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                  <text>Saint Agatha</text>
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                <text>Portrait of a Lady with the Attributes of Saint Agatha</text>
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                <text>The lady in the picture is shown with the attributes of Saint Agatha, the third-century Sicilian martyr who was reported to have been tortured for rejecting the marriage proposal of the Roman governor. A dish with Agatha’s severed breasts and the pliers used to remove them are depicted on the right. However, technical examination of the painting has shown that the breasts, pliers, martyr’s palm and halo are later additions, suggesting that the work was originally a portrait, although the sitter remains unidentified.&#13;
&#13;
The letter ‘F’ before the name ‘Sebastianus’ in the signature shows that this work was painted in or after the year 1531, when Sebastiano del Piombo (‘Sebastiano of the Seal’) became the bearer of the papal seal and adopted the honorific title associated with that role: frate (friar). The painting of the lady’s dress and hair are well preserved although the flesh areas are now damaged and have a greyish appearance.&#13;
&#13;
oil on canvas&#13;
92.4 × 75.3 cm&#13;
	Signed</text>
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                <text>	Sebastiano del Piombo</text>
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                <text>	early 1530s</text>
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                <text>NGA, London &#13;
https://www.nationalgallery.org.uk/paintings/sebastiano-del-piombo-portrait-of-a-lady-with-the-attributes-of-saint-agatha&#13;
The Reverend William Holwell Carr&#13;
Holwell Carr Bequest, 1831&#13;
https://www.nationalgallery.org.uk/people/the-reverend-william-holwell-carr</text>
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        <name>saint agatha</name>
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                <text>Seal-matrix for Adolf von Epstein, Archdeacon of Trier</text>
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                <text>Seal-matrix for Adolf von Epstein, Archdeacon of Trier; bronze; circular.&#13;
Obverse: Female figure standing, facing, wearing a long dress and her hands above her head grasping a cross-bar resting on side posts. On either side an executioner seizing her breast with a pair of pincers. Background sprinkled with flowers and below a shield of arms chevronée; Inscription in legend within beaded borders, disrupted by the cross bar and shield of arms.&#13;
Reverse: high shaped pierced ridge&#13;
With wax impression.&#13;
Diameter: Diameter: 4 centimetres&#13;
&#13;
Inscription position: obverse, legend&#13;
Inscription language: Latin&#13;
Inscription script: Black Letter&#13;
Inscription content: /SI.ADOLFI.DE.EPSTEI.A/RD.IN.ECCIA.TREU'&#13;
Inscription transliteration: /SI[GILLUM].ADOLFI.DE.EPSTEI[N].AR[CHI]D[IACO].IN.ECC[LES]IA[E].TRE[VERICA]U[RBS]&#13;
Inscription translation: Seal of Adolf of Epstein, archdeacon? in the curch of Trier. Siegel des Adolf von Epstein, Erzdiakon? der Kirche von Trier.&#13;
Inscription note: The Transliteration of "AR" as archdeacon is unsure. Orbis Latinus gives more options for the latin name of Trier, so their might be different possibilities to transliterate the last abbreviation.&#13;
&#13;
Two wax impressions, one on paper and one gutta percha.&#13;
&#13;
Identified as the Matryrdom of St. Agatha.&#13;
&#13;
Tonnochy Slip Catalogue says that the arms of Eppstein are argent, three chevrons gules.</text>
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                <text>Named in inscription: Trier&#13;
Europe: Germany: Rhineland-Palatinate (state): Trier</text>
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                <text>Made in: Germany&#13;
Europe: Germany</text>
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                <text>15th century</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/H_1847-0802-7&#13;
Purchased from: Curtis&#13;
</text>
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                <text>bronze, wax, engraved</text>
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        <name>sait agatha</name>
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        <name>torture</name>
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                  <text>Saint Agatha</text>
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                <text>Female saints</text>
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                <text>Sixteen female saints; half-length figures with their respective attributes, arranged in four rows.&#13;
