<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/21">
    <dcterms:title><![CDATA[Le più insigni pitture parmensi]]></dcterms:title>
    <dcterms:description><![CDATA[St Agatha and executioner; the bare-breasted saint, her hands tied above her head to a column; behind her to the left a male figure holding an instrument of torture; after Parmigianino. 1809<br />
Height: Height: 169 millimetres<br />
Width: Width: 119 millimetres<br />
From &#039;Le piu insigni pitture Parmensi&#039;, see 1852,0612.360 for comment.<br />
Print after Parmigianino&#039;s fresco in the church of San Giovanni Evangelista, Parma (See Gould, 1994, cat. A33)<br />
See Mussini, Parmigianino tradotto, 2003, n. 110]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Francesco Rosaspina<br />
After: Parmigianino<br />
Intermediary draughtsman: Francisco Vieira &#039;Portuense&#039;]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1852-0612-394<br />
Purchased from: George Willis in 1852]]></dcterms:source>
    <dcterms:publisher><![CDATA[Italian]]></dcterms:publisher>
    <dcterms:date><![CDATA[1809]]></dcterms:date>
    <dcterms:relation><![CDATA[Associated with: Parma (city) (Church of San Giovanni Evangelista)<br />
Europe: Italy: Emilia-Romagna: Parma (province): Parma (city)<br />
Associated Title: Le più insigni pitture Parmensi indicate agli amatori delle più Belle Arti (Parma, 1809)]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/49">
    <dcterms:title><![CDATA[Female saints]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteen female saints; half-length figures with their respective attributes, arranged in four rows.<br />
Woodcut<br />
Height: Height: 216 millimetres<br />
Width: Width: 166 millimetres<br />
Inscription content: Lettered with the names of the individual saints on banderoles below the figures.<br />
Forming a pair with E,8.175, the style corresponds closely with Wechtlin&#039;s scenes from the life of the Virgin and of Christ (Passavant III.331-2, II.53) but there is no printing on the versos and it is unclear whether they were designed as book illustrations or not. See Röttinger p.1 note 1; manuscript catalogue by Karl Parker (compiled in the 1920s) for a proposed sequel to Campbell Dodgson&#039;s &#039;Catalogue of Early German Woodcuts in the British Museum&#039; [and British Library], vol.2, woodcuts by Wechtlin, no. 30.<br />
<br />
Representation of: St Anne<br />
Representation of: St Mary Magdalene<br />
Representation of: Virgin Mary<br />
Representation of: St Martha<br />
Representation of: St Ursula<br />
Representation of: St Catherine of Alexandria<br />
Representation of: St Barbara<br />
Representation of: St Margaret of Antioch<br />
Representation of: St Dorothea<br />
Representation of: St Agatha<br />
Representation of: St Lucy<br />
Representation of: St Agnes<br />
Representation of: St Cecilia<br />
Representation of: St Catherine of Siena<br />
Representation of: St Otilia<br />
Representation of: St Elizabeth of Hungary]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Hans Wechtlin]]></dcterms:creator>
    <dcterms:source><![CDATA[Passavant 1860-64 / Le Peintre-Graveur (Undescribed)]]></dcterms:source>
    <dcterms:publisher><![CDATA[German]]></dcterms:publisher>
    <dcterms:date><![CDATA[1500-26]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_E-8-176]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/310">
    <dcterms:title><![CDATA[Print of the Pieta with crucified female martyrs]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Pieta&#039; with crucified female martyrs; the Pieta&#039; at centre; smaller scenes surrounding it: top centre: God the Father with angels distributing crowns; bottom centre: Christ leading a group of female Saints, carrying a cross over their shoulders; four female martyrs being crucified on either side.&quot;<br />
Engraving<br />
Height: Height: 161 millimetres<br />
Width: Width: 103 millimetres<br />
Inscription type: inscription<br />
