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                  <text>Mastectomy Tools</text>
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                <text>Instrumenta chyrurgiae et icons anathomicae </text>
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            <description>The topic of the resource</description>
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                <text>Surgical instruments and anatomical imagery</text>
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            <description>An account of the resource</description>
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                <text>205 unnumbered leaves (last 2 blank) ; (8vo 17 cm)&#13;
&#13;
This volume contains 202 wood engravings without text, the majority from the 'Dix livres de chirurgie' published in Paris, 1564: they have been carefully painted by hand in gold, silver, and colours&#13;
Copy 1. There are MS. signatures, and on the verso of the first leaf the title of the work as given above. On the second leaf in the same hand is the signature 'N. Rassius Desneus Chyrurgus S. Par'. Binding: late 17th century red goatskin over thin pasteboards, gold tooling with the arms of Nicolas Fouquet (Squirrel rampant) and a crown on the spine. This is typical of a group of bindings from around 1700 produced in imitation of earlier 17th century styles. For more information see Pascal Ract-Madoux and Isabelle de Conihout Reliures françaises du xviie siècle chefs-d'oeuvre du musée condé (Paris, Chantilly, 2002) - see especially no. 44. Bought on 6. 2. 1895, in the Libri Sale at Christie's, by Charles Butler, of Warren Wood, Hatfield, whose book-plate has been pasted inside the cover. Bought for the Wellcome Library at the Sotheby sale of Butler's library, 1. 6. 1911, Lot 1706.</text>
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                <text>Ambroise Paré</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Wellcome Collection&#13;
https://wellcomecollection.org/works/gea92cjg   </text>
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                <text>Paris</text>
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            <name>Date</name>
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                <text>1564</text>
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        <name>hand</name>
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        <name>operation</name>
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        <name>surgical</name>
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        <name>tools</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Madonna and Child with saints</text>
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                <text>Madonna and Child with saints, with the Virgin sitting on an elevated throne with Christ child on her lap; below, at right, St Barbara and a monk, and at left a female saint (St Agatha?) with a dish resting on the pedestal, St Lawrence with his gridiron in the foreground with a seated angel holding a child in his arms&#13;
Etching&#13;
Height: Height: 563 millimetres&#13;
Width: Width: 306 millimetres&#13;
Inscription content: Lettered below image with production detail: 'J. B. Cignarolius pinxit - D. C. D.' and dedication to 'Clarissimo Viro D. Carolo Emanuelli Groscavalli Comiti Palatii...' (Carlo Emanuele Cavalleri di Groscavallo, 1706-1787 ?).&#13;
The engraver's monogram was described by Nagler (Die Monogramisten No.1017) as the signature of an unidentified 18th century engraver active in Italy, possibly a member of the David family.&#13;
&#13;
Professor Robert Randolf Coleman has kindly drawn our attention to his work identifying the printmaker as Angelo Ghizzardi (see R.R. Coleman, "The Ambrosiana Albums of Giambettino Cignaroli (1706-1770): A Critical Catalogue", Milan; Rome: Biblioteca Ambrosiana; Bulzoni Editori, 2011, pp. 14, 89, 91, 117, 119, fig. 55 and p. 221, no. 343). Carmen Nagel (email Dec 2022): this etching shows a painting that was made for the chapel in the Royal palace in San Ildefonso and is now in the Prado (POOOO99).</text>
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                <text>Print made by: Angelo Ghizzardi&#13;
After: Giambettino Cignaroli</text>
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                <text>c. 1720-80 </text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1951-0714-110&#13;
Purchased from: Colnaghi&#13;
Previous owner/ex-collection: Liechtenstein</text>
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                <text>etching</text>
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        <name>saints</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>St Agatha</text>
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                <text>Series: Series: Piccoli Santi (Small Saints) (Small Saints)</text>
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                <text>St Agatha standing between two trees, her left arm raised and tied to a third tree in the middle; copy in reverse after Marcantonio&#13;
Engraving&#13;
Height: Height: 87 millimetres&#13;
Width: Width: 55 millimetres&#13;
Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold&#13;
NOTE: the whole breasts where in another edition the breasts are removed&#13;
"The artist did not fully understand Marcantonio’s print and in his engraving omitted to emphasize St Agatha’s cut breasts."</text>
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                <text>After: Marcantonio</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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                <text>1500-1527</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-124&#13;
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)&#13;
Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’)</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Series: Series: Imagini di molte SS Vergini Rom.e nel martirio</text>
