<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/204">
    <dcterms:title><![CDATA[Dr. Dulcamara up to date; or, Wanted a Quack-Qualcher]]></dcterms:title>
    <dcterms:subject><![CDATA[A quack doctor selling his remedies on the streets of London - despite objections. Wood engraving by E.L. Sambourne, 1893.<br />
<br />
Lettering continues: [&quot;The jury, in giving their verdict, strongly censured the gross ignorance of the accused, and regretted that there was no law to prevent them from practising surgery.&quot;]<br />
<br />
\1 print : wood engraving ; border 20.8 x 18 cm<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[Dialogue includes: Mr. Punch sings, sotto voce:- Begone, Dulcamarac I prythee begone from me! Begone, Dulcamara, Thou and I will never agree! ...<br />
<br />
The quack hawks his wares. The description states woe over ability of quacks to perform surgery and yet the quack does not show any affiliation to operations/tool/anatomy]]></dcterms:description>
    <dcterms:creator><![CDATA[Sambourne, Linley, 1844-1910<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/hrudq9cd]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London], 1893.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/203">
    <dcterms:title><![CDATA[Dr. Ve-d-n. ...<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[An eccentric itinerant medicine vendor who collects old books, outside a bookshop. Etching.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; platemark 17 x 11.7 cm<br />
Lettering continues: &quot;A remarkable walking bookseller quack doctor &amp;c. &amp;c. hawking old books as Mosess do old cloaths. Stop gentle reader &amp; behold a beau in boots, searching for gold, a walking bookseller, an epicure, a teacher, docter &amp; a connoisseur. Gratis to the purchases of the Wonderful Magazine&quot;]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/xc77784y]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] : C. Johnson.<br />
Wonderful Magazine]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/202">
    <dcterms:title><![CDATA[The Quack Doctors Confession on his Death Bed]]></dcterms:title>
    <dcterms:subject><![CDATA[A dying unscrupulous medical practitioner confesses the errors of his ways to a nurse. Coloured etching by W. Heath.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching, with watercolour ; image 30.3 x 22.2 cm<br />
Lettering continues: &quot;If the common soft or tub soap made into a moderate strong lather, or half an ounce of liquor potassoe in twelve ounces of distill&#039;d water - which is the late Dr. Fordyces prophylatic, or in the absence of these&#039; th best yellow soap, were to be used as preventives of the veneral infection - there could be no longer any excuse nor even bread for one of my profession &amp; callings.&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[Bears artist&#039;s embelm: a miniature figure wearing a top hat and leaning on an umbrella<br />
Heath, William, 1795-1840<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/yn2zddjt]]></dcterms:source>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/201">
    <dcterms:title><![CDATA[Mercury and his Advocates Defeated, or Vegetable Intrenchment]]></dcterms:title>
    <dcterms:subject><![CDATA[Isaac Swainson promoting his &#039;Velnos syrup&#039;, facing an onslaught of rival practitioners advocating mercury. Coloured etching by T. Rowlandson, 1789.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching, with watercolour<br />
<br />
shears on the ground<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Rowlandson, Thomas, 1756-1827<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/cc9r3rgk]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (3 Piccadilly) : W. Fores, 29 November 1789.<br />
]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. VI, London 1938, no. 7592<br />
]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/200">
    <dcterms:title><![CDATA[The Tractors]]></dcterms:title>
    <dcterms:subject><![CDATA[An operator treating Ann Ford, a society lady, with &quot;Perkins&#039;s tractors&quot;, for her venomous tongue. Coloured etching by C. Williams, 1802.]]></dcterms:subject>
    <dcterms:description><![CDATA[The print contains three pieces of dialogue and several annotations<br />