Inscription content: Lettered on image with names of the martyrs and &#039;Vulneratis est...nostra. Isa. 53.5&#039;; signed: &#039;Hieronymus Wierix fecit et excudit&#039; &#039;Cum Gratia et Privilegio Buschere&#039;..]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Hieronymus Wierix (Netherlandish)]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
acquired 1863<br />
https://www.britishmuseum.org/collection/object/P_1863-0509-641]]></dcterms:source>
    <dcterms:date><![CDATA[after 1609]]></dcterms:date>
    <dcterms:relation><![CDATA[Bibliographic references<br />
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1291.II)<br />
Mauquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (1015)<br />
Alvin 1866 / Catalogue raisonné de l&#039;oeuvre des trois frères Jan, Jérome et Antoine Wierix (570)]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/44">
    <dcterms:title><![CDATA[Female saints]]></dcterms:title>
    <dcterms:description><![CDATA[Six female saints; St Mary Magdalene, St Rosalia, St Apollonia, St Agnes, St Dorothy, St Agatha; six roundels aligned in three rows; sheet four of the series; second state<br />
Engraving<br />
Diameter: Diameter: 43 millimetres (c., each roundel) (c., each roundel)<br />
Height: Height: 171 millimetres (plate) (plate)<br />
Width: Width: 120 millimetres<br />
Inscription content: Signed below &quot;Israhel V M&quot;.<br />
Part of a series of designs for goldsmiths, consisting of eight engravings (L 445-452) with forty-eight circular scenes with religious subjects (each plate containing six roundels).<br />
<br />
According to Lehrs, Meckenem copied the designs, at least in regards to the alignment of the roundels, after the Master ES.<br />
<br />
The majority of the roundels have been cut out; an entire set of eight intact sheets is not known to exist.<br />
<br />
Representation of: St Mary Magdalene<br />
Representation of: St Rosalia<br />
Representation of: St Apollonia<br />
Representation of: St Agnes<br />
Representation of: St Dorothea<br />
Representation of: St Agatha]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Israhel van Meckenem]]></dcterms:creator>
    <dcterms:source><![CDATA[Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (IX.353.448)<br />
Bartsch / Le Peintre graveur (VI.260.153)<br />
Hollstein / German engravings, etchings and woodcuts c.1400-1700 (448.II)]]></dcterms:source>
    <dcterms:publisher><![CDATA[German]]></dcterms:publisher>
    <dcterms:date><![CDATA[1480-90]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1925-0406-87Purchased from: Albertina]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/45">
    <dcterms:title><![CDATA[Saints celebrated in February]]></dcterms:title>
    <dcterms:subject><![CDATA[Series: Series: Les images de tous les saints et saintes de l&#039;année]]></dcterms:subject>
    <dcterms:description><![CDATA[Four oval scenes, each related to religious events or saints celebrated in February; from left to right and top to bottom, a soldier shearing the breast of a young female saint tied to a pillar (St Agatha&#039;s Day); a man armed with a brand and burning the side of a young female saint tied to a pillar (St Dorothea&#039;s Day); a Bishop saint standing in a landscape with a palm leaf in right hand, and reading a book (St Paul of Verdun&#039;s Day); a bespectacled hermit saint standing in a landscape and reading a book; a rosary hangs from his belt (St Romuald&#039;s Day). c.1632/35<br />
Etching<br />
Height: Height: 210 millimetres<br />
Width: Width: 123 millimetres<br />
Inscription content: Each scene lettered with name of publisher, date of feastday and title<br />
From a set of 124 plates (a title, a frontispiece and 122 plates of 4 scenes each), see 1861,0713.511 for comment.<br />
<br />
Representation of: St Agatha<br />
Representation of: St Dorothea<br />
Representation of: St Paul of Verdun<br />
Representation of: St Romuald]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Jacques Callot<br />
Published by: Israël Henriet]]></dcterms:creator>
    <dcterms:source><![CDATA[Lieure 1927 / Jacques Callot (848-851.II)<br />
Meaume 1860 / Recherches sur la vie et les ouvrages de Jacques Callot (302-425)]]></dcterms:source>
    <dcterms:publisher><![CDATA[French]]></dcterms:publisher>
