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                  <text>Saint Agatha</text>
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                <text>Seal-matrix for Adolf von Epstein, Archdeacon of Trier</text>
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                <text>Seal-matrix for Adolf von Epstein, Archdeacon of Trier; bronze; circular.&#13;
Obverse: Female figure standing, facing, wearing a long dress and her hands above her head grasping a cross-bar resting on side posts. On either side an executioner seizing her breast with a pair of pincers. Background sprinkled with flowers and below a shield of arms chevronée; Inscription in legend within beaded borders, disrupted by the cross bar and shield of arms.&#13;
Reverse: high shaped pierced ridge&#13;
With wax impression.&#13;
Diameter: Diameter: 4 centimetres&#13;
&#13;
Inscription position: obverse, legend&#13;
Inscription language: Latin&#13;
Inscription script: Black Letter&#13;
Inscription content: /SI.ADOLFI.DE.EPSTEI.A/RD.IN.ECCIA.TREU'&#13;
Inscription transliteration: /SI[GILLUM].ADOLFI.DE.EPSTEI[N].AR[CHI]D[IACO].IN.ECC[LES]IA[E].TRE[VERICA]U[RBS]&#13;
Inscription translation: Seal of Adolf of Epstein, archdeacon? in the curch of Trier. Siegel des Adolf von Epstein, Erzdiakon? der Kirche von Trier.&#13;
Inscription note: The Transliteration of "AR" as archdeacon is unsure. Orbis Latinus gives more options for the latin name of Trier, so their might be different possibilities to transliterate the last abbreviation.&#13;
&#13;
Two wax impressions, one on paper and one gutta percha.&#13;
&#13;
Identified as the Matryrdom of St. Agatha.&#13;
&#13;
Tonnochy Slip Catalogue says that the arms of Eppstein are argent, three chevrons gules.</text>
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                <text>Named in inscription: Trier&#13;
Europe: Germany: Rhineland-Palatinate (state): Trier</text>
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                <text>Made in: Germany&#13;
Europe: Germany</text>
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                <text>15th century</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/H_1847-0802-7&#13;
Purchased from: Curtis&#13;
</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>bronze, wax, engraved</text>
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        <name>pincers</name>
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        <name>sait agatha</name>
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      <tag tagId="1">
        <name>tools</name>
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      <tag tagId="6">
        <name>torture</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Female saints</text>
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                <text>Sixteen female saints; half-length figures with their respective attributes, arranged in four rows.&#13;
Woodcut&#13;
Height: Height: 216 millimetres&#13;
Width: Width: 166 millimetres&#13;
Inscription content: Lettered with the names of the individual saints on banderoles below the figures.&#13;
Forming a pair with E,8.175, the style corresponds closely with Wechtlin's scenes from the life of the Virgin and of Christ (Passavant III.331-2, II.53) but there is no printing on the versos and it is unclear whether they were designed as book illustrations or not. See Röttinger p.1 note 1; manuscript catalogue by Karl Parker (compiled in the 1920s) for a proposed sequel to Campbell Dodgson's 'Catalogue of Early German Woodcuts in the British Museum' [and British Library], vol.2, woodcuts by Wechtlin, no. 30.&#13;
&#13;
Representation of: St Anne&#13;
Representation of: St Mary Magdalene&#13;
Representation of: Virgin Mary&#13;
Representation of: St Martha&#13;
Representation of: St Ursula&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Barbara&#13;
Representation of: St Margaret of Antioch&#13;
Representation of: St Dorothea&#13;
Representation of: St Agatha&#13;
Representation of: St Lucy&#13;
Representation of: St Agnes&#13;
Representation of: St Cecilia&#13;
Representation of: St Catherine of Siena&#13;
Representation of: St Otilia&#13;
Representation of: St Elizabeth of Hungary</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Hans Wechtlin</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Passavant 1860-64 / Le Peintre-Graveur (Undescribed)</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>German</text>
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            <name>Date</name>
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                <text>1500-26</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_E-8-176</text>
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        <name>female saints</name>
