctor is implied<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Engraving after W. Hogarth, 1736.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/bhcbmks4]]></dcterms:source>
    <dcterms:publisher><![CDATA[London (Temple of the Muses, Finsbury Square) : Jones &amp; co.<br />
]]></dcterms:publisher>
    <dcterms:relation><![CDATA[British Museum, Catalogue of political and personal satires, vol. III, pt. I, London 1877, no. 2299<br />
R. Paulson, Hogarth&#039;s graphic works, London, 1989, no.144]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/193">
    <dcterms:title><![CDATA[A Company of Physicians]]></dcterms:title>
    <dcterms:subject><![CDATA[A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. Etching by W. Hogarth, 1736, after himself.]]></dcterms:subject>
    <dcterms:description><![CDATA[The three named quacks occupy the top of the shield, twelve other &#039;doctors&#039; are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal which another holds. Two pairs of crossed human thigh bones are below the shield<br />
<br />
1 print : etching ; platemark 26.2 x 17.8 cm<br />
<br />
There are three lines of footnotes below the lettering<br />
Lettering continues: &quot;Beareth sable, an urinal proper, between 12 quack-heads of the second &amp; 12 cane heads Or, consultant. On a chief nebulæae, Ermine, one compleat doctor issuant, checkie sustaining in his right hand a baton of the second. On his dexter &amp; sinister sides two demi-doctors, issuant of the second, &amp; two cane-heads issuant of the third; the first having one eye conchant, towards the dexter side of the escocheon; the second faced per pale proper &amp; Gules, guardent. With this motto. Et plurima mortis imago.&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[[London] : W. Hogarth, 3 March 1736.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/ejvctpf4]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/194">
    <dcterms:title><![CDATA[A tooth-drawer holding up a tooth he has just extracted on stage to try and sell his skills; his two companions are treating a sick man]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : etching ; platemark 22.2 x 25 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Etching after J. Steen (?).]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/rkgyrjjz]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/195">
    <dcterms:title><![CDATA[The Quacks]]></dcterms:title>
    <dcterms:subject><![CDATA[James Graham and Gustavus Katterfelto in combat using electrotherapy machines as weapons]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; platemark 24.7 x 34.8 cm<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;Two of the most colourful entrepreneurs of Georgian London are shown in combat: on the left the Scot James Graham and on the right the Prussian Gustavus Katterfelto. Both are shown using the fashionable electro-therapeutic machinery as part of their restorative and edifying products, Graham in sex-therapy and Katterfelto in the marvels of nature. Graham (left), in profile to the right, is standing on an E.O. table (similar to a roulette wheel), circular and surrounded by the letters E.O. (his establishment in Pall Mall was used for gambling on E.O. tables). He stands astride a long phallic electrical conductor, supported on a vase-shaped electrical insulator; each foot rests on a glass insulator. The conductor is inscribed &#039;Prime conductor, gentle restorer largest in the world&#039;, and the insulator supporting it is inscribed &#039;insulated&#039;. In his left hand Graham holds up a phial or cylinder inscribed &#039;Medicated tube&#039;, he points at Katterfelto, saying, &quot;That round vigour! that full-toned juvenile virility which speaks so cordially and so effectually home to the female heart, Conciliating its favour &amp; friendship, and rivetting its Intensest affections away thou German maggot killer, thy fame is not to be compar&#039;d to mine&quot;. He wears a physician&#039;s full-curled wig, a ruffled shirt, and a laced waistcoat<br />
<br />
At Graham&#039;s feet stands a duck, on a label coming from its beak are the words &quot;Quack. Quack. Quack&quot;, and a thistle indicating his Scottish origin. Other objects on the platform are the model of a cannon inscribed &#039;Coelestial musick&#039; and two jars, one inscribed &#039;Leyden vial charg&#039;d with load stones aromatic spices, &amp;c. &amp;c. &amp;c&#039;; the other &#039;Tin foil or antidote&#039;<br />
<br />
Above the further side of Graham&#039;s table (left) appear the heads and shoulders of two gigantic porters who were part of Graham&#039;s establishment. One (left) labelled Gog stands full-face, a placard round his neck: &#039;Temple of Health &amp; of Hymen&#039;, the name of Graham&#039;s establishment at Schomberg House, Pall Mall, in allusion to his &#039;celestial bed&#039; for the cure of sterility. The other footman, &#039;Magog&#039;, is in profile to the right. Attached to the wall above their heads is a stuffed alligator inscribed &#039;Cured of the dropsey &amp; gout in the stomach&#039;. Beneath this is a shelf, on it are a pestle and mortar, a bust, perhaps of Galen, and a monkey seated in profile to the right holding up a phial in imitation of Graham<br />
