Engraving
Height: Height: 87 millimetres
Width: Width: 55 millimetres
Inscription content: Handwritten inscription on the verso, in pencil, mentioning a sale (177?, no.15-4) at which the print was probably sold
NOTE: the whole breasts where in another edition the breasts are removed
"The artist did not fully understand Marcantonio’s print and in his engraving omitted to emphasize St Agatha’s cut breasts."]]> Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)]]> https://www.britishmuseum.org/collection/object/P_H-1-124
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)
Previous owner/ex-collection: Jonathan Blackburne (with Blackburne’s annotation on verso in pencil ‘[...] sale – 17[...] / N°. 15 – 4’)]]> Etching
Height: Height: 563 millimetres
Width: Width: 306 millimetres
Inscription content: Lettered below image with production detail: 'J. B. Cignarolius pinxit - D. C. D.' and dedication to 'Clarissimo Viro D. Carolo Emanuelli Groscavalli Comiti Palatii...' (Carlo Emanuele Cavalleri di Groscavallo, 1706-1787 ?).
The engraver's monogram was described by Nagler (Die Monogramisten No.1017) as the signature of an unidentified 18th century engraver active in Italy, possibly a member of the David family.

Professor Robert Randolf Coleman has kindly drawn our attention to his work identifying the printmaker as Angelo Ghizzardi (see R.R. Coleman, "The Ambrosiana Albums of Giambettino Cignaroli (1706-1770): A Critical Catalogue", Milan; Rome: Biblioteca Ambrosiana; Bulzoni Editori, 2011, pp. 14, 89, 91, 117, 119, fig. 55 and p. 221, no. 343). Carmen Nagel (email Dec 2022): this etching shows a painting that was made for the chapel in the Royal palace in San Ildefonso and is now in the Prado (POOOO99).]]> After: Giambettino Cignaroli]]> https://www.britishmuseum.org/collection/object/P_1951-0714-110
Purchased from: Colnaghi
Previous owner/ex-collection: Liechtenstein]]> Etching and engraving
Height: Height: 64 millimetres
Width: Width: 38 millimetres
Inscription content: Collector's initials 'JB' in pen and ink on verso (Lugt 1419)]]> https://www.britishmuseum.org/collection/object/P_H-1-125
Bequeathed by: Clayton Mordaunt Cracherode (with Philipe's oval blindstamp with the initials CMC)
Previous owner/ex-collection: John Barnard (L.1420)
acquisitioned 1799]]> Bartsch / Le Peintre graveur (XIV.142.170)
Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)]]> Engraving
Height: Height: 229 millimetres
Width: Width: 165 millimetres
Inscription content: Lettered with production detail: 'Aless. Bonvicini detto il Moretto dip. - Aless. Sala dis. e inc.'.]]> After: Alessandro Bonvicino, il Moretto]]> https://www.britishmuseum.org/collection/object/P_1862-1213-498
Purchased from: Molini (& Green)
1862]]> After a painting now in the church of St Clemente, Brescia.]]> Engraving
Height: Height: 155 millimetres
Width: Width: 98 millimetres
Inscription content: Signed in lower left corner of impression: "R. Sadeler excudit.". Titled and lettered in Latin in lower margin, in four lines: "S. Agatha" and "cernis, vt alternus ... / ... ne latex.". Inscribed on sheet in pen and ink at upper right "88".]]> https://www.britishmuseum.org/collection/object/P_1863-0509-726
Purchased from: Molini (& Green)
1863]]> Flemish]]> Engraving
Height: Height: 248 millimetres
Width: Width: 182
Inscription content: Lettered bottom right 'Diana incidebat Romae 1577' and in bottom margin 'S.Agatha'.]]> After: Ippolito Costa
(more related to Scultori https://www.britishmuseum.org/collection/term/BIOG45760) ]]> https://www.britishmuseum.org/collection/object/P_1872-1012-3459
purchased from Edward Daniell
1872]]>
See Paolo Bellini, ‘L'opera incisa Adamo e Diana Scultori’, Vicenza, 1991, p. 220.]]> Engraving
Height: Height: 83 millimetres
Width: Width: 49 millimetres
Inscription content: Signed on plate with a monogram "MAF" at lower right]]> https://www.britishmuseum.org/collection/object/P_H-1-123
acquired 1837]]> Delaborde 1888 / Marc-Antoine Raimondi: Etude Historique et Critique suivie d'un catalogue raisonné des oeuvres du maitre (128.72)]]> Engraving
Height: Height: 253 millimetres
Width: Width: 184 millimetres
Inscription type: inscription
Inscription content: Lettered in cartouche within image: 'S. AGATHA VIRGO / ET MARTYR.' Lettered below image: 'VENERABILI AC RELIGIOSAE VIRGINI PRVDENTIAE...PHILIPPVS GALLEAUS, IN AEMVLATIONIS, AD EIVSDEM / SANCTAE PIETATEM ET VIRTVTES STIMVLVM LVBENS DEDICAT.']]> Print made by: Antonius Wierix
Published by: Philips Galle]]> https://www.britishmuseum.org/collection/object/P_1957-0413-224
Previous owner/ex-collection: Elizabeth, Duchess of Northumberland (Courtier. In 1750 succeeded her father, Algernon Seymour as Baroness Percy while her husband, Sir Hugh Smithson (q.v.) succeeded him as Earl of Northumberland and assumed the name Percy; in 1766, he was created Duke of Northumberland.)
for more items that she owned: https://www.britishmuseum.org/collection/term/BIOG158120
acquisitioned 1957]]> Published in: Antwerp (city)
Europe: Belgium: Flemish Region: Antwerp (province): Antwerp (city)]]> Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (752)
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (1316.I)]]> Engraving
Height: Height: 70 millimetres
Width: Width: 47 millimetres
Inscription type: inscription
Inscription content: Lettered with a monogram in lower right corner.]]> https://www.britishmuseum.org/collection/object/P_1922-0612-6
Purchased from: Robert Dunthorne
Previous owner/ex-collection: William Bell Scott
Previous owner/ex-collection: William Odling (sale Sotheby's 4.iv.1922/497)
acquisitioned 1922]]> Height: Height: 169 millimetres
Width: Width: 119 millimetres
From 'Le piu insigni pitture Parmensi', see 1852,0612.360 for comment.
Print after Parmigianino's fresco in the church of San Giovanni Evangelista, Parma (See Gould, 1994, cat. A33)
See Mussini, Parmigianino tradotto, 2003, n. 110]]> After: Parmigianino
Intermediary draughtsman: Francisco Vieira 'Portuense']]> https://www.britishmuseum.org/collection/object/P_1852-0612-394
Purchased from: George Willis in 1852]]> Europe: Italy: Emilia-Romagna: Parma (province): Parma (city)
Associated Title: Le più insigni pitture Parmensi indicate agli amatori delle più Belle Arti (Parma, 1809)]]>