<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/108">
    <dcterms:title><![CDATA[A medicinal dictionary]]></dcterms:title>
    <dcterms:description><![CDATA[Table XLII-XLIII<br />
Table XLII. Instruments for operating on the mouth. Table XLIII. The removal of breast tumours.<br />
]]></dcterms:description>
    <dcterms:publisher><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/bbpehuwy]]></dcterms:publisher>
    <dcterms:date><![CDATA[1743-45]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/109">
    <dcterms:title><![CDATA[Surgical instruments used, and operations successfully carried out, by an English travelling operator claiming royal patronage]]></dcterms:title>
    <dcterms:description><![CDATA[Believed to be a fragment of an engraving printed from the original copperplate after it had ceased to be of use for printing engravings. The copper sheet was cut up and the top right corner, used to print the top left corner of the engraving, was turned over and used as the support (in place of the more usual canvas or wood) for an oil painting, a not uncommon fate for engraved copperplates. It had ceased to be of use as the source of engravings because the engravings were made to advertise the services of an English travelling healer, possibly Sir William Read (d. 1715), and after his death there was nothing to advertise. Read was oculist to Queen Anne, travelled around England treating people for cataract, cancer and other diseases, flaunted his services to charity and received a knighthood for his charitable services. If the dates mentioned as (e.g.) &quot;66&quot; mean 1666, then it would be too early for Read and must refer to one of his predecessors, possibly John Russel, physician and oculist near Gray&#039;s Inn, Holborn, who issued a similar broadsheet but with woodcuts instead of engravings. Anticlockwise from the top right, the sheet shows part of the royal coat of arms; surgical instruments used by operators such as Read; (top right) details of the cure of the gun wound in the chest of Richard Gray, servant to the Earl of Bedford at Woburn in [16?]66 (the fifth Earl of Bedford became the first Duke of Bedford in 1694); description of the cure of the breast cancer of Widow White of Dorchester in [16?]72; and cure of a rodent disease of the face suffered by Anne Clarke of Bere (possibly Bere Regis in Dorset) in [16?]78<br />
<br />
Physical description<br />
1 print : line engraving ; platemark 26.9 x 21.3 cm<br />
Lettering<br />
Christmas day 66: Richard Gray once servant to ye Earle of Bedford. ...<br />
Lettering note<br />
Lettering continues: &quot;shott himselfe through ye body with an iron rammer it went in at the stern on the left side and came four handfull out between the fifth and sixth ribs three inches from his back bone on the right side cured by me in six weeks and is now living neare Wooburn Abby 78. In the yeare 72 I cut from the breast of a widdow White aged 71 a cancer the mouth of it was 21 inches wide it was soe large that in twenty years shee had not lifted her hand to her mouth I perfected the cure in six weeks shee is now living and well in 78 at Serne Abby neare Dorchester. In the yeare 78 Ann Clarke aged 53 of Bere had halfe her lip part of her nose and part of her cheeke eaten away with a cancerous humour and a farmers daughter neare Dorchester in a worse condition for shee had lost the sight of one of her eyes both cured without deformity.&quot;<br />
A letter is inscribed on the print in ink and reads: &quot;Dr Sir this is an impression from the back of an old painting on copper &amp; appears to have been part of a large sheet designed to blazon forth the truly marvellous feats of some emperic of the 17th century whom from the locality of the cases I presume to have been the celebrated Doctor Case a Dorsetshire man this impression is taken from the plate cold the work is used twice prints very well &amp; if ... your fathers opinion being taken it should be thought ... to have it for the magazine to work in either whole or in parts with a letter from use it will be at your service the price is a guinea &amp; a half. Yours sincerely J Fisher. If you will advise me what evening next week you may be found at Thavies Inn about 7 ... I propose have the pleasure of waiting ...&quot;]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/p798vgr2]]></dcterms:source>
    <dcterms:format><![CDATA[line engraving]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/111">
    <dcterms:title><![CDATA[Woman with atrophy of the spinal muscles]]></dcterms:title>
    <dcterms:description><![CDATA[Black and white photograph of a woman, aged 35 years, suffering from atrophy of the spinal muscles. Photograph shows that the spine is straight when she lies on her back.]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/fmaa676c]]></dcterms:source>
