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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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                <text>Series: Series: Piccoli Santi (Small Saints) (Small Saints)</text>
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                <text>St Agatha standing between two trees, her left arm raised and tied to a third tree in the middle; copy in reverse after Marcantonio&#13;
Engraving&#13;
Height: Height: 87 millimetres&#13;
Width: Width: 55 millimetres&#13;
Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold&#13;
NOTE: the whole breasts where in another edition the breasts are removed&#13;
"The artist did not fully understand Marcantonio’s print and in his engraving omitted to emphasize St Agatha’s cut breasts."</text>
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                <text>After: Marcantonio</text>
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                <text>Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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            <name>Date</name>
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                <text>1500-1527</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-124&#13;
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)&#13;
Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’)</text>
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        <name>breasts</name>
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        <name>saint agatha</name>
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        <name>saints</name>
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      <tag tagId="6">
        <name>torture</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Madonna and Child with saints</text>
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                <text>Madonna and Child with saints, with the Virgin sitting on an elevated throne with Christ child on her lap; below, at right, St Barbara and a monk, and at left a female saint (St Agatha?) with a dish resting on the pedestal, St Lawrence with his gridiron in the foreground with a seated angel holding a child in his arms&#13;
Etching&#13;
Height: Height: 563 millimetres&#13;
Width: Width: 306 millimetres&#13;
Inscription content: Lettered below image with production detail: 'J. B. Cignarolius pinxit - D. C. D.' and dedication to 'Clarissimo Viro D. Carolo Emanuelli Groscavalli Comiti Palatii...' (Carlo Emanuele Cavalleri di Groscavallo, 1706-1787 ?).&#13;
The engraver's monogram was described by Nagler (Die Monogramisten No.1017) as the signature of an unidentified 18th century engraver active in Italy, possibly a member of the David family.&#13;
&#13;
Professor Robert Randolf Coleman has kindly drawn our attention to his work identifying the printmaker as Angelo Ghizzardi (see R.R. Coleman, "The Ambrosiana Albums of Giambettino Cignaroli (1706-1770): A Critical Catalogue", Milan; Rome: Biblioteca Ambrosiana; Bulzoni Editori, 2011, pp. 14, 89, 91, 117, 119, fig. 55 and p. 221, no. 343). Carmen Nagel (email Dec 2022): this etching shows a painting that was made for the chapel in the Royal palace in San Ildefonso and is now in the Prado (POOOO99).</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Angelo Ghizzardi&#13;
After: Giambettino Cignaroli</text>
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            <name>Date</name>
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                <text>c. 1720-80 </text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1951-0714-110&#13;
Purchased from: Colnaghi&#13;
Previous owner/ex-collection: Liechtenstein</text>
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                <text>etching</text>
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        <name>saints</name>
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        <name>tools</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saint Agatha</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Piccoli Santi (Small Saints) (Small Saints)</text>
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                <text>St Agatha tied to a tree with her left arm raised; a landscape at her right; copy in reverse after Marcantonio&#13;
Etching and engraving&#13;
Height: Height: 64 millimetres&#13;
Width: Width: 38 millimetres&#13;
Inscription content: Collector's initials 'JB' in pen and ink on verso (Lugt 1419)</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>After: Marcantonio</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-125&#13;
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)&#13;
Previous owner/ex-collection: John Barnard (L.1420)&#13;
acquisitioned 1799</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Italian</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1500-27</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>The artist added the landscape, which does not appear in the original print, and omitted the trees on the sides.&#13;
Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Virgin Saints</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Quadri scelti di Brescia</text>
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            <description>An account of the resource</description>
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                <text>Sts Lucy, Cecilia, Barbara, Agatha and Agnes standing before a niche, holding their respective attributes; the Holy Spirit appears above them; in outline; after il Moretto. c.1827&#13;
Engraving&#13;
Height: Height: 229 millimetres&#13;
Width: Width: 165 millimetres&#13;
Inscription content: Lettered with production detail: 'Aless. Bonvicini detto il Moretto dip. - Aless. Sala dis. e inc.'.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Alessandro Sala&#13;
After: Alessandro Bonvicino, il Moretto</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1862-1213-498&#13;
Purchased from: Molini (&amp; Green)&#13;
1862</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Italian</text>
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                <text>1827</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>From 'Quadri scelti di Brescia', published in 1827.&#13;
After a painting now in the church of St Clemente, Brescia.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Physical Object</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>S. Agatha</text>
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            <description>An account of the resource</description>
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                <text>The martyr tied to a column, two men on either side shearing her breasts, an angel holding a laurel above her in top left corner&#13;
Engraving&#13;
Height: Height: 155 millimetres&#13;
Width: Width: 98 millimetres&#13;
Inscription content: Signed in lower left corner of impression: "R. Sadeler excudit.". Titled and lettered in Latin in lower margin, in four lines: "S. Agatha" and "cernis, vt alternus ... / ... ne latex.". Inscribed on sheet in pen and ink at upper right "88".</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1863-0509-726&#13;
Purchased from: Molini (&amp; Green)&#13;
1863</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Published by: Raphael Sadeler I&#13;
Flemish</text>
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            <name>Date</name>
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                <text>1575-1632</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed)</text>
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1872</text>
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                <text>After a painting by Ippolito Costa from the Duomo of Mantua.&#13;
&#13;
See Paolo Bellini, ‘L'opera incisa Adamo e Diana Scultori’, Vicenza, 1991, p. 220.</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_H-1-123&#13;
acquired 1837</text>
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                <text>Bartsch / Le Peintre graveur (XIV.142.170)&#13;
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1957-0413-224&#13;
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for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120 &#13;
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Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752)&#13;
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I)</text>
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https://www.britishmuseum.org/collection/object/P_1852-0612-394&#13;
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