https://wellcomecollection.org/works/z88w2xtu]]> ]]> https://wellcomecollection.org/works/gjetpmpu]]> ]]> ]]> Technique:
lithograph, color]]> http://resource.nlm.nih.gov/101393347]]> ]]> ]]> Technique:
lithograph, color]]> http://resource.nlm.nih.gov/101393743]]> ]]> Lettering
Ambroise Paré pratiquant la ligature des artéres sur un amputé. (Siége de Metz - 1553). Salon de 1889. T. Chartran.

]]> https://wellcomecollection.org/works/v9nk4w59]]>
1 print : photogravure ; image 31 x 54 cm

]]> https://wellcomecollection.org/works/vd38basb]]> ***check for distribution***]]> G. Wolf-Heidegger and A. M. Cetto, Die Anatomische Sektion in bildlicher Darstellung, Basel and New York 1967, no. 89, p. 183
C. Reyero and M. Freixa, Pintura y escultura en España, 1800-1910, Madrid 1995, p. 236, fig. 139
K. Linker, Love for sale. The words and pictures of Barbara Kruger, New York 1990, "No radio", p. 39
D.J. Rothman, S. Marcus and S. Kiceluk, Medicine and western civilization, New Brunswick 1995, p. 422]]>
Poster displays various images, including a scorpion (also misconstrued as a crab)
]]> ]]> https://wellcomecollection.org/works/qv4bf6ma]]> ]]>
Vesalius holds the flayed arm of a (presumably) hanging corpse with androgynous features. Two portraits of physicians flank the lower corners]]> ]]> ]]> ]]> ]]> Technique:
lithograph, color]]> Langlumé, artist]]> http://resource.nlm.nih.gov/101393379]]> ]]> ]]> Technique:
lithograph, color]]> Langlumé, artist]]> http://resource.nlm.nih.gov/101393387]]> ]]>