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              <name>Title</name>
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                  <text>Saint Agatha</text>
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                <text>Portrait of a Lady with the Attributes of Saint Agatha</text>
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                <text>The lady in the picture is shown with the attributes of Saint Agatha, the third-century Sicilian martyr who was reported to have been tortured for rejecting the marriage proposal of the Roman governor. A dish with Agatha’s severed breasts and the pliers used to remove them are depicted on the right. However, technical examination of the painting has shown that the breasts, pliers, martyr’s palm and halo are later additions, suggesting that the work was originally a portrait, although the sitter remains unidentified.&#13;
&#13;
The letter ‘F’ before the name ‘Sebastianus’ in the signature shows that this work was painted in or after the year 1531, when Sebastiano del Piombo (‘Sebastiano of the Seal’) became the bearer of the papal seal and adopted the honorific title associated with that role: frate (friar). The painting of the lady’s dress and hair are well preserved although the flesh areas are now damaged and have a greyish appearance.&#13;
&#13;
oil on canvas&#13;
92.4 × 75.3 cm&#13;
	Signed</text>
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                <text>	Sebastiano del Piombo</text>
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                <text>	early 1530s</text>
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                <text>NGA, London &#13;
https://www.nationalgallery.org.uk/paintings/sebastiano-del-piombo-portrait-of-a-lady-with-the-attributes-of-saint-agatha&#13;
The Reverend William Holwell Carr&#13;
Holwell Carr Bequest, 1831&#13;
https://www.nationalgallery.org.uk/people/the-reverend-william-holwell-carr</text>
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        <name>breasts</name>
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        <name>female subject</name>
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        <name>saint agatha</name>
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                  <text>Saint Agatha</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Martelaarschap van de H. Agatha&#13;
S. Agatha virgo et martyr (title on object)</text>
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                <text>Inscriptions / marks&#13;
collector's mark: Lugt 2228&#13;
DescriptionDe rijkgeklede Agatha is aan een pilaar gebonden. Twee mannen snijden haar borsten af met tangen. Op de voorgrond stookt een man met een blaasbalg het vuur op in een schaal. In de marge een vijfregelig onderschrift in het Latijn.&#13;
&#13;
Materialpaper&#13;
Techniqueengraving&#13;
Measurementsheight 255 mm × width 185 mm</text>
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                <text>&#13;
print maker: Antonie Wierix (II)&#13;
after drawing by: Jan van der Straet (mentioned on object)&#13;
Philips Galle (mentioned on object)</text>
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                <text>Antwerp</text>
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                <text>1565-1604</text>
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                <text>Rijksmuseum&#13;
http://hdl.handle.net/10934/RM0001.COLLECT.332082</text>
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                <text>The Wierix family : part VI, Zsuzsanna van Ruyven-Zeman, Marjolein Leesberg, Jan Van der Stock, p. 170, cat.nr. 1316</text>
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        <name>saint agatha</name>
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        <name>shears</name>
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                  <text>Saint Agatha</text>
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                <text>Heilige Agatha, Heilige Dorothea, Heilige Romuald van Camaldoli, Heilige Paulus van Verdun (5-8 februari)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Alle heiligen en de Christelijke feestdagen van het jaar (series title)</text>
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                <text>Inscriptions / marks&#13;
collector's mark: Lugt 240&#13;
DescriptionBlad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de Heilige Agatha wier borsten door een beul worden afgesneden, rechtsboven de Heilige Dorothea gebonden aan een paal, rechtsonder de Heilige Romuald met een wandelstok en een boek in de handen, linksonder de Heilige Paulus van Verdun met een palmtak in de hand. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.&#13;
&#13;
&#13;
Materialpaper&#13;
Techniqueetching&#13;
Measurementsheight 210 mm × width 122 mm&#13;
&#13;
Waarschijnlijk zijn de afbeeldingen in de prentserie 'Alle heiligen en de christelijke feestdagen van het jaar' ooit bedoeld geweest als illustraties bij een hagiografie; ze zijn echter nooit in die context verschenen. Klinkert, C.</text>
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                <text>&#13;
print maker: Jacques Callot&#13;
after own design by: Jacques Callot&#13;
publisher: Israël Henriet (mentioned on object)</text>
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                <text>print maker: Nancy&#13;
publisher: Paris</text>
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                <text>1632-36</text>
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                <text>Rijskmuseum&#13;
http://hdl.handle.net/10934/RM0001.COLLECT.40543</text>
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                <text>Catalogue reference&#13;
Meaume 314-1(2)&#13;
Remark: nrs. 43-46&#13;
Lieure 848-2(2)&#13;
Lieure 849-2(2)&#13;
Lieure 850-2(2)&#13;
Lieure 851-2(2)</text>
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        <name>agatha</name>
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        <name>female saints</name>
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        <name>tools</name>
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        <name>torture</name>
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                <text>Enthroned Madonna and Christ Child with Angels, Saints Paula and Agatha</text>
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                <text>MEDIUM tempera on panel&#13;
DIMENSIONS 55 3/4 x 43 1/8 in. (141.6 x 109.5 cm) frame: 69 × 56 3/4 × 4 1/2 in. (175.3 × 144.1 × 11.4 cm)</text>