    <dcterms:date><![CDATA[1632-35]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1861-0713-526<br />
Purchased from: Charles Scarisbrick (From the Scarisbrick collection of Callot&#039;s work)<br />
Purchased through: Christie&#039;s (14.v.1861/part of lot 475)<br />
Purchased through: Colnaghi]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/20">
    <dcterms:title><![CDATA[Sancta Agatha Virgo Martyr]]></dcterms:title>
    <dcterms:description><![CDATA[Plate 20: St Agatha and an angel; after Guercino. St Agatha, standing on the left, clutches her mutilated breasts while on the right an angel approaches her with an ointment jar. 1706<br />
Etching and engraving<br />
Height: Height: 358 millimetres<br />
Width: Width: 274 millimetres<br />
Inscription type: inscription<br />
Inscription content: Lettered with title, production detail: &#039;le Golchin pinxit&#039; and &#039;Iac. Coelemans Sculpsit 1706&#039;. Numbered 20 on plate. Stamped: &#039;Gal. D&#039;Aguilles&#039;.]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Jacques Coelemans<br />
After: Guercino]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1855-0609-712<br />
Purchased from: A E Evans &amp; Sons in 1855]]></dcterms:source>
    <dcterms:publisher><![CDATA[Flemish; Italian]]></dcterms:publisher>
    <dcterms:date><![CDATA[1706]]></dcterms:date>
    <dcterms:relation><![CDATA[Recueil d&#039;estampes d&#039;après les tableaux des peintres les plus célèbres d&#039;Italie, des Pays-Bas et de France<br />
Series: Series: Galerie d&#039;Aguilles<br />
Associated with: Jean Baptiste Boyer d&#039;Aguilles<br />
Representation of: St Agatha]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/43">
    <dcterms:title><![CDATA[St Agatha]]></dcterms:title>
    <dcterms:subject><![CDATA[Object: Object: Non sunt condignae...<br />
Series: Series: Ecclesiae Militantis Triumphi (Triomphes de l&#039;Eglise Militante) (Triomphes de l&#039;Eglise Militante)]]></dcterms:subject>
    <dcterms:description><![CDATA[Plate 18: Martyrdom scenes with St Agatha being tied to a pillar in foreground, her sheared breasts lying in front of her, the Popes Fabian and Cornelius being beheaded in left background, St Tryphon hung from a tree and beaten in left background, Abdon and Senna attacked by lions in central background; letters A-D within composition indicating different scenes<br />
Engraving<br />
Height: Height: 201 millimetres<br />
Width: Width: 136 millimetres<br />
Inscription content: Titled in top margin: &quot;Non svnt condignæ passiones hvivs temporis. Rom.VIII.&quot;. Lettered and numbered &#039;18&#039; in lower margin, with explanatory key in Latin.<br />
This is one from a series of thirty-one plates (and title-page), for comment see 1863,0509.761.<br />
Representation of: St Agatha<br />
Representation of: Pope Fabian (St Fabian)<br />
Representation of: Pope Cornelius (St Cornelius)<br />
Representation of: St Tryphon<br />
Representation of: St Cyprian of Carthage<br />
Associated with: Decius<br />
Associated with: Valerian<br />
Associated with: Gallienus]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Jan van Haelbeck<br />
Published by: Jean Leclerc IV]]></dcterms:creator>
    <dcterms:source><![CDATA[Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed)<br />
IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (227-258)<br />
]]></dcterms:source>
    <dcterms:publisher><![CDATA[Published in: Paris (France)<br />
Europe: France: Ile-de-France (region): Paris (France)]]></dcterms:publisher>
    <dcterms:date><![CDATA[1600-20]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1863-0509-779<br />
Purchased from: Molini (&amp; Green)]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/30">
    <dcterms:title><![CDATA[The Ludicrous Operator, or Blacksmith turn&#039;d Tooth Drawer]]></dcterms:title>
    <dcterms:description><![CDATA[(For description and further comment, see impression of BM Sat. 8051: 1935,0522.1.176)<br />
Mezzotint<br />
Height: Height: 352 millimetres<br />
Width: Width: 248 millimetres<br />
