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                <text>[Saint Agatha] (from the Lombard Gradual)</text>
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                <text>Annunciate Angel, the Apostle Andrew, a Bishop Saint (Savinus?), and Saints Dominic and Francis of Assisi [left]; Virgin Annunciate and Saints Bartholomew, Lawrence, Lucy, and Agatha [right]</text>
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                <text>Philadelphia Museum of Art&#13;
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Purchased through: Sotheby's (24-7.ii.1869/435)&#13;
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                <text>Broadside on the heavenly rose garden; with a stencil-coloured woodcut from eight (?) blocks of virgin saints and the Holy Kinship seated on benches in front of rose bushes arranged in four horizontal strips; below 30 lines of German letterpress verse in eight columns describing the Christian path to the rose garden. (Nuremberg: n.d.)&#13;
&#13;
Height: Height: 1005 millimetres (Borderline) (Borderline)&#13;
Height: Height: 1061 millimetres (Sheet size) (Sheet size)&#13;
Width: Width: 704 millimetres (Borderline) (Borderline)&#13;
Width: Width: 704 millimetres (Sheet size) (Sheet size)&#13;
&#13;
Inscription content: Publication line: 'Gedruckt zu Nürnberg, bey Hans Wolff Glaser.'&#13;
&#13;
Representation of: St Lucy&#13;
Representation of: St Christina&#13;
Representation of: St Mary Magdalene&#13;
Representation of: St Elizabeth of Hungary&#13;
Representation of: St Apollonia&#13;
Representation of: St Ursula&#13;
Representation of: St Margaret of Antioch&#13;
Representation of: St Martha&#13;
Representation of: St Agatha&#13;
Representation of: St Agnes&#13;
Representation of: St Dorothea&#13;
Representation of: St Barbara&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Joseph&#13;
Representation of: Virgin Mary&#13;
Representation of: Jesus Christ&#13;
Representation of: St Anne&#13;
Representation of: St Joachim&#13;
Representation of: God</text>
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                <text>Printed by: Hans Wolfgang Glaser</text>
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                <text>Printed in: Nuremberg&#13;
Europe: Germany: Bavaria (state): Mittelfranken (region): Nuremberg</text>
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                <text>1550-70</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1930-0617-37&#13;
Purchased from: C G Boerner (sale Leipzig, 6/9 May 1930/637)&#13;
Previous owner/ex-collection: Friedrich August II, King of Saxony (Lugt 971)</text>
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                <text>woodcut, letterpress, stencil printing</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Enthroned Madonna and Christ Child with Angels, Saints Paula and Agatha</text>
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            <name>Description</name>
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                <text>MEDIUM tempera on panel&#13;
DIMENSIONS 55 3/4 x 43 1/8 in. (141.6 x 109.5 cm) frame: 69 × 56 3/4 × 4 1/2 in. (175.3 × 144.1 × 11.4 cm)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text> Michele Ciampanti, formerly called Stratonice Master, Italy, 1463 - 1500</text>
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            <name>Date</name>
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                <text>c. 1500</text>
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                <text>Birmingham Museum of Art&#13;
https://www.artsbma.org/collection/enthroned-madonna-and-christ-child-with-angels-saints-paula-and-agatha/&#13;
PROVENANCE John Watkins Brett (1805-1863), London, by 1857; his estate sale, Christie, Manson &amp; Woods, London, April 5-18, 1864, no. 820, as Filippo Lippi; with P &amp; D Colnaghi, London [see note 1]. John Francis Austen (1817-1893), London, by 1877; by descent to Mrs. Austen, London; by descent to John Francis Austen, Capel Manor, Horsmonden, Kent; auctioned by Christie, Manson &amp; Woods, London, March 18, 1921, 19 no. 82, as Filippo Lippi [unsold]; remained with Trustees of Austen Estate [see note 2]; auctioned by Christie, Manson &amp; Woods, London, July 10, 1931, p. 15, no. 64, as Filippo Lippi; purchased by Francis Howard, London [see note 3]. With Count Alessandro Contini-Bonacossi (1878-1955), Florence; purchased by Samuel H. Kress Foundation, New York, June 7, 1954 as Master of the Stratonice Cassone; on loan to the Birmingham Museum of Art, Alabama, 1959; gift of the Samuel H. Kress Foundation to the Birmingham Museum of Art, Alabama, 1961</text>
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                <text>1. Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection, Italian Schools XIII-XV Century (London: Phaidon Press, 1966), p. 139.&#13;
2. Ibid.&#13;
3. According to an annotation in an auction catalogue at The Frick Art Reference Library. See object file.&#13;
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        <name>holy</name>
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        <name>madonna and child</name>