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            <description>An account of the resource</description>
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                <text>St Agatha; kneeling to left in front of a prison, with one severed breast, praying to a vision of St Peter standing blessing her; behind to left she is roasted alive on hot coals; within an oval frame and with a vertical panel of ornamental scrollwork to left and to right.&#13;
Etching&#13;
Height: Height: 74 millimetres&#13;
Width: Width: 117 millimetres&#13;
Inscription content: Lettered within image with saint's name and feast day</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Antonio Tempesta&#13;
Published by: Giovanni Antonio de Paoli</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Bartsch / Le Peintre graveur (XVII.138.398)</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Published in: Rome (city)&#13;
Europe: Italy: Lazio: Rome (province): Rome (city)</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1570-1591</text>
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            <description>A related resource</description>
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                <text>Associated Title: Historia delle sante vergini Romane (Rome, 1591)&#13;
</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Church martyrs, with in the foreground St Agatha, tied to a stake and having her breasts cut by an executioner; beyond, at right, St Tryphon, hanging upside down from a tree, and Sts Fabian and Cornelius being beheaded; at left, St Abdon and Sennen being spared by the lions; after the fresco executed in San Stefano Rotondo by Niccolò Circignani&#13;
Engraving&#13;
Height: Height: 272 millimetres&#13;
Width: Width: 172 millimetres&#13;
Inscription content: Signed on plate with monogram: 'MP'. Numbered 'No.20' on plate. Lettered above image: 'Non sut condignae passiones huiu temporis ad ro. VIII' and below: 'Decio Valeriano et Galieno Impp.', and explanatory key.&#13;
Representation of: St Agatha&#13;
Representation of: Pope Fabian (St Fabian)&#13;
Representation of: Pope Cornelius (St Cornelius)&#13;
Representation of: St Tryphon&#13;
Representation of: St Abdon&#13;
Representation of: St Sennen</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Monogrammist MP&#13;
After: Niccolò Circignani</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Associated with: Rome (S. Stefano Rotondo)&#13;
Europe: Italy: Lazio: Rome (province): Rome (city)&#13;
Topographic representation of: Colosseum&#13;
Europe: Italy: Lazio: Rome (province): Rome (city): Colosseum</text>
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                <text>1580-1630 (c) (c)</text>
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Purchased through: Sotheby's (24-7.ii.1869/435)&#13;
Purchased through: Edward Daniell&#13;
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                <text>Object: Object: Non sunt condignae...&#13;
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                <text>Plate 18: Martyrdom scenes with St Agatha being tied to a pillar in foreground, her sheared breasts lying in front of her, the Popes Fabian and Cornelius being beheaded in left background, St Tryphon hung from a tree and beaten in left background, Abdon and Senna attacked by lions in central background; letters A-D within composition indicating different scenes&#13;
Engraving&#13;
Height: Height: 201 millimetres&#13;
Width: Width: 136 millimetres&#13;
Inscription content: Titled in top margin: "Non svnt condignæ passiones hvivs temporis. Rom.VIII.". Lettered and numbered '18' in lower margin, with explanatory key in Latin.&#13;
This is one from a series of thirty-one plates (and title-page), for comment see 1863,0509.761.&#13;
Representation of: St Agatha&#13;
Representation of: Pope Fabian (St Fabian)&#13;
Representation of: Pope Cornelius (St Cornelius)&#13;
Representation of: St Tryphon&#13;
Representation of: St Cyprian of Carthage&#13;
Associated with: Decius&#13;
Associated with: Valerian&#13;
Associated with: Gallienus</text>
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                <text>Print made by: Jan van Haelbeck&#13;
Published by: Jean Leclerc IV</text>
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                <text>Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed)&#13;
IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (227-258)&#13;
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                <text>Published in: Paris (France)&#13;
Europe: France: Ile-de-France (region): Paris (France)</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1863-0509-779&#13;
Purchased from: Molini (&amp; Green)</text>
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        <name>tools</name>
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              <name>Title</name>
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                <text>Six female saints; St Mary Magdalene, St Rosalia, St Apollonia, St Agnes, St Dorothy, St Agatha; six roundels aligned in three rows; sheet four of the series; second state&#13;
Engraving&#13;
Diameter: Diameter: 43 millimetres (c., each roundel) (c., each roundel)&#13;
Height: Height: 171 millimetres (plate) (plate)&#13;
Width: Width: 120 millimetres&#13;
Inscription content: Signed below "Israhel V M".&#13;
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&#13;
According to Lehrs, Meckenem copied the designs, at least in regards to the alignment of the roundels, after the Master ES.&#13;
&#13;
The majority of the roundels have been cut out; an entire set of eight intact sheets is not known to exist.&#13;
&#13;
Representation of: St Mary Magdalene&#13;
Representation of: St Rosalia&#13;
Representation of: St Apollonia&#13;
Representation of: St Agnes&#13;
Representation of: St Dorothea&#13;
Representation of: St Agatha</text>
