Text, vols. i-ii, and plates, vols. i-ii. The later have add. engr. titles 'Trattato completo dell'anatomia, etc.'
Copy 1 Vol. 1 Note: Text, v. 1.
Copy 1 Vol. 2 Note: Text, v. 2.
Copy 1 Vol. 3 Note: Plates, v. 1.
Copy 1 Vol. 4 Note: Plates, v. 2.]]> https://wellcomecollection.org/works/tfuxtmyt]]> https://www.jstor.org/stable/community.24726169]]> SPECULUM PUDICITAE]]> lower margin: Tormentis AGATHA .../ ... Relligione nequit.
After a lost drawing by Maarten de Vos.

plate mark: 174 x 128 mm]]> Maarten de Vos]]> Amsterdam
Antwerp SB
Berlin
Caen
Copenhagen
Dessau
Melbourne BL
Milan
Munich
New York MMA
Paris BN
Parma
Rotterdam
Turin BN
Uppsala
Vienna H
Vienna ST
Wolfegg]]> Retrospective conversion of The Illustrated Bartsch (Abaris Books) by ARTstor Inc. and authorized contractors]]>
1 drawing : pen and grey ink and watercolour over pencil ; sheet 29.5 by 43.2 cm

Medicine vessels lower right labelled "unguent balsa" and "ung. me"]]> The artist Ramberg was born in Hanover, the son of the war secretary of the Electorate of Hanover who encouraged his son in his vocation as an artist. In 1781 he sent him to England where he was introduced to King George III for whom he made a number of humorous sketches and caricatures. He was admitted to the R.A. schools by Benjamin West and he won a silver medal for life drawing in 1784. He exhibited twelve pictures at the Royal Academy (then at Somerset House) between 1782 and 1788, including his best known work 'Portraits of their Majesties and the Royal Family viewing the Exhibition of the Royal Academy' (now in the British Museum) In 1788, he visited the Netherlands and then Italy, returning to Hanover in 1792 where he was appointed court painter and spent the rest of his life]]> (Vlacq was a Dutch book publisher who moved to London in 1632 before moving to Paris at the onset of English Civil War, then moved to the Hague)]]> Copy 1 Supplier/Donor: RAMC Note: Publisher's catalogues (6p),(8p) on front and end endpapers
Copy 2 Note: Publisher's cat. and adverts. at front and end.

Note for specific imagery: "on stone by S. Cichowski / Philadelphia. Published by Carey & Hart / P.S. Duval Lith. Phil." - this page is significantly dirtier than the others (seems all the non-print pages show more wear)

Backmatter has a number of other titles that the reader *may find of interest]]> https://wellcomecollection.org/works/nzfmcrdg]]>
Kamata Keishu, a pupil of the renowned surgeon Hanaoka Seishu (1760 - 1835), published a treatise in 1851 called 'Geka kihai'. In it, he made public the surgical techniques pioneered by his teacher and provided illustrations demonstrating his technique. These illustrations were empirically based on European examples. The use of colour in them functions mainly to distinguish flesh from clothing and to demonstrate the flow of blood. This image shows an operation which Hanaoka Seishu first carried out in 1804 using general anaesthetic.]]> https://wellcomecollection.org/works/ngg2kxv7]]> woodcut, color]]> [Venetiis: Joannem & Gregorium de Gregorriis, 1500-01]]]> ]]> ]]> Provenance:
Purchase; Michael Zwerdling; 2004; 04-22.
Technique:
color]]> Zwerdling, Michael, former owner
Bruno Bürger & Ottillie (Firm), publisher.]]> Extent:
1 print
Technique:
engraving]]>
Other known publications:
Utrecht : N. a Vucht, etc., 1755. (Latin; includes extra preface and frontispiece of the flayed man with dissected parts that appears later in the original anatomical atlas)
Rome : Heirs of J.L. Barbiellini, 1765. (Latin; one copy notes that the original pub. in Amsterdam)
Amsterdam : Dekker & Nordemann, 1978. (Dutch; in the series "the dawn of Japanese medical science")
]]> http://resource.nlm.nih.gov/101436207]]> ]]>