<br />
1 print : etching, with watercolour<br />
<br />
The tractors. A new discovered virtue in these invaluable operators most cordially recommeded to the public at large and to Dr. Perkins in in [sic] particular as a likely means of preventing more murder than all the poenal statues. CW esqr. delt.]]></dcterms:description>
    <dcterms:creator><![CDATA[Williams, Charles, active 1797-1830.<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/sgus9kj6]]></dcterms:source>
    <dcterms:publisher><![CDATA[[London] (50 Piccadilly) : S.W. Fores, 16 September 1802.<br />
]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. VIII, no. 9926<br />
]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/199">
    <dcterms:title><![CDATA[The Farrier turned Tooth Drawer]]></dcterms:title>
    <dcterms:subject><![CDATA[A rustic farrier turned tooth-drawer extracting a tooth from a standing man, a woman looks on. Coloured mezzotint, 1792, after J. Harris the elder.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : mezzotint, with watercolour and gouache ; platemark 14.9 x 11.3 cm<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Harris, John, the elder, -1834.]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/xykr72sw]]></dcterms:source>
    <dcterms:publisher><![CDATA[London (69 St. Pauls Church Yard) : Carrington Bowles, Published as the Act directs, 2 Jan 1792.<br />
]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published as the Act directs, 2 Jan 1792<br />
]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/198">
    <dcterms:title><![CDATA[Le Charlatan]]></dcterms:title>
    <dcterms:subject><![CDATA[A public square in a French port, in which a medicine vendor cries up his wares to an audience of traders and strollers. Coloured aquatint by J. Léveillé, 1785, after A. Borel.]]></dcterms:subject>
    <dcterms:description><![CDATA[The medicine vendor stands on the right, in front of his stand. He wears decorative clothes and holds up a flask of his medicine. In front of him are his props: conjuring equipment, musical instruments, tame animals. Among the crowd watching him are a well-dressed couple, he old and using a quizzing glass, she younger and surreptitiously passing a billet doux to a lover. Others among the spectators are from Turkey or the Levant<br />
<br />
Right background, three wooden houses containing shops: left to right a coffee house (presumably &quot;[Ca]fé&quot;), a house advertising a tightrop walker (&quot;Grands danseur du Roy&quot;), and a shop (&quot;Magazin de modes&quot;) selling fashionable knicknacks (fans, hats, vases, clocks etc.) Right foreground, some bales and goods traded at the port<br />
<br />
Left, the port, with a statue of a woman personifying Hope and Plenty. Behind and centre, a substantial stone building, presumably a customs house<br />
<br />
The medicine vendors&#039; banner contains lettering &quot;Par permission du Roy&quot; and a painting of the medicine vendor treating a seated lady, possibly by laying on of hands<br />
<br />
1 print : aquatint, with etching and watercolour ; image and borders 37.5 x 53.5 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/yc97jugw]]></dcterms:source>
    <dcterms:publisher><![CDATA[Paris (rue de la Harpe, au coin de celle Poupée, no. 182) : chez Vidal graveur, [1785]<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/197">
    <dcterms:title><![CDATA[An Itinerant Doctor at Tien-sing]]></dcterms:title>
    <dcterms:subject><![CDATA[An itinerant medicine vendor selling his wares with the aid of assistants and snakes to a captivated audience, Tianjin, China. Engraving by P. Lightfoot, 1858, after T. Allom.]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : line engraving and etching ; image 12.5 x 19.2 cm<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Wellcome Collection<br />
https://wellcomecollection.org/works/pcmnzd8t]]></dcterms:source>
    <dcterms:publisher><![CDATA[London ; Paris : Fisher, Son &amp; Co.<br />
]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/196">
    <dcterms:title><![CDATA[The Rival Accoucheurs or who shall Deliver Europe]]></dcterms:title>
