Brown ink, brown and gray wash, and black chalk over graphite on cream antique laid paper (?), partial framing line in brown ink, mounted overall to cream antique laid paper with gold leaf remnants from a previous mount; verso: red chalk and black chalk or graphite
Dimensions
27.3 x 17 cm (10 3/4 x 6 11/16 in.)
Inscriptions and Marks
inscription: lower left, brown ink: L. 2461 (Thomas Thane)
collector's mark: lower right, black ink, stamp: L. 2170 (Jonathan Richardson, Jr.)
inscription: mount, verso, center, graphite: B. 821 [encircled]
inscription: mount, verso, lower right, graphite, erased: 5 [encircled]
inscription: verso, right center, ink: 116 [? as visible throught mount]
watermark: in mount: VILLEDARY
inscription: verso, lower right, ink: 4
inscription: verso, brown ink: Arpino [? as visible through mount]]]> https://hvrd.art/o/312475]]>
Characteristic are the pronounced drawing style with strange bulging broken folds and the hair treatment ending in the finest curls. The ubiquitous Leonardesque influence in Milan is particularly noticeable in the faces.

The initial D, formed from horns with colored leaves and a blue leaf mask on the stem, depicts the martyrdom of St. Agatha shown. Because she did not want to renounce her faith, both her breasts were cut off (legenda aurea) after a number of tortures at the behest of Prefect Quintinian, who is enthroned with the judge's staff on the left. Her tormentors have tied her to an 'ancient' pillar (which may have been the support of a pagan idol) with her arms raised, and a henchman is setting the knife. In the background, the crenellated wall of Catania delimits the place of execution."
16,2 x 16,8 cm]]> https://id.smb.museum/object/1051992/initiale-d-mit-martyrium-der-hl--agathe
]]> https://id.smb.museum/object/952779/die-heiligen-apollonia%2C-agathe%2C-c%C3%A4cilia-und-ursula-]]>
Medium: Engraving
Dimensions: Plate: 3 5/8 x 2 11/16 inches (9.2 x 6.8 cm) Sheet: 3 3/4 x 2 13/16 inches (9.5 x 7.2 cm)]]> Southern Netherlands (modern Belgium), Europe]]> https://philamuseum.org/collection/object/79938
The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985]]>
Materialbrass (alloy)
Techniquecasting / engraving
Measurementsdiameter 3.3 cm × weight 14.49 gr]]> http://hdl.handle.net/10934/RM0001.COLLECT.265974]]> Atlas van platen, behoorende bij het 2e deel (Nieuwe reeks), van de Verhandelingen uitgegeven door Teylers Tweede Genootschap, Jacob Dirks, A. Martin, afb. VI.46
De Noord-Nederlandsche gildepenningen wetenschappelijk en historisch beschreven en afgebeeld, dl. 1, p. 84]]>
Medium:
Tempera colors, gold leaf, and ink
Dimensions:
Leaf: 26.4 × 18.3 cm (10 3/8 × 7 3/16 in.)

manuscript folio]]> Northeastern France, France (Place Created)
Culture:
French]]> https://www.getty.edu/art/collection/object/103S6E#full-artwork-details

Ms. Ludwig IX 3 (83.ML.99), fol. 105v]]> Humorous pictures. Ink drawings.
Material
india ink over pencil ;
Measurements
sheet 25.7 x 17 cm
Description
1 drawing :
The artist shows sutures where the breasts have been removed. Three Bavarian passers-by are open-mouthed with astonishment. The drawing and its pair apparently refer to the war memorial in the Marktplatz at Prien am Chiemsee, Bavaria, including a sculpture of Saint Catherine of Alexandria sculpted by Friedrich Lommel in 1923. That figure of Saint Catherine is similar to the present figure of Germania, though there are also many differences. The Lex Heinze (referred to in the lettering for the companion drawing) was a German law passed in 1900 forbidding unseemly or obscene representations in public places. The lettering implies that a Dr Casselmann spoke in favour of the law in the Bavarian parliament (Bayerischer Landtag): Dr. jur. Leopold Casselmann (1858-1930, from 1907 Ritter von Casselmann), mayor of Bayreuth 1900-1918, was minister of justice for Bavaria 1918-1919
Nach der Operation! Nach Dr Casselmann im bayerischen Landtag!]]> https://wellcomecollection.org/works/gwyqzbsq]]> ]]> Gentlefolk of Leeds afflicted with disease.]]> 1 painting : watercolour ; sheet 36.5 x 50.5 cm
Lettering: Entire destruction of the breast by cancerous ulceration. See Miss Moseley's case Oct 1828. Lived 6 years after
Lettering on verso: Cancer of the breast, see Miss Mosley's case]]> Gentlefolk of Leeds afflicted with disease.]]>
2. 1st application of the caustic--3. see no. 1 caustic off-- 4 outside become darker; fresh caustic applied within the circle, the inside larger as before--5 caustic taken off [pencil:] caustic again taken off, inside large again --6 The point is healing fast--7 v healing all around; the point (??) quite healed--8. Dec 22d 1840 8 v No 8 Dec 22d 1840 Sore is healing.--9Jan 23 41 v No 9 Jan 23d 1841 The sore continues to contract]]> https://wellcomecollection.org/works/z7pdzb8a]]> Plate L]]> https://wellcomecollection.org/works/sncrzk6s]]>