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                <text> Michele Ciampanti, formerly called Stratonice Master, Italy, 1463 - 1500</text>
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                <text>c. 1500</text>
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                <text>Birmingham Museum of Art&#13;
https://www.artsbma.org/collection/enthroned-madonna-and-christ-child-with-angels-saints-paula-and-agatha/&#13;
PROVENANCE John Watkins Brett (1805-1863), London, by 1857; his estate sale, Christie, Manson &amp; Woods, London, April 5-18, 1864, no. 820, as Filippo Lippi; with P &amp; D Colnaghi, London [see note 1]. John Francis Austen (1817-1893), London, by 1877; by descent to Mrs. Austen, London; by descent to John Francis Austen, Capel Manor, Horsmonden, Kent; auctioned by Christie, Manson &amp; Woods, London, March 18, 1921, 19 no. 82, as Filippo Lippi [unsold]; remained with Trustees of Austen Estate [see note 2]; auctioned by Christie, Manson &amp; Woods, London, July 10, 1931, p. 15, no. 64, as Filippo Lippi; purchased by Francis Howard, London [see note 3]. With Count Alessandro Contini-Bonacossi (1878-1955), Florence; purchased by Samuel H. Kress Foundation, New York, June 7, 1954 as Master of the Stratonice Cassone; on loan to the Birmingham Museum of Art, Alabama, 1959; gift of the Samuel H. Kress Foundation to the Birmingham Museum of Art, Alabama, 1961</text>
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                <text>1. Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection, Italian Schools XIII-XV Century (London: Phaidon Press, 1966), p. 139.&#13;
2. Ibid.&#13;
3. According to an annotation in an auction catalogue at The Frick Art Reference Library. See object file.&#13;
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        <name>blacksmith</name>
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        <name>holy</name>
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        <name>madonna and child</name>
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        <name>pincers</name>
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        <name>sacred</name>
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        <name>saint agatha</name>
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        <name>tools</name>
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                  <text>Saint Agatha</text>
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                <text>The Martyrdom of St Agatha</text>
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                <text>The saint tied to a tree at centre, two men shearing her breasts with large tongs, hills and a city in background; copy in reverse after Cornelis Cort who engraved after Giulio Clovio&#13;
Inscription type: inscription&#13;
Inscription content: Signed in lower centre of impression: "Ioan. Sadl. excu.". Titled in Latin in lower margin: "S. Agatha".</text>
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                <text>After: Cornelis Cort&#13;
After: Giulio Clovio&#13;
Published by: Jan Sadeler I</text>
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https://www.britishmuseum.org/collection/object/P_Ii-5-153</text>
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Width: Width: 202 millimetres</text>
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                <text>The Martyrdom of St Agatha; centre, St Agatha tied to a column with her breasts exposed, to the left and r, an excutioner approaches with a pair of shears; in the foreground, another man kindles a fire, a crown and veil lie on the ground&#13;
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Width: Width: 184 millimetres&#13;
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1957-0413-224&#13;
Previous owner/ex-collection: Elizabeth, Duchess of Northumberland (Courtier. In 1750 succeeded her father, Algernon Seymour as Baroness Percy while her husband, Sir Hugh Smithson (q.v.) succeeded him as Earl of Northumberland and assumed the name Percy; in 1766, he was created Duke of Northumberland.)&#13;
for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120 &#13;
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                <text>New Hollstein (Dutch &amp; Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (228.I)&#13;
Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752)&#13;
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I)</text>
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Etching and engraving&#13;
Height: Height: 64 millimetres&#13;
Width: Width: 38 millimetres&#13;
Inscription content: Collector's initials 'JB' in pen and ink on verso (Lugt 1419)</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-125&#13;
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)&#13;
Previous owner/ex-collection: John Barnard (L.1420)&#13;
acquisitioned 1799</text>
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                <text>The artist added the landscape, which does not appear in the original print, and omitted the trees on the sides.&#13;
Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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Height: Height: 87 millimetres&#13;
Width: Width: 55 millimetres&#13;
Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold&#13;
NOTE: the whole breasts where in another edition the breasts are removed&#13;
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                <text>Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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https://www.britishmuseum.org/collection/object/P_H-1-124&#13;
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)&#13;
Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’)</text>
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Etching and engraving&#13;
Height: Height: 271 millimetres&#13;
Width: Width: 214 millimetres&#13;
Inscription content: Lettered in lower margin with title and production details: "Engraved by L. Stocks" and "From the original Picture by Sebastiano del Piombo in / The National Gallery / No.63" and "Jones &amp; Co. Temple of the Muses, Finsbury Square, London.".&#13;
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Europe: British Isles: England: London (England)</text>
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https://www.britishmuseum.org/collection/object/P_1861-1214-66&#13;
Purchased from: Willis &amp; Sotheran</text>
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