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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saint Agatha</text>
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    <name>Physical Object</name>
    <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Saint Agatha</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Piccoli Santi (Small Saints) (Small Saints)</text>
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          <description>An account of the resource</description>
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              <text>St Agatha tied to a tree with her left arm raised; a landscape at her right; copy in reverse after Marcantonio&#13;
Etching and engraving&#13;
Height: Height: 64 millimetres&#13;
Width: Width: 38 millimetres&#13;
Inscription content: Collector's initials 'JB' in pen and ink on verso (Lugt 1419)</text>
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          <name>Creator</name>
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              <text>After: Marcantonio</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-125&#13;
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)&#13;
Previous owner/ex-collection: John Barnard (L.1420)&#13;
acquisitioned 1799</text>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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              <text>Italian</text>
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          <name>Date</name>
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              <text>1500-27</text>
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              <text>The artist added the landscape, which does not appear in the original print, and omitted the trees on the sides.&#13;
Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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