<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/73">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Oil on canvas<br />
Dimensions:	23 1/2 x 13 1/8 inches (59.7 x 33.3 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Copy after Giovanni Battista Tiepolo (Italian (active Venice, Udine, Würzburg, and Madrid) 1696–1770)<br />
]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Geography:	Made in Italy, Europe]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1750-1800]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
Credit Line:	The William L. Elkins Collection, 1924]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/75">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Engraving with plate tone<br />
Dimensions:	Plate: 8 7/16 × 5 9/16 inches (21.5 × 14.2 cm) Sheet: 8 15/16 × 6 1/8 inches (22.7 × 15.5 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Cornelis Galle II (Flemish, 1615–1678) After Anthony van Dyck (Flemish (active Italy, Antwerp, and England), 1599–1641)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[	Made in Antwerp, Southern Netherlands (modern Belgium), Europe]]></dcterms:publisher>
    <dcterms:date><![CDATA[1635-70]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/79908<br />
The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/76">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Engraving<br />
Dimensions:	Sheet (cut within platemark): 7 13/16 × 5 5/8 inches (19.9 × 14.3 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Cornelis Galle II (Flemish, 1615–1678) After Anthony van Dyck (Flemish (active Italy, Antwerp, and England), 1599–1641)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[	Made in Antwerp, Southern Netherlands (modern Belgium), Europe]]></dcterms:publisher>
    <dcterms:date><![CDATA[1635-70]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/79909<br />
The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/77">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Medium:	Engraving<br />
Dimensions:	Sheet: 10 13/16 x 8 1/8 inches (27.5 x 20.7 cm)]]></dcterms:description>
    <dcterms:creator><![CDATA[Cornelis Cort (Dutch, 1533?–1578) After Giorgio Giulio Clovio (Croatian (active Italy), 1498–1578)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Netherlands]]></dcterms:publisher>
    <dcterms:date><![CDATA[1567]]></dcterms:date>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art<br />
https://philamuseum.org/collection/object/79081<br />
	The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/84">
    <dcterms:title><![CDATA[The martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[Oil painting by a follower of C. F. Nuvolone.<br />
sight 82.5 x 72 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Nuvolone, Carlo Francesco]]></dcterms:creator>
    <dcterms:date><![CDATA[1608 or 1609-1651 or 1661]]></dcterms:date>
    <dcterms:contributor><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/rabcprjg]]></dcterms:contributor>
    <dcterms:relation><![CDATA[Related to, and possibly after, a painting offered for sale at Christie&#039;s, London, on 7 July 1995, lot 338 and 3-5 July 1996, lot 407, 118.2 x 101.6 cm]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/134">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[oil painting]]></dcterms:description>
    <dcterms:source><![CDATA[Musée Fabre<br />
https://museefabre.montpellier3m.fr/recherche/musee%3AMUS_BIEN%3A15521?is_search_page=1&amp;search=agathe&amp;currentPage=1]]></dcterms:source>
    <dcterms:date><![CDATA[c. 1635-40]]></dcterms:date>
    <dcterms:contributor><![CDATA[Ce superbe tableau réapparu sur le marché de l’art en 2007 est venu compléter de façon éloquente le fonds de peintures italiennes du musée. Souvent abordé par les artistes du XVIIe siècle, le sujet évoque un épisode tragique de la vie de la belle et noble Agathe, originaire de Catane, qui se consacra au Christ : refusant de céder aux avances du préfet romain Quintianus et de sacrifier aux idoles, la jeune fille est jetée en prison et suppliciée. Ramenée dans sa cellule, la poitrine mutilée, elle e st visitée par saint Pierre accompagné d’un ange qui lui restitue son intégrité. Le tableau est une parfaite illustration des tendances les plus novatrices à Naples au cours du deuxième tiers du XVIIe siècle : attirance pour le naturalisme de Caravage (1571-1610) – dont Vaccaro fut un copiste zélé – avec les figures à mi-corps, les contrastes de lumière, les détails réalistes (corps musculeux du bourreau à droite) ; réélaboration des modèles du classicisme romano-bolonais à travers la discrète idéalisation des visages et les gestes éloquents. De fait, le doux visage de la sainte, le regard extatique tourné vers le ciel, évoque l’art de Guido Reni (1575-1642) mais également celui de Massimo Stanzione (vers 1585-1656) dans sa phase la plus « rénienne ». Comme la plupart de ses contemporains – notamment Ribera –, Vaccaro se montre aussi sensible aux courants néovénitiens – diffusés par exemple par le Flamand Van Dyck (1599-1641) – qui privilégient une touche moelleuse, exaltant les belles matières tactiles, une palette claire et une coloration précieuse et raffinée]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Achat de la Communauté d&#039;Agglomération de Montpellier avec la participation du FRAM Languedoc-Roussillon, 2013]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/358">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[oil on canvas<br />
