<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/166">
    <dcterms:title><![CDATA[A system of surgery: pathological, diagnostic, therapeutic and operative (Volume 1)<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[6th ed., thoroughly rev. and greatly improved<br />
with illustrations - various pertinent tools and interesting portraits]]></dcterms:description>
    <dcterms:creator><![CDATA[Gross, Samuel D. (Samuel David), 1805-1884]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Philadelphia : Henry C. Lea&#039;s Son &amp; Co., 1882]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/194">
    <dcterms:title><![CDATA[A tooth-drawer holding up a tooth he has just extracted on stage to try and sell his skills; his two companions are treating a sick man]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : etching ; platemark 22.2 x 25 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Etching after J. Steen (?).]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/rkgyrjjz]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/145">
    <dcterms:title><![CDATA[A treatise on operative surgery : comprising a description of the various processes of the art, including all the new operations; exhibiting the state of surgical science in its present advanced condition ...]]></dcterms:title>
    <dcterms:description><![CDATA[6 unnumbered pages, 380, 4 pages, 4 unnumbered pages, 80 leaves of plates : illustrations ; 33 cm<br />
Copy 1 Supplier/Donor: RAMC Note: Publisher&#039;s catalogues (6p),(8p) on front and end endpapers<br />
Copy 2 Note: Publisher&#039;s cat. and adverts. at front and end.<br />
<br />
Note for specific imagery: &quot;on stone by S. Cichowski / Philadelphia. Published by Carey &amp; Hart / P.S. Duval Lith. Phil.&quot;  - this page is significantly dirtier than the others (seems all the non-print pages show more wear)<br />
<br />
Backmatter has a number of other titles that the reader *may find of interest]]></dcterms:description>
    <dcterms:creator><![CDATA[Joseph Pancoast]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/nzfmcrdg]]></dcterms:source>
    <dcterms:publisher><![CDATA[Philadelphia : Carey and Hart ... for G.N. Loomis, 1844.]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/289">
    <dcterms:title><![CDATA[A treatise on the diseases of women. With a chronological catalogue of the physicians, who have written on these diseases / Translated from the French original. Written by Dr. J. Astruc.]]></dcterms:title>
    <dcterms:description><![CDATA[3 volumes, folded plate ; (8vo)<br />
<br />
2 images - microscopic view and images of infants<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Astruc, Jean, 1684-1766<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/k8zph5b9]]></dcterms:source>
    <dcterms:publisher><![CDATA[London : For J. Nourse, 1762-1767.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/178">
    <dcterms:title><![CDATA[A troupe of quack medicine vendors crying up their wares, representing Opposition politicians advertising their policies to the Prince Regent, but he, represented as a horse ridden by R.C. Wellesley, gallops away from them]]></dcterms:title>
    <dcterms:description><![CDATA[The Opposition politicians are represented as quacks beguiling the people with advocacy of reform and clamour against corruption in high places. Samuel Whitbread stands on a platform holding a placard inscribed &quot;Infallible panacea-Reform&quot;; in his coat pockets are medicine bottles, one of them labelled &quot;Whitbreads intire&quot;. On the left Sheridan plays the part of the zany<br />
1 print : etching, with aquatint and watercolour ; image 18.5 x 48.2 cm<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[The personification of death holds a pair of shears]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Coloured etching by G. Cruikshank after &quot;Nathaniel NoParty&quot;]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum, Catalogue of political and personal satires, London 1949, vol. 9, no. 11846<br />
Wellcome Collection<br />
https://wellcomecollection.org/works/q2ga4bs2]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (5 Newgate Street) : M. Jones, 1 Feb[r]u[a]ry 1812]]></dcterms:publisher>
    <dcterms:date><![CDATA[1812]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/341">
    <dcterms:title><![CDATA[A votre tour: Calmez par un regard anodin<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[A physician is holding the hand of a young woman sitting in a chair.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : 33 x 25 cm.<br />
Technique:<br />
lithograph, color]]></dcterms:description>
    <dcterms:creator><![CDATA[Philipon, Charles, 1800-1862, artist]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101393743]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris: Ducarme<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/421">
    <dcterms:title><![CDATA[A woman personifying anatomy looks searchingly into the light emanating from a corpse, but she is mortally threatened by the scythe of Time; representing anatomy&#039;s struggle with decay]]></dcterms:title>
    <dcterms:description><![CDATA[1 print : line engraving ; platemark 46.4 x 27.4 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Engraving by N-G. Dupuis, 1759, after J-B-M. Pierre.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/qjdn9f8k]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris]]></dcterms:publisher>
    <dcterms:date><![CDATA[1759]]></dcterms:date>
    <dcterms:relation><![CDATA[References note<br />
Not found in: Marcel Roux and Edmond Pognon, Inventaire du fonds français, graveurs du XVIIIe siècle, Bibliothèque nationale, Département des estampes, Paris 1955, tome VIII (inventory of prints by N.-G. Dupuis)<br />
G. Wolf-Heidegger &amp; A.M. Cetto, Die anatomische Sektion in bildlicher Darstellung, Basel, 1967, no. 231]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/169">
    <dcterms:title><![CDATA[Abridged Version of &quot;De arte phisicali de cirurgia&quot;, &quot;Fistula in ano&quot;, Including an Obstetrical Treatise.]]></dcterms:title>
