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                <text>St Agatha standing between two trees, her right arm raised and tied to a third tree in the middle, her breasts have been cut off&#13;
Engraving&#13;
Height: Height: 83 millimetres&#13;
Width: Width: 49 millimetres&#13;
Inscription content: Signed on plate with a monogram "MAF" at lower right</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-123&#13;
acquired 1837</text>
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                <text>Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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                <text>The Martyrdom of St Agatha; centre, St Agatha tied to a column with her breasts exposed, to the left and r, an excutioner approaches with a pair of shears; in the foreground, another man kindles a fire, a crown and veil lie on the ground&#13;
Engraving&#13;
Height: Height: 253 millimetres&#13;
Width: Width: 184 millimetres&#13;
Inscription type: inscription&#13;
Inscription content: Lettered in cartouche within image: 'S. AGATHA VIRGO / ET MARTYR.' Lettered below image: 'VENERABILI AC RELIGIOSAE VIRGINI PRVDENTIAE...PHILIPPVS GALLEAUS, IN AEMVLATIONIS, AD EIVSDEM / SANCTAE PIETATEM ET VIRTVTES STIMVLVM LVBENS DEDICAT.'</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1957-0413-224&#13;
Previous owner/ex-collection: Elizabeth, Duchess of Northumberland (Courtier. In 1750 succeeded her father, Algernon Seymour as Baroness Percy while her husband, Sir Hugh Smithson (q.v.) succeeded him as Earl of Northumberland and assumed the name Percy; in 1766, he was created Duke of Northumberland.)&#13;
for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120 &#13;
acquisitioned 1957</text>
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Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752)&#13;
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I)</text>
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                <text>St Agatha, standing full-length, heads turned in profile to left, holding a pair of shears with her breast&#13;
Engraving&#13;
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Width: Width: 47 millimetres&#13;
Inscription type: inscription&#13;
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                <text>Print made by: Allaert Claesz.</text>
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                <text>British Museum&#13;
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Previous owner/ex-collection: William Bell Scott&#13;
Previous owner/ex-collection: William Odling (sale Sotheby's 4.iv.1922/497)&#13;
acquisitioned 1922</text>
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                <text>Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (89)</text>
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                <text>St Agatha and executioner; the bare-breasted saint, her hands tied above her head to a column; behind her to the left a male figure holding an instrument of torture; after Parmigianino. 1809&#13;
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Width: Width: 119 millimetres&#13;
From 'Le piu insigni pitture Parmensi', see 1852,0612.360 for comment.&#13;
Print after Parmigianino's fresco in the church of San Giovanni Evangelista, Parma (See Gould, 1994, cat. A33)&#13;
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                <text>Print made by: Francesco Rosaspina&#13;
After: Parmigianino&#13;
Intermediary draughtsman: Francisco Vieira 'Portuense'</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1852-0612-394&#13;
Purchased from: George Willis in 1852</text>
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                <text>Associated with: Parma (city) (Church of San Giovanni Evangelista)&#13;
Europe: Italy: Emilia-Romagna: Parma (province): Parma (city)&#13;
Associated Title: Le più insigni pitture Parmensi indicate agli amatori delle più Belle Arti (Parma, 1809)</text>
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                <text>Plate 20: St Agatha and an angel; after Guercino. St Agatha, standing on the left, clutches her mutilated breasts while on the right an angel approaches her with an ointment jar. 1706&#13;
Etching and engraving&#13;
Height: Height: 358 millimetres&#13;
Width: Width: 274 millimetres&#13;
Inscription type: inscription&#13;
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1855-0609-712&#13;
Purchased from: A E Evans &amp; Sons in 1855</text>
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                <text>Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France&#13;
Series: Series: Galerie d'Aguilles&#13;
Associated with: Jean Baptiste Boyer d'Aguilles&#13;
Representation of: St Agatha</text>
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Donated by: Mrs Arthur Nussbaum&#13;
1969&#13;
This item has an uncertain or incomplete provenance for the years 1933-45. The British Museum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.</text>
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