    <dcterms:subject><![CDATA[William Pitt the younger as an obstetrician and medicine vendor, accompanied by Henry Dundas as his assistant, disputing with Napoleon Bonaparte their respective medicinal remedies for the delivery of Europe. Etching after C. Ansell (?), 1800.]]></dcterms:subject>
    <dcterms:description><![CDATA[The print contrasts Pitt&#039;s use of cash to support his Austrian allies with Napoleon&#039;s use of military force. Pitt is represented both as an accoucheur or man-midwife (he has a pair of forceps labeled &quot;Income tax&quot; sticking out of his pocket) and as a medicine vendor (&quot;quack doctor&quot;). To the left, Dundas wears a Scottish bonnet and a plaid suit in the style of the harlequin costume traditionally worn by the quack-doctor&#039;s zany. Napoleon carries a sword (as the obstetrician does in the print &quot;Doctor Forceps&quot; by Matthias Darly, 1773) with which he points to a pile of bolus-shaped (and musket-ball-shaped) pills. On the right his assistant uses a musket to shoot a bolus down the throat of one of the Austrian generals whom Napoleon had defeated at the battle of Marengo on 14 June 1800: either General Michael von Melas or General Pál Kray, both of whom are mentioned in the lettering. The British Museum catalogue suggests the shooting man may be Napoleon&#039;s general Louis Charles Antoine Desaix (1768-1800), though he would be an unsuitable candidate as he was killed by a musket ball at Marengo<br />
<br />
1 print : etching ; platemark 18 x 22.7 cm<br />
<br />
Pitt says: &quot;Why I tell you Doctor Buonaparte, nothing can effect a complete deliverance but my prescription of mint seed, it is the most efficacious remedy in the world&quot;. Napoleon replies &quot;I deny that, Doctor, my pills are far more certain in their operation &amp; much quicker in their effect, for instance you have been 14 months in attempting to deliver Italy &amp; I have delivered her in a day, but I refer you to Dr Melas &amp; Dr Kray who have both tried my pills &amp; found them irresistible. therfore Dr if you do not immediatly acknowledge the superiority of my pills, by Mahomet I will make you -&quot;. Dundas replies, &quot;Hoot mon, I never knew a country man of mine but would prefer the mint seed to aw the republican pills in the world&quot;.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Ansell, Charles, approximately 1752-<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Wellcome<br />
https://wellcomecollection.org/works/mrapkw3h]]></dcterms:source>
    <dcterms:date><![CDATA[c. 1800]]></dcterms:date>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. VI, London 1938, no. 9544A<br />
Lisa Forman Cody, Birthing the nation: sex, science, and the conception of eighteenth-century Britons, Oxford 2005, p. 312]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://european-mastectomy.artinterp.org/items/show/195">
    <dcterms:title><![CDATA[The Quacks]]></dcterms:title>
    <dcterms:subject><![CDATA[James Graham and Gustavus Katterfelto in combat using electrotherapy machines as weapons]]></dcterms:subject>
    <dcterms:description><![CDATA[1 print : etching ; platemark 24.7 x 34.8 cm<br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[&quot;Two of the most colourful entrepreneurs of Georgian London are shown in combat: on the left the Scot James Graham and on the right the Prussian Gustavus Katterfelto. Both are shown using the fashionable electro-therapeutic machinery as part of their restorative and edifying products, Graham in sex-therapy and Katterfelto in the marvels of nature. Graham (left), in profile to the right, is standing on an E.O. table (similar to a roulette wheel), circular and surrounded by the letters E.O. (his establishment in Pall Mall was used for gambling on E.O. tables). He stands astride a long phallic electrical conductor, supported on a vase-shaped electrical insulator; each foot rests on a glass insulator. The conductor is inscribed &#039;Prime conductor, gentle restorer largest in the world&#039;, and the insulator supporting it is inscribed &#039;insulated&#039;. In his left hand Graham holds up a phial or cylinder inscribed &#039;Medicated tube&#039;, he points at Katterfelto, saying, &quot;That round vigour! that full-toned juvenile virility which speaks so cordially and so effectually home to the female heart, Conciliating its favour &amp; friendship, and rivetting its Intensest affections away thou German maggot killer, thy fame is not to be compar&#039;d to mine&quot;. He wears a physician&#039;s full-curled wig, a ruffled shirt, and a laced waistcoat<br />