Woodcut&#13;
Height: Height: 216 millimetres&#13;
Width: Width: 166 millimetres&#13;
Inscription content: Lettered with the names of the individual saints on banderoles below the figures.&#13;
Forming a pair with E,8.175, the style corresponds closely with Wechtlin's scenes from the life of the Virgin and of Christ (Passavant III.331-2, II.53) but there is no printing on the versos and it is unclear whether they were designed as book illustrations or not. See Röttinger p.1 note 1; manuscript catalogue by Karl Parker (compiled in the 1920s) for a proposed sequel to Campbell Dodgson's 'Catalogue of Early German Woodcuts in the British Museum' [and British Library], vol.2, woodcuts by Wechtlin, no. 30.&#13;
&#13;
Representation of: St Anne&#13;
Representation of: St Mary Magdalene&#13;
Representation of: Virgin Mary&#13;
Representation of: St Martha&#13;
Representation of: St Ursula&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Barbara&#13;
Representation of: St Margaret of Antioch&#13;
Representation of: St Dorothea&#13;
Representation of: St Agatha&#13;
Representation of: St Lucy&#13;
Representation of: St Agnes&#13;
Representation of: St Cecilia&#13;
Representation of: St Catherine of Siena&#13;
Representation of: St Otilia&#13;
Representation of: St Elizabeth of Hungary</text>
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                <text>Print made by: Hans Wechtlin</text>
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                <text>Passavant 1860-64 / Le Peintre-Graveur (Undescribed)</text>
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                <text>German</text>
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                <text>1500-26</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_E-8-176</text>
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                <text>Die Heyligen Junckfrawen unnd Mertirerin inn dem Himlischen Rosengartten</text>
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                <text>Broadside on the heavenly rose garden; with a stencil-coloured woodcut from eight (?) blocks of virgin saints and the Holy Kinship seated on benches in front of rose bushes arranged in four horizontal strips; below 30 lines of German letterpress verse in eight columns describing the Christian path to the rose garden. (Nuremberg: n.d.)&#13;
&#13;
Height: Height: 1005 millimetres (Borderline) (Borderline)&#13;
Height: Height: 1061 millimetres (Sheet size) (Sheet size)&#13;
Width: Width: 704 millimetres (Borderline) (Borderline)&#13;
Width: Width: 704 millimetres (Sheet size) (Sheet size)&#13;
&#13;
Inscription content: Publication line: 'Gedruckt zu Nürnberg, bey Hans Wolff Glaser.'&#13;
&#13;
Representation of: St Lucy&#13;
Representation of: St Christina&#13;
Representation of: St Mary Magdalene&#13;
Representation of: St Elizabeth of Hungary&#13;
Representation of: St Apollonia&#13;
Representation of: St Ursula&#13;
Representation of: St Margaret of Antioch&#13;
Representation of: St Martha&#13;
Representation of: St Agatha&#13;
Representation of: St Agnes&#13;
Representation of: St Dorothea&#13;
Representation of: St Barbara&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Joseph&#13;
Representation of: Virgin Mary&#13;
Representation of: Jesus Christ&#13;
Representation of: St Anne&#13;
Representation of: St Joachim&#13;
Representation of: God</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Printed by: Hans Wolfgang Glaser</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Printed in: Nuremberg&#13;
Europe: Germany: Bavaria (state): Mittelfranken (region): Nuremberg</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1550-70</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1930-0617-37&#13;
Purchased from: C G Boerner (sale Leipzig, 6/9 May 1930/637)&#13;
Previous owner/ex-collection: Friedrich August II, King of Saxony (Lugt 971)</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>woodcut, letterpress, stencil printing</text>
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              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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                <text>Object: Object: Giulia Gonzaga&#13;
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Etching and engraving&#13;
Height: Height: 271 millimetres&#13;
Width: Width: 214 millimetres&#13;
Inscription content: Lettered in lower margin with title and production details: "Engraved by L. Stocks" and "From the original Picture by Sebastiano del Piombo in / The National Gallery / No.63" and "Jones &amp; Co. Temple of the Muses, Finsbury Square, London.".&#13;
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1861-1214-66&#13;
