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                <text>[Saint Agatha] (from the Lombard Gradual)</text>
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                <text>Master of the Franciscan Breviary (Painter)</text>
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                <text>mid 15th c </text>
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                <text>Repository: Division of Rare and Manuscript Collections, Cornell University Library&#13;
https://digital.library.cornell.edu/catalog/ss:11177505</text>
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                <text>vellum, rubricated</text>
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                <text>Enthroned Madonna and Christ Child with Angels, Saints Paula and Agatha</text>
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                <text>MEDIUM tempera on panel&#13;
DIMENSIONS 55 3/4 x 43 1/8 in. (141.6 x 109.5 cm) frame: 69 × 56 3/4 × 4 1/2 in. (175.3 × 144.1 × 11.4 cm)</text>
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                <text> Michele Ciampanti, formerly called Stratonice Master, Italy, 1463 - 1500</text>
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                <text>Birmingham Museum of Art&#13;
https://www.artsbma.org/collection/enthroned-madonna-and-christ-child-with-angels-saints-paula-and-agatha/&#13;
PROVENANCE John Watkins Brett (1805-1863), London, by 1857; his estate sale, Christie, Manson &amp; Woods, London, April 5-18, 1864, no. 820, as Filippo Lippi; with P &amp; D Colnaghi, London [see note 1]. John Francis Austen (1817-1893), London, by 1877; by descent to Mrs. Austen, London; by descent to John Francis Austen, Capel Manor, Horsmonden, Kent; auctioned by Christie, Manson &amp; Woods, London, March 18, 1921, 19 no. 82, as Filippo Lippi [unsold]; remained with Trustees of Austen Estate [see note 2]; auctioned by Christie, Manson &amp; Woods, London, July 10, 1931, p. 15, no. 64, as Filippo Lippi; purchased by Francis Howard, London [see note 3]. With Count Alessandro Contini-Bonacossi (1878-1955), Florence; purchased by Samuel H. Kress Foundation, New York, June 7, 1954 as Master of the Stratonice Cassone; on loan to the Birmingham Museum of Art, Alabama, 1959; gift of the Samuel H. Kress Foundation to the Birmingham Museum of Art, Alabama, 1961</text>
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                <text>1. Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection, Italian Schools XIII-XV Century (London: Phaidon Press, 1966), p. 139.&#13;
2. Ibid.&#13;
3. According to an annotation in an auction catalogue at The Frick Art Reference Library. See object file.&#13;
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                <text>THE MIRROR OF MODESTY&#13;
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                <text>Below, to the left: Sadler excud./ M de Vos figura.&#13;
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After a lost drawing by Maarten de Vos.&#13;
&#13;
plate mark: 174 x 128 mm</text>
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                <text>Johan Sadeler I Fecit, 1550 - 1600&#13;
Maarten de Vos</text>
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                <text>Brussels&#13;
Amsterdam&#13;
Antwerp SB&#13;
Berlin&#13;
Caen&#13;
Copenhagen&#13;
Dessau&#13;
Melbourne BL&#13;
Milan&#13;
Munich&#13;
New York MMA&#13;
Paris BN&#13;
Parma&#13;
Rotterdam&#13;
Turin BN&#13;
Uppsala&#13;
Vienna H&#13;
Vienna ST&#13;
Wolfegg</text>
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                <text>The Illustrated Bartsch. Vol. 70, pt. 2, Johan Sadeler I&#13;
Retrospective conversion of The Illustrated Bartsch (Abaris Books) by ARTstor Inc. and authorized contractors</text>
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                <text>Material&#13;
panel&#13;
Measurements&#13;
120 x 45 cm.&#13;
Description&#13;
Full view&#13;
Formerly in the Castello di Vincigliata, Florence and then Baron Alberto Fassini collection, Rome (after 1930).&#13;
Probably part of the same polyptych as Saint Nicholas of Bari and Saint Seraphina also formerly in the Castello di Vincigliata and no</text>
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                <text>Annunciate Angel, the Apostle Andrew, a Bishop Saint (Savinus?), and Saints Dominic and Francis of Assisi [left]; Virgin Annunciate and Saints Bartholomew, Lawrence, Lucy, and Agatha [right]</text>
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                <text>Medium:	Tempera and tooled gold on enframed panels with vertical grain&#13;
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                <text>Bartolomeo Bulgarini (Italian (active Siena), first documented 1338, died 1378)</text>
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                <text>c. 1355-60</text>
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                <text>Philadelphia Museum of Art&#13;
https://philamuseum.org/collection/object/102757&#13;
Credit Line:	John G. Johnson Collection, 1917</text>
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