    <dcterms:publisher><![CDATA[St Bartholomew&#039;s Hospital Photographic Society]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/113">
    <dcterms:title><![CDATA[Plate LVI. Surgery for the removal of the mammary gland.]]></dcterms:title>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/b55uub8v]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/116">
    <dcterms:title><![CDATA[The Four Doctors]]></dcterms:title>
    <dcterms:subject><![CDATA[&quot;The four Doctors&quot;: Welch, Halsted, Osler and Kelly; picture by Sargent]]></dcterms:subject>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/tmfpp3v9]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/119">
    <dcterms:title><![CDATA[A family doctor, an obstetrician, a sensationalist author-doctor and a hypnotist; all pruriently satirised under the guise of moralism, as promoted by James Morison and his pharmaceutical company]]></dcterms:title>
    <dcterms:description><![CDATA[Contents<br />
The family M.D. The obscene M.D. The obstetric M.D. who makes the diseases of women his particular study. The mesmeric M.D.<br />
Lettering note<br />
The central column is a nine point list of the principles of Morison&#039;s system. A similar version to this can be read in Wellcome Library no. 18139i.<br />
Lettering to top left vignette: The family M.D. [Doctor:] &quot;The fact is, my dear madam, I just looked in while Mr. Dormouse was at his office, because there are a number of questions which it is not considered professional to ask a lady in the presence of her husband. In short, my dear Mrs. Dormouse, a husband has no right to the same confidence on the part of his wife as is due to her medical adviser.&quot; [Mrs. Dormouse:] &quot;I suppose, doctor, that it is necessary to ask me all these questions; but I don&#039;t know what my husband would say to it.&quot;<br />
Lettering to top right vignette: The obscene M.D. [Publisher:] &quot;Your last book goes off famously, doctor; the young fellows come in, by dozens, to buy it. Nothing like a highly-seasoned work, to sell: -So I have advertised it in all the papers which find their way into schools and colleges. We can push the thing, because it is written by an M.D.; the police authorities can&#039;t touch us, we are beyond all law; because we are privileged by the law to write obscene books, and call it science. This trade of ours enables us to ride about in our carriages, with a lot of servants, all of which is owing to the mystery and confusion in which the whole question is kept by the Royal colleges, as they are called.&quot; [Doctor:] Ha! ha! ha! -capital, by Jove. Yes, as you say, Mr. Quarto, we may defy the police and all the anti-vice societies: let these touch an M.D., if they can: our diplomas protect us. It&#039;s a jolly lark, though, isn&#039;t it? Licensed to write, publish and sell, all the obscenities we can collect. By-the-by, I like the way in which you got the plate coloured in my last; it leaves nothing to the imagination. The only thing which can knock up our trade is, Mr. Morison&#039;s system, by which everyone becomes his own physician.&quot; [A wastepaper basket is marked: 100 letters for advice (fee 1 guinea each) from deluded patients. [Books scattered on floor:] Manly vigour. With 100 engravings. Silent friend. 50 coloured engravings. Mysteries of matrimony. With engravings. Human happiness. By a member of the Royal College of Physicians. 100 engravings.<br />
Lettering to bottom left vignette: The obstetric M.D., who makes the diseases of women his particular study. Lady. &quot;-Oh, what would my husband say to this, dear doctor.&quot; Doctor. &quot;Say! why, what can he say? am I not a professional man? have I not lectured at the hospitals, and written a book on this branch of my profession? You know the old French proverb, &#039;Ce n&#039;est que le premier pas qui coute.&#039; Only let me have one examination, and you will not think any thing more about it.&quot; Lady. &quot;-Well, I suppose I must submit, though I must say it looks indelicate; but don&#039;t say anything to my husband about it. According to Mr. Morison&#039;s system of medicine, I understand that such examinations are strongly condemned, as quite unnecessary, inasmuch as every person should be his own physician.&quot; [Doctor:] How pretty you look, this morning. You know, my dear madam, that I have made the diseases of your sex my particular study, I have invented a new instrument, which I call a speculum, by which I can at once see what is the matter with you; therefore, if you will lie on that sofa, I will proceed to examine you.&quot;<br />