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        <name>saint agatha</name>
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        <name>tools</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Die Heyligen Junckfrawen unnd Mertirerin inn dem Himlischen Rosengartten</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Broadside on the heavenly rose garden; with a stencil-coloured woodcut from eight (?) blocks of virgin saints and the Holy Kinship seated on benches in front of rose bushes arranged in four horizontal strips; below 30 lines of German letterpress verse in eight columns describing the Christian path to the rose garden. (Nuremberg: n.d.)&#13;
&#13;
Height: Height: 1005 millimetres (Borderline) (Borderline)&#13;
Height: Height: 1061 millimetres (Sheet size) (Sheet size)&#13;
Width: Width: 704 millimetres (Borderline) (Borderline)&#13;
Width: Width: 704 millimetres (Sheet size) (Sheet size)&#13;
&#13;
Inscription content: Publication line: 'Gedruckt zu Nürnberg, bey Hans Wolff Glaser.'&#13;
&#13;
Representation of: St Lucy&#13;
Representation of: St Christina&#13;
Representation of: St Mary Magdalene&#13;
Representation of: St Elizabeth of Hungary&#13;
Representation of: St Apollonia&#13;
Representation of: St Ursula&#13;
Representation of: St Margaret of Antioch&#13;
Representation of: St Martha&#13;
Representation of: St Agatha&#13;
Representation of: St Agnes&#13;
Representation of: St Dorothea&#13;
Representation of: St Barbara&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Joseph&#13;
Representation of: Virgin Mary&#13;
Representation of: Jesus Christ&#13;
Representation of: St Anne&#13;
Representation of: St Joachim&#13;
Representation of: God</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Printed by: Hans Wolfgang Glaser</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Printed in: Nuremberg&#13;
Europe: Germany: Bavaria (state): Mittelfranken (region): Nuremberg</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1550-70</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1930-0617-37&#13;
Purchased from: C G Boerner (sale Leipzig, 6/9 May 1930/637)&#13;
Previous owner/ex-collection: Friedrich August II, King of Saxony (Lugt 971)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>woodcut, letterpress, stencil printing</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of a lady</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Object: Object: Giulia Gonzaga&#13;
Series: Series: The National Gallery of Pictures by the Great Masters</text>
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            <description>An account of the resource</description>
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                <text>Plate 63: Portrait of a lady traditionally identified as Giulia Gonzaga, half-length, turned to right; after Sebastiano del Piombo. c.1836&#13;
Etching and engraving&#13;
Height: Height: 271 millimetres&#13;
Width: Width: 214 millimetres&#13;
Inscription content: Lettered in lower margin with title and production details: "Engraved by L. Stocks" and "From the original Picture by Sebastiano del Piombo in / The National Gallery / No.63" and "Jones &amp; Co. Temple of the Muses, Finsbury Square, London.".&#13;
After Sebastiano del Piombo's "Portrait of a lady with the attributes of Saint Agatha" of c. 1540 in the National Gallery (inv. NG 24), thought at the time to represent Giulia Gonzaga.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>After: Sebastiano del Piombo&#13;
Print made by: Lumb Stocks&#13;
Published by: Jones &amp; Co</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Italian / British&#13;
Published in: London (England)&#13;
Europe: British Isles: England: London (England)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1836</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1861-1214-66&#13;
Purchased from: Willis &amp; Sotheran</text>
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        <name>female subject</name>
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        <name>female subjectivity</name>
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        <name>portrait</name>
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      <tag tagId="5">
        <name>saint agatha</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>book illustration</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The name of God in Hebraic characters, surrounded by the Apostles, and with other Christian saints standing below; illustration to an unidentified book, page 201 or 203, with letterpress text printed in red and black on verso&#13;
Engraving&#13;
Height: Height: 223 millimetres&#13;
Width: Width: 159 millimetres&#13;
Not in IFF; from the same book as 1610,0208.4.&#13;
&#13;