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                <text>Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (IX.353.448)&#13;
Bartsch / Le Peintre graveur (VI.260.153)&#13;
Hollstein / German engravings, etchings and woodcuts c.1400-1700 (448.II)</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1925-0406-87Purchased from: Albertina</text>
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        <name>female saints</name>
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        <name>martyrs</name>
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        <name>saints</name>
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      <tag tagId="1">
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                <text>Series: Series: Les images de tous les saints et saintes de l'année</text>
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            <description>An account of the resource</description>
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                <text>Four oval scenes, each related to religious events or saints celebrated in February; from left to right and top to bottom, a soldier shearing the breast of a young female saint tied to a pillar (St Agatha's Day); a man armed with a brand and burning the side of a young female saint tied to a pillar (St Dorothea's Day); a Bishop saint standing in a landscape with a palm leaf in right hand, and reading a book (St Paul of Verdun's Day); a bespectacled hermit saint standing in a landscape and reading a book; a rosary hangs from his belt (St Romuald's Day). c.1632/35&#13;
Etching&#13;
Height: Height: 210 millimetres&#13;
Width: Width: 123 millimetres&#13;
Inscription content: Each scene lettered with name of publisher, date of feastday and title&#13;
From a set of 124 plates (a title, a frontispiece and 122 plates of 4 scenes each), see 1861,0713.511 for comment.&#13;
&#13;
Representation of: St Agatha&#13;
Representation of: St Dorothea&#13;
Representation of: St Paul of Verdun&#13;
Representation of: St Romuald</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Jacques Callot&#13;
Published by: Israël Henriet</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Lieure 1927 / Jacques Callot (848-851.II)&#13;
Meaume 1860 / Recherches sur la vie et les ouvrages de Jacques Callot (302-425)</text>
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            <name>Publisher</name>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1861-0713-526&#13;
Purchased from: Charles Scarisbrick (From the Scarisbrick collection of Callot's work)&#13;
Purchased through: Christie's (14.v.1861/part of lot 475)&#13;
Purchased through: Colnaghi</text>
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            <description>A name given to the resource</description>
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                <text>Saints celebrated in February</text>
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                <text>The name of God in Hebraic characters, surrounded by the Apostles, and with other Christian saints standing below; illustration to an unidentified book, page 201 or 203, with letterpress text printed in red and black on verso&#13;
Engraving&#13;
Height: Height: 223 millimetres&#13;
Width: Width: 159 millimetres&#13;
Not in IFF; from the same book as 1610,0208.4.&#13;
&#13;
Representation of: God&#13;
Representation of: Apostles&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Barbara&#13;
Representation of: St Agatha&#13;
Representation of: St Laurence</text>
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                <text>Published by: Jaspar Isaac&#13;
French</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1910-0208-5&#13;
Donated by: Sydney Vacher&#13;
stamp printed in blue, on verso: 'TH.re PETIT INStt'</text>
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                <text>Christian apostles and saints</text>
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                <text>Portrait of a lady</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="328">
                <text>Object: Object: Giulia Gonzaga&#13;
Series: Series: The National Gallery of Pictures by the Great Masters</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="329">
                <text>Plate 63: Portrait of a lady traditionally identified as Giulia Gonzaga, half-length, turned to right; after Sebastiano del Piombo. c.1836&#13;
Etching and engraving&#13;
Height: Height: 271 millimetres&#13;
Width: Width: 214 millimetres&#13;
Inscription content: Lettered in lower margin with title and production details: "Engraved by L. Stocks" and "From the original Picture by Sebastiano del Piombo in / The National Gallery / No.63" and "Jones &amp; Co. Temple of the Muses, Finsbury Square, London.".&#13;
After Sebastiano del Piombo's "Portrait of a lady with the attributes of Saint Agatha" of c. 1540 in the National Gallery (inv. NG 24), thought at the time to represent Giulia Gonzaga.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="330">
                <text>After: Sebastiano del Piombo&#13;
Print made by: Lumb Stocks&#13;
Published by: Jones &amp; Co</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="331">
                <text>Italian / British&#13;
Published in: London (England)&#13;
Europe: British Isles: England: London (England)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="332">
                <text>1836</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="333">
                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1861-1214-66&#13;
Purchased from: Willis &amp; Sotheran</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="15">
        <name>female subject</name>
      </tag>
      <tag tagId="14">
        <name>female subjectivity</name>
      </tag>
      <tag tagId="13">
        <name>portrait</name>
      </tag>
      <tag tagId="5">
        <name>saint agatha</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
