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                <text>St Agatha and executioner; the bare-breasted saint, her hands tied above her head to a column; behind her to the left a male figure holding an instrument of torture; after Parmigianino. 1809&#13;
Height: Height: 169 millimetres&#13;
Width: Width: 119 millimetres&#13;
From 'Le piu insigni pitture Parmensi', see 1852,0612.360 for comment.&#13;
Print after Parmigianino's fresco in the church of San Giovanni Evangelista, Parma (See Gould, 1994, cat. A33)&#13;
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After: Parmigianino&#13;
Intermediary draughtsman: Francisco Vieira 'Portuense'</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1852-0612-394&#13;
Purchased from: George Willis in 1852</text>
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                <text>Associated with: Parma (city) (Church of San Giovanni Evangelista)&#13;
Europe: Italy: Emilia-Romagna: Parma (province): Parma (city)&#13;
Associated Title: Le più insigni pitture Parmensi indicate agli amatori delle più Belle Arti (Parma, 1809)</text>
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Inscription type: inscription&#13;
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                <text>Print made by: Allaert Claesz.</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1922-0612-6&#13;
Purchased from: Robert Dunthorne&#13;
Previous owner/ex-collection: William Bell Scott&#13;
Previous owner/ex-collection: William Odling (sale Sotheby's 4.iv.1922/497)&#13;
acquisitioned 1922</text>
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                <text>The Martyrdom of St Agatha; centre, St Agatha tied to a column with her breasts exposed, to the left and r, an excutioner approaches with a pair of shears; in the foreground, another man kindles a fire, a crown and veil lie on the ground&#13;
Engraving&#13;
Height: Height: 253 millimetres&#13;
Width: Width: 184 millimetres&#13;
Inscription type: inscription&#13;
Inscription content: Lettered in cartouche within image: 'S. AGATHA VIRGO / ET MARTYR.' Lettered below image: 'VENERABILI AC RELIGIOSAE VIRGINI PRVDENTIAE...PHILIPPVS GALLEAUS, IN AEMVLATIONIS, AD EIVSDEM / SANCTAE PIETATEM ET VIRTVTES STIMVLVM LVBENS DEDICAT.'</text>
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                <text>After: Jan van der Straet&#13;
Print made by: Antonius Wierix&#13;
Published by: Philips Galle</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1957-0413-224&#13;
Previous owner/ex-collection: Elizabeth, Duchess of Northumberland (Courtier. In 1750 succeeded her father, Algernon Seymour as Baroness Percy while her husband, Sir Hugh Smithson (q.v.) succeeded him as Earl of Northumberland and assumed the name Percy; in 1766, he was created Duke of Northumberland.)&#13;
for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120 &#13;
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Europe: Belgium: Flemish Region: Antwerp (province): Antwerp (city)</text>
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Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752)&#13;
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I)</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-123&#13;
acquired 1837</text>
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Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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                <text>The martyrdom of St Agatha, who is having her breast cut off by a man at the right, after Ippolito Costa. 1577&#13;
Engraving&#13;
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Width: Width: 182&#13;
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1872-1012-3459&#13;
purchased from Edward Daniell&#13;
1872</text>
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                <text>After a painting by Ippolito Costa from the Duomo of Mantua.&#13;
&#13;
See Paolo Bellini, ‘L'opera incisa Adamo e Diana Scultori’, Vicenza, 1991, p. 220.</text>
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                <text>Sts Lucy, Cecilia, Barbara, Agatha and Agnes standing before a niche, holding their respective attributes; the Holy Spirit appears above them; in outline; after il Moretto. c.1827&#13;
Engraving&#13;
Height: Height: 229 millimetres&#13;
Width: Width: 165 millimetres&#13;
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                <text>Print made by: Alessandro Sala&#13;
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1862-1213-498&#13;
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1862</text>
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                <text>From 'Quadri scelti di Brescia', published in 1827.&#13;
After a painting now in the church of St Clemente, Brescia.</text>
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                <text>St Agatha tied to a tree with her left arm raised; a landscape at her right; copy in reverse after Marcantonio&#13;
Etching and engraving&#13;
Height: Height: 64 millimetres&#13;
Width: Width: 38 millimetres&#13;
Inscription content: Collector's initials 'JB' in pen and ink on verso (Lugt 1419)</text>
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                <text>British Museum&#13;
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Previous owner/ex-collection: John Barnard (L.1420)&#13;
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                <text>The artist added the landscape, which does not appear in the original print, and omitted the trees on the sides.&#13;
Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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Height: Height: 352 millimetres&#13;
Width: Width: 248 millimetres&#13;
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Chaloner Smith 1883 / British Mezzotinto portraits from the introduction of the art to the early part of the present century (undescribed)&#13;
Russell 1926 / English Mezzotint Portraits and their states: Catalogue of Corrections of and Additions to Chaloner Smith's "British Mezzotinto Portraits" (undescribed)</text>
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