<br />
Katterfelto&#039;s stage is a flimsy rectangular structure supported on thin planks, with cross planks, one decorated with a skull and cross-bones, the other by insects, &amp;c. (a butterfly, centipede, moth, and worm). He crouches over a cylindrical conductor supported on a pillar, similar to, but not identical with, that of his rival; it is inscribed, &#039;Positively charg&#039;d&#039;; his feet rest on the base of its pillar, a trident on its other end touches a barrel-shaped electrostatic generator which is being turned by a devil with horns and breasts, who says, &quot;Away with it my dear son I&#039;ll find fire eternally for you&quot;. Katterfelto embraces his electrical conductor with one arm, while his right hand points at Graham; sparks come from his thumb, forefinger, and wig, from a spike on the front of his conductor, and also drop from his chin. He is saying &quot;Dare you was see de vonders of the varld, which make de hair stand on tiptoe, Dare you was see mine tumb and mine findgar, fire from mine findger and feaders on mine tumb - dare you was see de gun fire viddout ball or powder, dare you was see de devil at mine A[rs]e-- O vonders! Vonders! Vonderfull vonders!&quot;<br />
<br />
The chain of sparks from Katterfelto&#039;s chin drops on to the touch-hole of a toy cannon at his feet so as to fire it in the direction of Graham. His attitude and profile express intense excitement, and his whole person appears charged with electricity; the hair on his forehead stands up, his long pigtail queue flies out behind him as do his coat-tails. Other objects on his platform, besides the electrical appliance which he is grasping, the devil&#039;s generator and the cannon, are a Leyden jar, a small rectangular box inscribed &#039;Arcanum sublimum&#039; and &#039;Mask&#039;d battery&#039;, a toy windmill, a square bottle inscribed &#039;Tinctr Aurum Vivae&#039;, a thunder-house, raised above its base, inscribed &#039;Thunder house&#039;, a bag or small sack inscribed &#039;Aurora Borealis&#039;, and an insect resembling a scorpion (one of the wonders of nature). Beneath the platform is a &#039;Reservoir for dead insects destroy&#039;d by Dr Katterf[elto]&#039;; insects are indicated carved on the plank&quot;]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[[London] (227 Strand) : W. Humphrey, 17 March 1783.<br />
]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. V, London 1935, no. 6325<br />
Exhibited in &quot;Seduction and Celebrity: The Spectacular Life of Emma Hamilton&quot; at the National Maritime Museum, London, 1 November 2016 - 1 April 2017<br />
Exhibited in &quot;Medicine Man&quot; at Wellcome Collection, 15 April - 7 October 2019]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/196">
    <dcterms:title><![CDATA[The Rival Accoucheurs or who shall Deliver Europe]]></dcterms:title>
    <dcterms:subject><![CDATA[William Pitt the younger as an obstetrician and medicine vendor, accompanied by Henry Dundas as his assistant, disputing with Napoleon Bonaparte their respective medicinal remedies for the delivery of Europe. Etching after C. Ansell (?), 1800.]]></dcterms:subject>
    <dcterms:description><![CDATA[The print contrasts Pitt&#039;s use of cash to support his Austrian allies with Napoleon&#039;s use of military force. Pitt is represented both as an accoucheur or man-midwife (he has a pair of forceps labeled &quot;Income tax&quot; sticking out of his pocket) and as a medicine vendor (&quot;quack doctor&quot;). To the left, Dundas wears a Scottish bonnet and a plaid suit in the style of the harlequin costume traditionally worn by the quack-doctor&#039;s zany. Napoleon carries a sword (as the obstetrician does in the print &quot;Doctor Forceps&quot; by Matthias Darly, 1773) with which he points to a pile of bolus-shaped (and musket-ball-shaped) pills. On the right his assistant uses a musket to shoot a bolus down the throat of one of the Austrian generals whom Napoleon had defeated at the battle of Marengo on 14 June 1800: either General Michael von Melas or General Pál Kray, both of whom are mentioned in the lettering. The British Museum catalogue suggests the shooting man may be Napoleon&#039;s general Louis Charles Antoine Desaix (1768-1800), though he would be an unsuitable candidate as he was killed by a musket ball at Marengo<br />
<br />
1 print : etching ; platemark 18 x 22.7 cm<br />
<br />
Pitt says: &quot;Why I tell you Doctor Buonaparte, nothing can effect a complete deliverance but my prescription of mint seed, it is the most efficacious remedy in the world&quot;. Napoleon replies &quot;I deny that, Doctor, my pills are far more certain in their operation &amp; much quicker in their effect, for instance you have been 14 months in attempting to deliver Italy &amp; I have delivered her in a day, but I refer you to Dr Melas &amp; Dr Kray who have both tried my pills &amp; found them irresistible. therfore Dr if you do not immediatly acknowledge the superiority of my pills, by Mahomet I will make you -&quot;. Dundas replies, &quot;Hoot mon, I never knew a country man of mine but would prefer the mint seed to aw the republican pills in the world&quot;.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Ansell, Charles, approximately 1752-<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/mrapkw3h]]></dcterms:source>