<br />
At Graham&#039;s feet stands a duck, on a label coming from its beak are the words &quot;Quack. Quack. Quack&quot;, and a thistle indicating his Scottish origin. Other objects on the platform are the model of a cannon inscribed &#039;Coelestial musick&#039; and two jars, one inscribed &#039;Leyden vial charg&#039;d with load stones aromatic spices, &amp;c. &amp;c. &amp;c&#039;; the other &#039;Tin foil or antidote&#039;<br />
<br />
Above the further side of Graham&#039;s table (left) appear the heads and shoulders of two gigantic porters who were part of Graham&#039;s establishment. One (left) labelled Gog stands full-face, a placard round his neck: &#039;Temple of Health &amp; of Hymen&#039;, the name of Graham&#039;s establishment at Schomberg House, Pall Mall, in allusion to his &#039;celestial bed&#039; for the cure of sterility. The other footman, &#039;Magog&#039;, is in profile to the right. Attached to the wall above their heads is a stuffed alligator inscribed &#039;Cured of the dropsey &amp; gout in the stomach&#039;. Beneath this is a shelf, on it are a pestle and mortar, a bust, perhaps of Galen, and a monkey seated in profile to the right holding up a phial in imitation of Graham<br />
<br />
Katterfelto&#039;s stage is a flimsy rectangular structure supported on thin planks, with cross planks, one decorated with a skull and cross-bones, the other by insects, &amp;c. (a butterfly, centipede, moth, and worm). He crouches over a cylindrical conductor supported on a pillar, similar to, but not identical with, that of his rival; it is inscribed, &#039;Positively charg&#039;d&#039;; his feet rest on the base of its pillar, a trident on its other end touches a barrel-shaped electrostatic generator which is being turned by a devil with horns and breasts, who says, &quot;Away with it my dear son I&#039;ll find fire eternally for you&quot;. Katterfelto embraces his electrical conductor with one arm, while his right hand points at Graham; sparks come from his thumb, forefinger, and wig, from a spike on the front of his conductor, and also drop from his chin. He is saying &quot;Dare you was see de vonders of the varld, which make de hair stand on tiptoe, Dare you was see mine tumb and mine findgar, fire from mine findger and feaders on mine tumb - dare you was see de gun fire viddout ball or powder, dare you was see de devil at mine A[rs]e-- O vonders! Vonders! Vonderfull vonders!&quot;<br />
<br />
The chain of sparks from Katterfelto&#039;s chin drops on to the touch-hole of a toy cannon at his feet so as to fire it in the direction of Graham. His attitude and profile express intense excitement, and his whole person appears charged with electricity; the hair on his forehead stands up, his long pigtail queue flies out behind him as do his coat-tails. Other objects on his platform, besides the electrical appliance which he is grasping, the devil&#039;s generator and the cannon, are a Leyden jar, a small rectangular box inscribed &#039;Arcanum sublimum&#039; and &#039;Mask&#039;d battery&#039;, a toy windmill, a square bottle inscribed &#039;Tinctr Aurum Vivae&#039;, a thunder-house, raised above its base, inscribed &#039;Thunder house&#039;, a bag or small sack inscribed &#039;Aurora Borealis&#039;, and an insect resembling a scorpion (one of the wonders of nature). Beneath the platform is a &#039;Reservoir for dead insects destroy&#039;d by Dr Katterf[elto]&#039;; insects are indicated carved on the plank&quot;]]></dcterms:abstract>
    <dcterms:publisher><![CDATA[[London] (227 Strand) : W. Humphrey, 17 March 1783.<br />
]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[British Museum, Catalogue of political and personal satires, vol. V, London 1935, no. 6325<br />
Exhibited in &quot;Seduction and Celebrity: The Spectacular Life of Emma Hamilton&quot; at the National Maritime Museum, London, 1 November 2016 - 1 April 2017<br />
Exhibited in &quot;Medicine Man&quot; at Wellcome Collection, 15 April - 7 October 2019]]></dcterms:contributor>
</rdf:Description></rdf:RDF>