Lettering to bottom right vignette: The mesmeric M.D. (Sotto voce) &quot;Glorious practice this mesmerism is, because it gives us so much power over the imagination of the patient; it really is very satisfactory. The public have been kept so completely in the dark, as regards the true cause of diseases, that we doctors can impose any thing we please upon them. None of these impositions could take place under Mr. Morison&#039;s Hygeian system of medicine, and therefore it wont do for us. What would become of our guinea trade, if we, for one moment, admitted that he was in the right? Hurrah, then for confusion and mystery in medicine.&quot; [In his pocket can be seen a &#039;diploma&#039; reading &#039;license to do anything medicinally&#039;]]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/sq23p248]]></dcterms:source>
    <dcterms:publisher><![CDATA[London : [British College of Health], 1852.]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/132">
    <dcterms:title><![CDATA[Torso of Parian marble figure of Aphrodite.]]></dcterms:title>
    <dcterms:description><![CDATA[Hellenistic<br />
Height: Height: 28 centimetres<br />
Excavated/Findspot: Fayum, el- (historic)<br />
Africa: Egypt: Fayum, el- (historic)]]></dcterms:description>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/G_1882-1014-2]]></dcterms:source>
    <dcterms:date><![CDATA[2nd century BC]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/134">
    <dcterms:title><![CDATA[The Martyrdom of Saint Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[oil painting]]></dcterms:description>
    <dcterms:source><![CDATA[Musée Fabre<br />
https://museefabre.montpellier3m.fr/recherche/musee%3AMUS_BIEN%3A15521?is_search_page=1&amp;search=agathe&amp;currentPage=1]]></dcterms:source>
    <dcterms:date><![CDATA[c. 1635-40]]></dcterms:date>
    <dcterms:contributor><![CDATA[Ce superbe tableau réapparu sur le marché de l’art en 2007 est venu compléter de façon éloquente le fonds de peintures italiennes du musée. Souvent abordé par les artistes du XVIIe siècle, le sujet évoque un épisode tragique de la vie de la belle et noble Agathe, originaire de Catane, qui se consacra au Christ : refusant de céder aux avances du préfet romain Quintianus et de sacrifier aux idoles, la jeune fille est jetée en prison et suppliciée. Ramenée dans sa cellule, la poitrine mutilée, elle e st visitée par saint Pierre accompagné d’un ange qui lui restitue son intégrité. Le tableau est une parfaite illustration des tendances les plus novatrices à Naples au cours du deuxième tiers du XVIIe siècle : attirance pour le naturalisme de Caravage (1571-1610) – dont Vaccaro fut un copiste zélé – avec les figures à mi-corps, les contrastes de lumière, les détails réalistes (corps musculeux du bourreau à droite) ; réélaboration des modèles du classicisme romano-bolonais à travers la discrète idéalisation des visages et les gestes éloquents. De fait, le doux visage de la sainte, le regard extatique tourné vers le ciel, évoque l’art de Guido Reni (1575-1642) mais également celui de Massimo Stanzione (vers 1585-1656) dans sa phase la plus « rénienne ». Comme la plupart de ses contemporains – notamment Ribera –, Vaccaro se montre aussi sensible aux courants néovénitiens – diffusés par exemple par le Flamand Van Dyck (1599-1641) – qui privilégient une touche moelleuse, exaltant les belles matières tactiles, une palette claire et une coloration précieuse et raffinée]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Achat de la Communauté d&#039;Agglomération de Montpellier avec la participation du FRAM Languedoc-Roussillon, 2013]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/136">
    <dcterms:title><![CDATA[Queen Mary Psalter]]></dcterms:title>
    <dcterms:subject><![CDATA[Scenes from the Garden of Gethsemane; marginal scene of the torture of St. Agatha]]></dcterms:subject>
    <dcterms:description><![CDATA[MS Royal 2 B VII, fol. 242r.]]></dcterms:description>
    <dcterms:source><![CDATA[British Library<br />
https://www.bl.uk/collection-items/the-queen-mary-psalter]]></dcterms:source>
    <dcterms:publisher><![CDATA[London]]></dcterms:publisher>
    <dcterms:date><![CDATA[1310-20]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/150">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:description><![CDATA[18th century engraving with frame from First French Empire (18041814). Discovered at Luxeuil. Pellerin (of Epinal) had near identical wood block in his possession, which he was using c. 1814. SA: Agatha of Sicily, Christian saint, d. c. 251.<br />
<br />
superimposed on top is a tool from Scultetus treatise]]></dcterms:description>
</rdf:Description></rdf:RDF>