    <dcterms:subject><![CDATA[Other Title<br />
De arte phisicali et de cirurgia ; Fistula in ano; Obstetrical treatise]]></dcterms:subject>
    <dcterms:description><![CDATA[Manuscript X 188 in the National Library of Sweden dates to around 1425--35 and contains two works by John Arderne (active 1307--70), an abridged version of De arte phisicali et de cirurgia (Of the physical arts and surgery) and Fistula in ano. Also included is a tract on obstetrics by another author, Muscio. De arte phisicali et de cirurgia is a textbook on medicine and surgery; Fistula in ano deals with rectal disorders. The manuscript is written in two long columns on a parchment roll that is 542 centimeters long by 36 centimeters wide and illustrated with a number of small and larger images. The small images, in the margins, portray people afflicted with various ailments. The standing figures between the columns illustrate the different systems of the human body. There is also an image of a woman in childbirth as well as 15 drawings of the fetus. On the back of the roll is an image of an operation on the digestive tract. Also visible are four anatomical figures depicted from the back in cut-away views. The images of surgical tools used for operations are found on both sides of the roll. The Stockholm roll possibly was commissioned by Phillippa, the English princess who, in 1406, married the Swedish king Eric of Pomerania. John Arderne was her grandfather&#039;s physician.<br />
<br />
-  Title devised, in English, by Library staff.<br />
-  &quot;Shelfmark: X 118&quot;--Note extracted from World Digital Library.<br />
-  Original resource extent: Roll of 12 pieces of parchment ; 542.5 x 36 centimeters.<br />
-  Original resource at: National Library of Sweden.<br />
-  Content in Latin.<br />
-  Description based on data extracted from World Digital Library, which may be extracted from partner institutions.]]></dcterms:description>
    <dcterms:creator><![CDATA[Arderne, John, active 1307-1370 Author.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[LOC<br />
https://lccn.loc.gov/2021667922]]></dcterms:source>
    <dcterms:date><![CDATA[[1425 to 1435]<br />
]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/332">
    <dcterms:title><![CDATA[Adieu les Amourettes!!<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[A man in bed is dying; a woman is sitting next to the bed holding his hand and drying her tears. A physician stands at a table.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : 33 x 26 cm.<br />
Technique:<br />
lithograph, color]]></dcterms:description>
    <dcterms:creator><![CDATA[Philipon, Charles, 1800-1862, artist]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
http://resource.nlm.nih.gov/101393347]]></dcterms:source>
    <dcterms:date><![CDATA[185-]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/414">
    <dcterms:title><![CDATA[Allegorical and historical scenes of medicine: including a dissection and a distillation laboratory, and Hygieia receiving the organic and mineral bounty of the earth employed in remedies]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;This title page to the posthumous 1660 publication of Gregor Horst&#039;s complete works is divided into three horizontal registers. A cartouche bearing the title in the central register is crowned by a smaller cartouche in which one sees a cock encircled by a serpent, both symbols of Aesculapius, around which is the motto: &quot;Prudentia et vigilantia&quot;. The figures on either side of the title are Hippocrates, who holds a scroll on which it is written: &quot;vita brevis ars longa&quot; while the other figure, most likely Aristotle, holds aloft an armillary sphere in his right hand and with his left, supports a tablet that reads: &quot;quod est superius est sicut inferius&quot;. In the central scene of the top register, the enthroned figure of Hygieia accepts a vessel from a woman who indicates a female patient in the bed before them, while another woman with clasped hands looks on. With her left hand, Hygieia grasps a cord from which is suspended a pentagram, employed here as an emblem of health, that descends by a hand that emerges through clouds that surround the tetragrammaton, the name Jehovah written in Hebrew. On either side of this room are landscape scenes. On the left a satyr bears a cornucopia of fruits of the earth before a landscape filled with a variety of animals and vegetation, birds and a swarm of bees. On the right Vulcan holds a cornucopia of the elements before a mining scene and an active volcano. Together they represent the harvest of both above and below the earth which may be used in healing. The lower register is concerned with scenes of seventeenth-century medicine. On the left a disputation is taking place, perhaps a degree defence. On the right is a distillation laboratory. In the centre, a human dissection is about to take place in an anatomical theatre. The anatomist, who touches the corpse while indicating the skeleton set up against the pier to the right, is probably Gregor Horst, who was the chief physician of Ulm, and whose portrait, designed by Andreas Schuch and engraved by Johann Friedrich Fleischberger, who also engraved this title page, is included in the book, presents him in similar dress and a square-cut beard&quot;]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : engraving ; image 28.4 x 16.1 cm<br />
Lettering<br />
Gregorii Horstii, senioris, tou makaritou &lt;Greek&gt; opera medica Yehova [Hebrew] ; Prudentia et vigilantia. ; Vita brevis ars longa. ; Quod est superius est sicut inferius.]]></dcterms:description>
    <dcterms:creator><![CDATA[Engraving by J.F. Fleischberger, 1660]]></dcterms:creator>
    <dcterms:source><![CDATA[NLM<br />
https://wellcomecollection.org/works/ktyycrm5]]></dcterms:source>
    <dcterms:publisher><![CDATA[Norimbergæ [Nuremberg] : Impensis Ioh. And. &amp; Wolffg: Iun: Endteror: Hæred, 1660.]]></dcterms:publisher>
</rdf:Description></rdf:RDF>