Inscription content: Lettered below the image with the title, four lines of verse in two columns &#039;Why squeeze your Hat, and seize my Cap, ... I&#039;m a Licentiate: Not a Quack.&#039; and &#039;Designed by J. Harris &amp; Improved by drawings after the Life of J. Dixon. // Published according to Act of Parliament A.D. 1768. // Dixon fecit. // Printed for John Bowles, at No. 13 in Cornhill, London.&#039;]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: John Dixon<br />
After: John Harris ((?))<br />
Published by: John Bowles]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Published in: London (England)<br />
Europe: British Isles: England: London (England)]]></dcterms:publisher>
    <dcterms:date><![CDATA[1768]]></dcterms:date>
    <dcterms:relation><![CDATA[BM Satires / Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum (8051)<br />
Chaloner Smith 1883 / British Mezzotinto portraits from the introduction of the art to the early part of the present century (undescribed)<br />
Russell 1926 / English Mezzotint Portraits and their states: Catalogue of Corrections of and Additions to Chaloner Smith&#039;s &quot;British Mezzotinto Portraits&quot; (undescribed)]]></dcterms:relation>
    <dcterms:format><![CDATA[mezzotint]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/24">
    <dcterms:title><![CDATA[Saint Agatha]]></dcterms:title>
    <dcterms:subject><![CDATA[Piccoli Santi (Small Saints) (Small Saints)]]></dcterms:subject>
    <dcterms:description><![CDATA[St Agatha standing between two trees, her right arm raised and tied to a third tree in the middle, her breasts have been cut off<br />
Engraving<br />
Height: Height: 83 millimetres<br />
Width: Width: 49 millimetres<br />
Inscription content: Signed on plate with a monogram &quot;MAF&quot; at lower right]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Marcantonio]]></dcterms:creator>
    <dcterms:source><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_H-1-123<br />
acquired 1837]]></dcterms:source>
    <dcterms:publisher><![CDATA[Italian]]></dcterms:publisher>
    <dcterms:date><![CDATA[1500-27]]></dcterms:date>
    <dcterms:contributor><![CDATA[Bartsch / Le Peintre graveur (XIV.142.170)<br />
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d&#039;un catalogue raisonné des oeuvres du maitre (128.72)]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/42">
    <dcterms:title><![CDATA[Church martyrs]]></dcterms:title>
    <dcterms:description><![CDATA[Church martyrs, with in the foreground St Agatha, tied to a stake and having her breasts cut by an executioner; beyond, at right, St Tryphon, hanging upside down from a tree, and Sts Fabian and Cornelius being beheaded; at left, St Abdon and Sennen being spared by the lions; after the fresco executed in San Stefano Rotondo by Niccolò Circignani<br />
Engraving<br />
Height: Height: 272 millimetres<br />
Width: Width: 172 millimetres<br />
Inscription content: Signed on plate with monogram: &#039;MP&#039;. Numbered &#039;No.20&#039; on plate. Lettered above image: &#039;Non sut condignae passiones huiu temporis ad ro. VIII&#039; and below: &#039;Decio Valeriano et Galieno Impp.&#039;, and explanatory key.<br />
Representation of: St Agatha<br />
Representation of: Pope Fabian (St Fabian)<br />
Representation of: Pope Cornelius (St Cornelius)<br />
Representation of: St Tryphon<br />
Representation of: St Abdon<br />
Representation of: St Sennen]]></dcterms:description>
    <dcterms:creator><![CDATA[Print made by: Monogrammist MP<br />
After: Niccolò Circignani]]></dcterms:creator>
    <dcterms:source><![CDATA[Associated with: Rome (S. Stefano Rotondo)<br />
Europe: Italy: Lazio: Rome (province): Rome (city)<br />
Topographic representation of: Colosseum<br />
Europe: Italy: Lazio: Rome (province): Rome (city): Colosseum]]></dcterms:source>
    <dcterms:date><![CDATA[1580-1630 (c) (c)]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum<br />
https://www.britishmuseum.org/collection/object/P_1869-0410-1576<br />
Purchased from: José de Salamanca y Mayol, Marquis of Salamanca<br />
Purchased through: Sotheby&#039;s (24-7.ii.1869/435)<br />
Purchased through: Edward Daniell<br />
Previous owner/ex-collection: José de Madrazo<br />
]]></dcterms:contributor>
</rdf:Description></rdf:RDF>