Representation of: God&#13;
Representation of: Apostles&#13;
Representation of: St Catherine of Alexandria&#13;
Representation of: St Barbara&#13;
Representation of: St Agatha&#13;
Representation of: St Laurence</text>
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French</text>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1910-0208-5&#13;
Donated by: Sydney Vacher&#13;
stamp printed in blue, on verso: 'TH.re PETIT INStt'</text>
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                <text>Series: Series: Les images de tous les saints et saintes de l'année</text>
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                <text>Four oval scenes, each related to religious events or saints celebrated in February; from left to right and top to bottom, a soldier shearing the breast of a young female saint tied to a pillar (St Agatha's Day); a man armed with a brand and burning the side of a young female saint tied to a pillar (St Dorothea's Day); a Bishop saint standing in a landscape with a palm leaf in right hand, and reading a book (St Paul of Verdun's Day); a bespectacled hermit saint standing in a landscape and reading a book; a rosary hangs from his belt (St Romuald's Day). c.1632/35&#13;
Etching&#13;
Height: Height: 210 millimetres&#13;
Width: Width: 123 millimetres&#13;
Inscription content: Each scene lettered with name of publisher, date of feastday and title&#13;
From a set of 124 plates (a title, a frontispiece and 122 plates of 4 scenes each), see 1861,0713.511 for comment.&#13;
&#13;
Representation of: St Agatha&#13;
Representation of: St Dorothea&#13;
Representation of: St Paul of Verdun&#13;
Representation of: St Romuald</text>
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                <text>Print made by: Jacques Callot&#13;
Published by: Israël Henriet</text>
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                <text>Lieure 1927 / Jacques Callot (848-851.II)&#13;
Meaume 1860 / Recherches sur la vie et les ouvrages de Jacques Callot (302-425)</text>
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                <text>French</text>
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                <text>1632-35</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1861-0713-526&#13;
Purchased from: Charles Scarisbrick (From the Scarisbrick collection of Callot's work)&#13;
Purchased through: Christie's (14.v.1861/part of lot 475)&#13;
Purchased through: Colnaghi</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saints celebrated in February</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Six female saints; St Mary Magdalene, St Rosalia, St Apollonia, St Agnes, St Dorothy, St Agatha; six roundels aligned in three rows; sheet four of the series; second state&#13;
Engraving&#13;
Diameter: Diameter: 43 millimetres (c., each roundel) (c., each roundel)&#13;
Height: Height: 171 millimetres (plate) (plate)&#13;
Width: Width: 120 millimetres&#13;
Inscription content: Signed below "Israhel V M".&#13;
Part of a series of designs for goldsmiths, consisting of eight engravings (L 445-452) with forty-eight circular scenes with religious subjects (each plate containing six roundels).&#13;
&#13;
According to Lehrs, Meckenem copied the designs, at least in regards to the alignment of the roundels, after the Master ES.&#13;
&#13;
The majority of the roundels have been cut out; an entire set of eight intact sheets is not known to exist.&#13;
&#13;
Representation of: St Mary Magdalene&#13;
Representation of: St Rosalia&#13;
Representation of: St Apollonia&#13;
Representation of: St Agnes&#13;
Representation of: St Dorothea&#13;
Representation of: St Agatha</text>
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                <text>Print made by: Israhel van Meckenem</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Lehrs 1908-34 / Geschichte und kritische Katalog des deutschen, niederländischen und französischen Kupferstichs im XV Jahrhundert (IX.353.448)&#13;
Bartsch / Le Peintre graveur (VI.260.153)&#13;
Hollstein / German engravings, etchings and woodcuts c.1400-1700 (448.II)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
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                <text>1480-90</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="312">
                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1925-0406-87Purchased from: Albertina</text>
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        <name>female saints</name>
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        <name>martyrs</name>
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        <name>saints</name>
      </tag>
      <tag tagId="1">
        <name>tools</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Agatha</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Object: Object: Non sunt condignae...&#13;