    <dcterms:date><![CDATA[c. 1800]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. VI, London 1938, no. 9544A<br />
Lisa Forman Cody, Birthing the nation: sex, science, and the conception of eighteenth-century Britons, Oxford 2005, p. 312]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/197">
    <dcterms:title><![CDATA[An Itinerant Doctor at Tien-sing]]></dcterms:title>
    <dcterms:subject><![CDATA[An itinerant medicine vendor selling his wares with the aid of assistants and snakes to a captivated audience, Tianjin, China. Engraving by P. Lightfoot, 1858, after T. Allom.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : line engraving and etching ; image 12.5 x 19.2 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/pcmnzd8t]]></dcterms:source>
    <dcterms:publisher><![CDATA[London ; Paris : Fisher, Son &amp; Co.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/198">
    <dcterms:title><![CDATA[Le Charlatan]]></dcterms:title>
    <dcterms:subject><![CDATA[A public square in a French port, in which a medicine vendor cries up his wares to an audience of traders and strollers. Coloured aquatint by J. Léveillé, 1785, after A. Borel.]]></dcterms:subject>
    <dcterms:description><![CDATA[The medicine vendor stands on the right, in front of his stand. He wears decorative clothes and holds up a flask of his medicine. In front of him are his props: conjuring equipment, musical instruments, tame animals. Among the crowd watching him are a well-dressed couple, he old and using a quizzing glass, she younger and surreptitiously passing a billet doux to a lover. Others among the spectators are from Turkey or the Levant<br />
<br />
Right background, three wooden houses containing shops: left to right a coffee house (presumably &quot;[Ca]fé&quot;), a house advertising a tightrop walker (&quot;Grands danseur du Roy&quot;), and a shop (&quot;Magazin de modes&quot;) selling fashionable knicknacks (fans, hats, vases, clocks etc.) Right foreground, some bales and goods traded at the port<br />
<br />
Left, the port, with a statue of a woman personifying Hope and Plenty. Behind and centre, a substantial stone building, presumably a customs house<br />
<br />
The medicine vendors&#039; banner contains lettering &quot;Par permission du Roy&quot; and a painting of the medicine vendor treating a seated lady, possibly by laying on of hands<br />
<br />
1 print : aquatint, with etching and watercolour ; image and borders 37.5 x 53.5 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/yc97jugw]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris (rue de la Harpe, au coin de celle Poupée, no. 182) : chez Vidal graveur, [1785]<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/199">
    <dcterms:title><![CDATA[The Farrier turned Tooth Drawer]]></dcterms:title>
    <dcterms:subject><![CDATA[A rustic farrier turned tooth-drawer extracting a tooth from a standing man, a woman looks on. Coloured mezzotint, 1792, after J. Harris the elder.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : mezzotint, with watercolour and gouache ; platemark 14.9 x 11.3 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Harris, John, the elder, -1834.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/xykr72sw]]></dcterms:source>
    <dcterms:publisher><![CDATA[London (69 St. Pauls Church Yard) : Carrington Bowles, Published as the Act directs, 2 Jan 1792.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published as the Act directs, 2 Jan 1792<br />
]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/200">
    <dcterms:title><![CDATA[The Tractors]]></dcterms:title>
    <dcterms:subject><![CDATA[An operator treating Ann Ford, a society lady, with &quot;Perkins&#039;s tractors&quot;, for her venomous tongue. Coloured etching by C. Williams, 1802.]]></dcterms:subject>
    <dcterms:description><![CDATA[The print contains three pieces of dialogue and several annotations<br />
<br />
1 print : etching, with watercolour<br />
<br />
The tractors. A new discovered virtue in these invaluable operators most cordially recommeded to the public at large and to Dr. Perkins in in [sic] particular as a likely means of preventing more murder than all the poenal statues. CW esqr. delt.]]></dcterms:description>
    <dcterms:creator><![CDATA[Williams, Charles, active 1797-1830.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/sgus9kj6]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (50 Piccadilly) : S.W. Fores, 16 September 1802.<br />
]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. VIII, no. 9926<br />
]]></dcterms:contributor>
</rdf:Description></rdf:RDF>
