]]> 1 print : 33 x 40 cm.
]]> ]]>
1 print : 30 x 37 cm. engraving]]> (after Golztius?)]]> Gelle, Johann, 1580-1625, artist]]> ]]> ]]> Technique:
halftone]]> http://resource.nlm.nih.gov/101393115]]> ]]> ]]> Extent:
1 print
Technique:
engraving]]> http://resource.nlm.nih.gov/101435373]]> ]]> ]]>
A woman seated clutching breast could stand for melancholy (mastectomy). Tools in the foreground reminiscent of shears.]]> http://resource.nlm.nih.gov/101435926]]> http://resource.nlm.nih.gov/101424145]]> ]]>
Is part of: Nuova et utlilssima prattica di tutto quello ch'al diligente barbiero s'appartiene, opp. p. 55.; See related catalog record: 2302032R
Extent:
1 print
Technique:
woodcut]]> http://resource.nlm.nih.gov/101448293]]> ]]> Technique:
etching]]> Kay, John, 1742-1826, artist]]> http://resource.nlm.nih.gov/101412266]]>
1 drawing : pen and grey ink and watercolour over pencil ; sheet 29.5 by 43.2 cm

Medicine vessels lower right labelled "unguent balsa" and "ung. me"]]> The artist Ramberg was born in Hanover, the son of the war secretary of the Electorate of Hanover who encouraged his son in his vocation as an artist. In 1781 he sent him to England where he was introduced to King George III for whom he made a number of humorous sketches and caricatures. He was admitted to the R.A. schools by Benjamin West and he won a silver medal for life drawing in 1784. He exhibited twelve pictures at the Royal Academy (then at Somerset House) between 1782 and 1788, including his best known work 'Portraits of their Majesties and the Royal Family viewing the Exhibition of the Royal Academy' (now in the British Museum) In 1788, he visited the Netherlands and then Italy, returning to Hanover in 1792 where he was appointed court painter and spent the rest of his life]]>