Series: Series: Ecclesiae Militantis Triumphi (Triomphes de l'Eglise Militante) (Triomphes de l'Eglise Militante)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Plate 18: Martyrdom scenes with St Agatha being tied to a pillar in foreground, her sheared breasts lying in front of her, the Popes Fabian and Cornelius being beheaded in left background, St Tryphon hung from a tree and beaten in left background, Abdon and Senna attacked by lions in central background; letters A-D within composition indicating different scenes&#13;
Engraving&#13;
Height: Height: 201 millimetres&#13;
Width: Width: 136 millimetres&#13;
Inscription content: Titled in top margin: "Non svnt condignæ passiones hvivs temporis. Rom.VIII.". Lettered and numbered '18' in lower margin, with explanatory key in Latin.&#13;
This is one from a series of thirty-one plates (and title-page), for comment see 1863,0509.761.&#13;
Representation of: St Agatha&#13;
Representation of: Pope Fabian (St Fabian)&#13;
Representation of: Pope Cornelius (St Cornelius)&#13;
Representation of: St Tryphon&#13;
Representation of: St Cyprian of Carthage&#13;
Associated with: Decius&#13;
Associated with: Valerian&#13;
Associated with: Gallienus</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Print made by: Jan van Haelbeck&#13;
Published by: Jean Leclerc IV</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="302">
                <text>Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (undescribed)&#13;
IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (227-258)&#13;
</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Published in: Paris (France)&#13;
Europe: France: Ile-de-France (region): Paris (France)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1600-20</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="305">
                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1863-0509-779&#13;
Purchased from: Molini (&amp; Green)</text>
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        <name>saint agatha</name>
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      </tag>
      <tag tagId="1">
        <name>tools</name>
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        <name>torture</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saint Agatha</text>
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      <name>Physical Object</name>
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            <description>An account of the resource</description>
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                <text>Church martyrs, with in the foreground St Agatha, tied to a stake and having her breasts cut by an executioner; beyond, at right, St Tryphon, hanging upside down from a tree, and Sts Fabian and Cornelius being beheaded; at left, St Abdon and Sennen being spared by the lions; after the fresco executed in San Stefano Rotondo by Niccolò Circignani&#13;
Engraving&#13;
Height: Height: 272 millimetres&#13;
Width: Width: 172 millimetres&#13;
Inscription content: Signed on plate with monogram: 'MP'. Numbered 'No.20' on plate. Lettered above image: 'Non sut condignae passiones huiu temporis ad ro. VIII' and below: 'Decio Valeriano et Galieno Impp.', and explanatory key.&#13;
Representation of: St Agatha&#13;
Representation of: Pope Fabian (St Fabian)&#13;
Representation of: Pope Cornelius (St Cornelius)&#13;
Representation of: St Tryphon&#13;
Representation of: St Abdon&#13;
Representation of: St Sennen</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="294">
                <text>Print made by: Monogrammist MP&#13;
After: Niccolò Circignani</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="295">
                <text>Associated with: Rome (S. Stefano Rotondo)&#13;
Europe: Italy: Lazio: Rome (province): Rome (city)&#13;
Topographic representation of: Colosseum&#13;
Europe: Italy: Lazio: Rome (province): Rome (city): Colosseum</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>British Museum&#13;
https://www.britishmuseum.org/collection/object/P_1869-0410-1576&#13;
Purchased from: José de Salamanca y Mayol, Marquis of Salamanca&#13;
Purchased through: Sotheby's (24-7.ii.1869/435)&#13;
Purchased through: Edward Daniell&#13;
Previous owner/ex-collection: José de Madrazo&#13;
</text>
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                <text>Series: Series: Imagini di molte SS Vergini Rom.e nel martirio</text>
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Etching&#13;
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Width: Width: 117 millimetres&#13;
Inscription content: Lettered within image with saint's name and feast day</text>
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