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                <text>The name of God in Hebraic characters, surrounded by the Apostles, and with other Christian saints standing below; illustration to an unidentified book, page 201 or 203, with letterpress text printed in red and black on verso&#13;
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Height: Height: 223 millimetres&#13;
Width: Width: 159 millimetres&#13;
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&#13;
Representation of: God&#13;
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Representation of: St Catherine of Alexandria&#13;
Representation of: St Barbara&#13;
Representation of: St Agatha&#13;
Representation of: St Laurence</text>
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stamp printed in blue, on verso: 'TH.re PETIT INStt'</text>
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                <text>Series: Series: Les images de tous les saints et saintes de l'année</text>
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            <description>An account of the resource</description>
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                <text>Four oval scenes, each related to religious events or saints celebrated in February; from left to right and top to bottom, a soldier shearing the breast of a young female saint tied to a pillar (St Agatha's Day); a man armed with a brand and burning the side of a young female saint tied to a pillar (St Dorothea's Day); a Bishop saint standing in a landscape with a palm leaf in right hand, and reading a book (St Paul of Verdun's Day); a bespectacled hermit saint standing in a landscape and reading a book; a rosary hangs from his belt (St Romuald's Day). c.1632/35&#13;
Etching&#13;
Height: Height: 210 millimetres&#13;
Width: Width: 123 millimetres&#13;
Inscription content: Each scene lettered with name of publisher, date of feastday and title&#13;
From a set of 124 plates (a title, a frontispiece and 122 plates of 4 scenes each), see 1861,0713.511 for comment.&#13;
&#13;
Representation of: St Agatha&#13;
Representation of: St Dorothea&#13;
Representation of: St Paul of Verdun&#13;
Representation of: St Romuald</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Jacques Callot&#13;
Published by: Israël Henriet</text>
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                <text>Lieure 1927 / Jacques Callot (848-851.II)&#13;
Meaume 1860 / Recherches sur la vie et les ouvrages de Jacques Callot (302-425)</text>
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            <name>Publisher</name>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1861-0713-526&#13;
Purchased from: Charles Scarisbrick (From the Scarisbrick collection of Callot's work)&#13;
Purchased through: Christie's (14.v.1861/part of lot 475)&#13;
Purchased through: Colnaghi</text>
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                <text>Six female saints; St Mary Magdalene, St Rosalia, St Apollonia, St Agnes, St Dorothy, St Agatha; six roundels aligned in three rows; sheet four of the series; second state&#13;
Engraving&#13;
Diameter: Diameter: 43 millimetres (c., each roundel) (c., each roundel)&#13;
Height: Height: 171 millimetres (plate) (plate)&#13;
Width: Width: 120 millimetres&#13;
Inscription content: Signed below "Israhel V M".&#13;
Part of a series of designs for goldsmiths, consisting of eight engravings (L 445-452) with forty-eight circular scenes with religious subjects (each plate containing six roundels).&#13;
&#13;
According to Lehrs, Meckenem copied the designs, at least in regards to the alignment of the roundels, after the Master ES.&#13;
&#13;
The majority of the roundels have been cut out; an entire set of eight intact sheets is not known to exist.&#13;
&#13;
Representation of: St Mary Magdalene&#13;
Representation of: St Rosalia&#13;
Representation of: St Apollonia&#13;
Representation of: St Agnes&#13;
Representation of: St Dorothea&#13;
Representation of: St Agatha</text>
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                <text>Print made by: Israhel van Meckenem</text>
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                <text>Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (IX.353.448)&#13;
Bartsch / Le Peintre graveur (VI.260.153)&#13;
Hollstein / German engravings, etchings and woodcuts c.1400-1700 (448.II)</text>
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="312">
                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1925-0406-87Purchased from: Albertina</text>
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        <name>martyrs</name>
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              <name>Title</name>