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        <name>pincers</name>
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        <name>sacred</name>
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        <name>saint agatha</name>
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        <name>tools</name>
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      <tag tagId="54">
        <name>veneration</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Female saints</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Six female saints; St Mary Magdalene, St Rosalia, St Apollonia, St Agnes, St Dorothy, St Agatha; six roundels aligned in three rows; sheet four of the series; second state&#13;
Engraving&#13;
Diameter: Diameter: 43 millimetres (c., each roundel) (c., each roundel)&#13;
Height: Height: 171 millimetres (plate) (plate)&#13;
Width: Width: 120 millimetres&#13;
Inscription content: Signed below "Israhel V M".&#13;
Part of a series of designs for goldsmiths, consisting of eight engravings (L 445-452) with forty-eight circular scenes with religious subjects (each plate containing six roundels).&#13;
&#13;
According to Lehrs, Meckenem copied the designs, at least in regards to the alignment of the roundels, after the Master ES.&#13;
&#13;
The majority of the roundels have been cut out; an entire set of eight intact sheets is not known to exist.&#13;
&#13;
Representation of: St Mary Magdalene&#13;
Representation of: St Rosalia&#13;
Representation of: St Apollonia&#13;
Representation of: St Agnes&#13;
Representation of: St Dorothea&#13;
Representation of: St Agatha</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Israhel van Meckenem</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="309">
                <text>Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (IX.353.448)&#13;
Bartsch / Le Peintre graveur (VI.260.153)&#13;
Hollstein / German engravings, etchings and woodcuts c.1400-1700 (448.II)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="310">
                <text>German</text>
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            <name>Date</name>
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                <text>1480-90</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="312">
                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1925-0406-87Purchased from: Albertina</text>
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      <tag tagId="10">
        <name>female saints</name>
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      <tag tagId="11">
        <name>martyrs</name>
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      <tag tagId="7">
        <name>saints</name>
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        <name>tools</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Sixteen female saints; half-length figures with their respective attributes, arranged in four rows.&#13;
Woodcut&#13;
Height: Height: 216 millimetres&#13;
Width: Width: 166 millimetres&#13;
Inscription content: Lettered with the names of the individual saints on banderoles below the figures.&#13;
Forming a pair with E,8.175, the style corresponds closely with Wechtlin's scenes from the life of the Virgin and of Christ (Passavant III.331-2, II.53) but there is no printing on the versos and it is unclear whether they were designed as book illustrations or not. See Röttinger p.1 note 1; manuscript catalogue by Karl Parker (compiled in the 1920s) for a proposed sequel to Campbell Dodgson's 'Catalogue of Early German Woodcuts in the British Museum' [and British Library], vol.2, woodcuts by Wechtlin, no. 30.&#13;
&#13;
Representation of: St Anne&#13;
Representation of: St Mary Magdalene&#13;
Representation of: Virgin Mary&#13;
Representation of: St Martha&#13;
Representation of: St Ursula&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Barbara&#13;
Representation of: St Margaret of Antioch&#13;
Representation of: St Dorothea&#13;
Representation of: St Agatha&#13;
Representation of: St Lucy&#13;
Representation of: St Agnes&#13;
Representation of: St Cecilia&#13;
Representation of: St Catherine of Siena&#13;
Representation of: St Otilia&#13;
Representation of: St Elizabeth of Hungary</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Hans Wechtlin</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Passavant 1860-64 / Le Peintre-Graveur (Undescribed)</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="345">
                <text>German</text>
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                <text>1500-26</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="347">
                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_E-8-176</text>
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                <text>black chalk and white heightening on blue prepared paper</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Sebastiano del Piombo</text>
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                <text>Louvre&#13;
https://collections.louvre.fr/en/ark:/53355/cl020200814</text>
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        <name>nude</name>
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