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                <text>Martyrdom of Saint Agatha; verso: Figure Study</text>
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                <text>Medium&#13;
Brown ink, brown and gray wash, and black chalk over graphite on cream antique laid paper (?), partial framing line in brown ink, mounted overall to cream antique laid paper with gold leaf remnants from a previous mount; verso: red chalk and black chalk or graphite&#13;
Dimensions&#13;
27.3 x 17 cm (10 3/4 x 6 11/16 in.)&#13;
Inscriptions and Marks&#13;
inscription: lower left, brown ink: L. 2461 (Thomas Thane)&#13;
collector's mark: lower right, black ink, stamp: L. 2170 (Jonathan Richardson, Jr.)&#13;
inscription: mount, verso, center, graphite: B. 821 [encircled]&#13;
inscription: mount, verso, lower right, graphite, erased: 5 [encircled]&#13;
inscription: verso, right center, ink: 116 [? as visible throught mount]&#13;
watermark: in mount: VILLEDARY&#13;
inscription: verso, lower right, ink: 4&#13;
inscription: verso, brown ink: Arpino [? as visible through mount]</text>
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                <text>Flemish?</text>
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                <text>Fogg Art Museum&#13;
https://hvrd.art/o/312475</text>
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                <text>"From a large number of initials cut from choir-books, attributed to the miniaturist active in Lombardy in the decades around and after 1500, some are signed B. F. (or B.). The identification of the artist is controversial. Wescher would like to recognize Francesco Binasco in him and resolve the signature as "Binasco fecit".&#13;
&#13;
Characteristic are the pronounced drawing style with strange bulging broken folds and the hair treatment ending in the finest curls. The ubiquitous Leonardesque influence in Milan is particularly noticeable in the faces.&#13;
&#13;
The initial D, formed from horns with colored leaves and a blue leaf mask on the stem, depicts the martyrdom of St. Agatha shown. Because she did not want to renounce her faith, both her breasts were cut off (legenda aurea) after a number of tortures at the behest of Prefect Quintinian, who is enthroned with the judge's staff on the left. Her tormentors have tied her to an 'ancient' pillar (which may have been the support of a pagan idol) with her arms raised, and a henchman is setting the knife. In the background, the crenellated wall of Catania delimits the place of execution."&#13;
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                <text>Staatliche Museum, Berlin&#13;
https://id.smb.museum/object/1051992/initiale-d-mit-martyrium-der-hl--agathe&#13;
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                <text>The Saints Apollonia, Agatha, Cecilia, and Ursula</text>
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                <text>Staatliche Museum, Berlin&#13;
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                <text>Use of a surgical tool rather than a blacksmithing tongs&#13;
&#13;
Medium:	Engraving&#13;
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                <text>Philadelphia Museum of Art&#13;
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                <text>Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift. Keerzijde: klos, haspel, weversspoel en platte schaar onder kroon binnen omschrift&#13;
&#13;
Materialbrass (alloy)&#13;
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                <text>De penningen der Noord-Nederlandse ambachtsgilden, p. 67, cat.nr. 34.1&#13;
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De Noord-Nederlandsche gildepenningen wetenschappelijk en historisch beschreven en afgebeeld, dl. 1, p. 84</text>
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&#13;
Ms. Ludwig IX 3 (83.ML.99), fol. 105v</text>
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