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            <description>The topic of the resource</description>
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                <text>Object: Object: Non sunt condignae...&#13;
Series: Series: Ecclesiae Militantis Triumphi (Triomphes de l'Eglise Militante) (Triomphes de l'Eglise Militante)</text>
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            <description>An account of the resource</description>
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                <text>Plate 18: Martyrdom scenes with St Agatha being tied to a pillar in foreground, her sheared breasts lying in front of her, the Popes Fabian and Cornelius being beheaded in left background, St Tryphon hung from a tree and beaten in left background, Abdon and Senna attacked by lions in central background; letters A-D within composition indicating different scenes&#13;
Engraving&#13;
Height: Height: 201 millimetres&#13;
Width: Width: 136 millimetres&#13;
Inscription content: Titled in top margin: "Non svnt condignæ passiones hvivs temporis. Rom.VIII.". Lettered and numbered '18' in lower margin, with explanatory key in Latin.&#13;
This is one from a series of thirty-one plates (and title-page), for comment see 1863,0509.761.&#13;
Representation of: St Agatha&#13;
Representation of: Pope Fabian (St Fabian)&#13;
Representation of: Pope Cornelius (St Cornelius)&#13;
Representation of: St Tryphon&#13;
Representation of: St Cyprian of Carthage&#13;
Associated with: Decius&#13;
Associated with: Valerian&#13;
Associated with: Gallienus</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Jan van Haelbeck&#13;
Published by: Jean Leclerc IV</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="302">
                <text>Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed)&#13;
IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (227-258)&#13;
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Published in: Paris (France)&#13;
Europe: France: Ile-de-France (region): Paris (France)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1863-0509-779&#13;
Purchased from: Molini (&amp; Green)</text>
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      <tag tagId="5">
        <name>saint agatha</name>
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      </tag>
      <tag tagId="1">
        <name>tools</name>
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      <tag tagId="6">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Church martyrs</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Church martyrs, with in the foreground St Agatha, tied to a stake and having her breasts cut by an executioner; beyond, at right, St Tryphon, hanging upside down from a tree, and Sts Fabian and Cornelius being beheaded; at left, St Abdon and Sennen being spared by the lions; after the fresco executed in San Stefano Rotondo by Niccolò Circignani&#13;
Engraving&#13;
Height: Height: 272 millimetres&#13;
Width: Width: 172 millimetres&#13;
Inscription content: Signed on plate with monogram: 'MP'. Numbered 'No.20' on plate. Lettered above image: 'Non sut condignae passiones huiu temporis ad ro. VIII' and below: 'Decio Valeriano et Galieno Impp.', and explanatory key.&#13;
Representation of: St Agatha&#13;
Representation of: Pope Fabian (St Fabian)&#13;
Representation of: Pope Cornelius (St Cornelius)&#13;
Representation of: St Tryphon&#13;
Representation of: St Abdon&#13;
Representation of: St Sennen</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Monogrammist MP&#13;
After: Niccolò Circignani</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Associated with: Rome (S. Stefano Rotondo)&#13;
Europe: Italy: Lazio: Rome (province): Rome (city)&#13;
Topographic representation of: Colosseum&#13;
Europe: Italy: Lazio: Rome (province): Rome (city): Colosseum</text>
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            <name>Date</name>
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                <text>1580-1630 (c) (c)</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1869-0410-1576&#13;
Purchased from: José de Salamanca y Mayol, Marquis of Salamanca&#13;
Purchased through: Sotheby's (24-7.ii.1869/435)&#13;
Purchased through: Edward Daniell&#13;
Previous owner/ex-collection: José de Madrazo&#13;
</text>
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        <name>breasts</name>
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        <name>saint agatha</name>
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        <name>tools</name>
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        <name>torture</name>
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