Location: Chiesa dei Santi del Crocifisso, Borgo]]></dcterms:description>
    <dcterms:creator><![CDATA[Alessandro Allori (1535-1607)<br />
]]></dcterms:creator>
    <dcterms:date><![CDATA[1585]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/95">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha; Saint Agnes; Saint Cecilia; Saint Lucy; Saint Catherine]]></dcterms:title>
    <dcterms:subject><![CDATA[Ruskin Hours (Group Title)]]></dcterms:subject>
    <dcterms:description><![CDATA[On this page of the Litany, a series of invocations to favored saints, the first saint appealed to is Saint Agatha: S[an]c[t]a Agatha ora pro nobis (Saint Agatha, pray for us). The pattern is followed for the prayers to Agnes, Cecilia, Lucy, and Catherine of Alexandria. The images of the saints are aligned with the appropriate text on the left. Each saint is identifiable either by an action associated with her or an emblem she holds. For example, on the top right, Saint Agatha, tied to a stake, has her breasts cut off. The elegant, linear quality of the draftsmanship makes even scenes of torture appear elegant.<br />
<br />
Medium:<br />
Tempera colors, gold leaf, and ink<br />
Dimensions:<br />
Leaf: 26.4 × 18.3 cm (10 3/8 × 7 3/16 in.)<br />
<br />
manuscript folio]]></dcterms:description>
    <dcterms:publisher><![CDATA[Place:<br />
Northeastern France, France (Place Created)<br />
Culture:<br />
French]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1300]]></dcterms:date>
    <dcterms:contributor><![CDATA[Getty Museum<br />
https://www.getty.edu/art/collection/object/103S6E#full-artwork-details<br />
<br />
Ms. Ludwig IX 3 (83.ML.99), fol. 105v]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/15">
    <dcterms:title><![CDATA[The Martyrdom of St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[The Martyrdom of St Agatha; standing on a raised platform with two men torturing her by the shearing of her breasts, a woman and child crouched in the foreground, God the Father surrounded by putti above<br />
Pen and brown ink, with brown wash, over black chalk<br />
Height: Height: 422 millimetres<br />
Width: Width: 288 millimetres<br />
Inscription type: inscription<br />
Inscription content: Inscribed: &quot;Lucia Cangiasi Vo.&quot; Verso inscribed twice: &quot;CB&quot; conjoined]]></dcterms:description>
    <dcterms:creator><![CDATA[Manner/Style of: Luca Cambiaso]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
Donated by: Arthur Nussbaum<br />
Donated by: Mrs Arthur Nussbaum<br />
1969<br />
This item has an uncertain or incomplete provenance for the years 1933-45. The British Museum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.]]></dcterms:source>
    <dcterms:date><![CDATA[1542-85]]></dcterms:date>
    <dcterms:format><![CDATA[Pen and brown ink, with brown wash, over black chalk]]></dcterms:format>
    <dcterms:language><![CDATA[Genoese]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/17">
    <dcterms:title><![CDATA[The Martyrdom of St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[The saint tied to a tree at centre, two men shearing her breasts with large tongs, hills and a city in background; copy in reverse after Cornelis Cort who engraved after Giulio Clovio<br />
Inscription type: inscription<br />
Inscription content: Signed in lower centre of impression: &quot;Ioan. Sadl. excu.&quot;. Titled in Latin in lower margin: &quot;S. Agatha&quot;.]]></dcterms:description>
    <dcterms:creator><![CDATA[After: Cornelis Cort<br />
After: Giulio Clovio<br />
Published by: Jan Sadeler I]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_Ii-5-153]]></dcterms:source>
    <dcterms:publisher><![CDATA[Flemish]]></dcterms:publisher>
    <dcterms:date><![CDATA[1575-1600]]></dcterms:date>
    <dcterms:contributor><![CDATA[Bequeathed by: Sir Hans Sloane (with Philipe&#039;s oval stamp and the initials HS) <br />
Acquisitioned 1753]]></dcterms:contributor>
    <dcterms:relation><![CDATA[https://www.hollstein.com/new_dutch-en-flemish.html]]></dcterms:relation>
    <dcterms:format><![CDATA[engraving<br />
Height: Height: 277 millimetres (trimmed) (trimmed)<br />
Width: Width: 202 millimetres]]></dcterms:format>
</rdf:Description></rdf:RDF>
